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Úvodní stránka » NEWS » Charles Hayward — Objects Of Desire

Charles Hayward — Objects Of Desire (2019 [1975])          Charles Hayward — Objects Of Desire (2019 [1975])Pamela MÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃéndez ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃâ Time (22 Feb 2019)Born: 1951
Location: Camberwell, London, England
Genre: Electronic
Style: Field Recording, Sound Art
Format: Cassette, Album, Limited Edition
Series: The Blank Tapes Series — TBT027
Album release: 19 Mar 2019 [1975]
Record Label: Blank Editions
Duration:     28:54+29:54 =>58:48
A1 A Free Monday With Every Machine
A2 Carbon Monoxide
A3 Neurovision Song Of Catatonia/Birdsong In Refridgeration
A4 Pigeon Sisters
A5 Botticelli
A6 Solution/Solvent
A7 Identity Parade   28:54
B1 Unsure Start Again
B2 Sunray Avenue
B3 Atomium
B4 Anna Blume
B5 Arc De Triomphe   29:54
•  Mastered by — John Hannon
Notes from cassette insert:
•  Cassette recordings by Charles Hayward, Camberwell August to September 1975.
Sony and Binatone cassette machines, Brenell 2~track reel~to~reel, Vox AC30, Ludwig drum kit, voice, piano, Maestrovox microphonic keyboard, Hohner Club 54 guitar, toy piano, percussion, kazoo, whistles, harmonica, squeeze box, found objects, loops.
•  Edited and manipulated on Crossfields 2011.
•  Comes with download insert.
⊃∫⊂      “Charles Hayward is an English drummer and was a founding member of the experimental rock groups This Heat and Camberwell Now. He also played with Mal Dean’s Amazing Band, Dolphin Logic, and gigged and recorded with Phil Manzanera in the group Quiet Sun project as well as a short stint with Gong. He was a session musician on The Raincoats’ second album, Odyshape, and on one occasion played drums for the anarchist punk band Crass. Since the late 1980s he has concentrated on solo projects and collaborations, including Massacre with Bill Laswell and Fred Frith. His first solo record, Survive the Gesture, was released in 1987. Since then, he has released 10 more long players, and has been touring with the reformed This is not This Heat. Begin Anywhere is his brand new solo album and shows a different side to the Charles Hayward we know. The drum set is left in the corner, and instead we get fragile yet powerful songs on piano and voice. A very personal Hayward album, let yourself be surprised.”



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