DEERHUNTER — FADING FRONTIER (October 16th, 2015)

    DEERHUNTER — FADING FRONTIER (October 16th, 2015)DEERHUNTER — FADING FRONTIER (October 16th, 2015)•≡≡•   Ačkoli Cox trvá na tom, znovu a znovu opakujíc, že mystické texty v jeho písních mají velmi málo autobiografického obsahu, “Duplex Planet” zdá se, odkazuje na jeho rekonvalescenci po zranění po nehodě na konci roku 2014. The Deerhunter mastermind’s latest musical whims take the band into more straightforward pop territory — but there’s still a deep disquiet to it all.
Location: Atlanta, Georgia, United States
Album release: October 16th, 2015
Record Label: 4AD
Duration:
Tracks:
1. "All the Same"   3:05
2. "Living My Life"   3:49
3. "Breaker"   3:31
4. "Duplex Planet"   2:40
5. "Take Care"   4:12
6. "Leather and Wood"   5:55
7. "Snakeskin"   4:20
8. "Ad Astra"   5:32
9. "Carrion"   2:58
•≡≡•   All songs written and composed by Bradford Cox, except Ad Astra by Lockett Pundt.
Personnel:
•≡≡•   Bradford Cox — lead vocals, guitar, percussion, keyboards, electronics (2001–present)
•≡≡•   Moses Archuleta — drums, percussion, electronics (2001–present)
•≡≡•   Lockett Pundt — guitar, occasional lead vocals, keyboards (2005–present)
•≡≡•   Josh McKay — bass guitar, organ (2013–present)
Additional:
•≡≡•   Tim Gane — electronic harpsichord (4)
•≡≡•   James Cargill — synthesisers, tapes (5)
•≡≡•   Zumi Rosow — treated alto saxophone (7)
•≡≡•   ‘Fading Frontier’ is the seventh studio album by Deerhunter on 4AD. The record was made by founding members Bradford Cox, Lockett Pundt and Moses Archuleta, and bassist Josh McKay. Written in their hometown of Atlanta, GA, production duties were shared by the band and Ben H. Allen III, continuing a collaboration that began with 2010’s 'Halcyon Digest'. Following the death–rattle garage catharsis of 2013’s 'Monomania', the group has shifted towards something strikingly balanced, focused on melody and texture. The songs are brighter; if not in content, then in the album's production. Starkness plays against clutter in what is the band's most complex yet accessible work to date. Cox and Pundt share lead vocal duties (a first for the band) on the enthralling 'Breaker', while the darker 'Take Care' (featuring Broadcast’s James Cargill on synthesizers and tape manipulation) and 'Leather and Wood' — a strange hybrid of J.G. Ballard's dystopian grey–skied science fiction and the most Spartan Motown downer imaginable — paint a varied spectral landscape. Elsewhere, the likes of 'Snakeskin’ showcase a sinister flirtation with minimalist funk, whilst Pundt makes a typically masterful statement with the synth–diffused 'Ad Astra', which culminates in one of the album's most transcendent moments. 'Fading Frontier' shows that a decade in, Deerhunter has lost none of its intensity. As the group matures, so they have grown into the most consistent purveyors of art–rock of their generation.
ding Frontier, the highly anticipated new album by Deerhunter, is released worldwide today.
•≡≡•   After sharing the video to new single 'Living My Life’ earlier this week, and riding on a wave of critical acclaim, Deerhunter’s new record is now available to buy on LP, CD, digitally and stream on all platforms.
•≡≡•   Fading Frontier, Deerhunter’s seventh studio album, was written and recorded in the band’s hometown of Atlanta, GA, with production duties shared by the band and Ben H. Allen, continuing a collaboration that began with 2010’s acclaimed Halcyon Digest.  Fading Frontier also features contributions from Broadcast’s James Cargill and Tim Gane from Stereolab.  You can learn more about the record at the band's new interactive website, which features a concept map designed by Bradford Cox.
•≡≡•   Following the death–rattle garage catharsis of Monomania, the group have shifted towards something strikingly balanced, focused on melody and texture.  The songs are brighter; if not in content, then in the album’s production.  Starkness plays against clutter in what is the band’s most complex yet accessible work to date.
•≡≡•   Cox and Pundt share lead vocal duties (a first for the band) on the enthralling ‘Breaker’, while the darker ‘Take Care’ (featuring Broadcast’s James Cargill on synthesizers and tape manipulation) and ‘Leather and Wood’ — a strange hybrid of J.G. Ballard’s dystopian grey–skied science fiction, and the most spartan Motown downer imaginable — paint a varied spectral landscape.  Elsewhere, the likes of ‘Snakeskin’ showcase a sinister flirtation with minimalist funk, whilst Pundt makes a typically masterful statement with the synth–diffused ‘Ad Astra’, which culminates in one of the album’s most transcendent moments.
•≡≡•   Fading Frontier shows that a decade in, Deerhunter has lost none of its intensity.  As the group matures, so they have grown into the most consistent purveyors of art–rock of their generation.
REVIEW
•≡≡•   Alexis Petridis’s album of the week.
Thursday 15 October 2015 15.00 BST;  Score:
•≡≡•   His media persona is predicated on a certain gobby obnoxiousness, but it’s still hard not to feel a twinge of sympathy for Bradford Cox. In recent years, he has seemed incapable of making an album without being spurred by some personal tragedy. Deerhunter’s 2010 album Halcyon Digest and Cox’s 2011 album Parallax, under his Atlas Sound alias, were each inspired by the deaths of close friends — Memphis singer–songwriter Jay Reatard and Broadcast’s Trish Keenan. Cox was left so distraught by the latter’s passing that he attempted to contact her via automatic writing. Deerhunter’s 2013 album Monomania, meanwhile, detailed the aftermath of Cox apparently falling in love for the first time; he had previously described himself as asexual. He kept largely tight–lipped about the details, but judging by the album’s angsty squalls of noise and super–distorted garage rock, you did rather get the feeling that he and his amorata hadn’t parted on terribly good terms.
•≡≡•   Its follow–up, Fading Frontier, was pre–empted by Cox being hit by a car last December.” Cox has long established himself as an unpredictable figure (he once responded to a heckler jokily shouting for the Knack’s My Sharona by playing My Sharona for an hour), and so it is with his musical response to being run over. An experience that left him with a broken pelvis and jaw, in “incredible pain” and on antidepressants, seems to have inspired Deerhunter’s most straightforward, uplifting, pop–infused album to date: nine songs dispatched in a crisp 36 minutes.
•≡≡•   Should anyone wonder where Fading Frontier is coming from musically, Cox produced a map of influences on the album. Plenty of them seemed suitably left–field, befitting a record that features contributions from Stereolab’s Tim Gane and Trish Keenan’s former Broadcast partner, James Cargill: Ligeti, Pharoah Sanders, avant–garde Chilean poet Vicente Huidobro, electronic music pioneer Laurie Spiegel. But it was the names on the right of the map that drew the most interest, including INXS, Tom Petty, Tears for Fears’ Songs from the Big Chair, and that defining sound of 80s stadium rock, the “gated reverb snare”.
•≡≡•   While it’s often thick with glossy synthesisers — they shimmer on Duplex Planet, while Breaker is eventually completely submerged beneath them — Fading Frontier doesn’t sound much like any of those influences, although there may be a hint of the Heartbreakers about the chiming guitars of Take Care and All the Same, and Snakeskin could be Deerhunter’s warped attempt to channel the stadium–funk–rock spirit of INXS’s Suicide Blonde. While we’re in the business of qualifying statements, it’s perhaps worth noting that the adjective “uplifting” is relative: there are certainly more soaring melodies here than on Monomania, but they’re balanced out by more emotionally ambiguous lyrics. Its notion of happiness often seems to involve vanishing entirely. “I’m off the grid, I’m out of range,” Cox sings over a beatific drift of synths and guitar on Living My Life; the traditional American folk song I Wish I Was a Mole in the Ground turns up twice. All the Same offers up an inspirational homily — “Take your handicaps, channel them and feed them back until they become your strengths” — but only after detailing a series of grim scenarios, among them agonising pain — “no comfort except for air” — and a gender reassignment with disastrous consequences. On the closing track, meanwhile, it’s difficult to tell whether Cox is singing “carry on” or “carrion”, whether he’s talking about optimistically forging ahead or picking glumly at the bones of a corpse.
•≡≡•   But these are complexities you don’t notice for a while, so smoothly does Fading Frontier go about its business; only Leather and Wood, with its crawling tempo, discordant piano and flickers of agitated electronics, allows the lyrical disquiet to seep into the music itself. Its six minutes jar against the songs around it — a flow of beautifully wrought tunes and confident, sunlit arrangements. Indeed, there are so many straightforwardly commercial–sounding songs here that Fading Frontier could conceivably be an album that turns Deerhunter from cult concern into mainstream success.
•≡≡•   That would be a welcome turn of events — the world could use more interesting mainstream rock stars, and whatever else you make of his lofty interview pronouncements and erratic behaviour, it’s hard to argue that Cox is boring. But even if it comes to pass, it’s probably not a state of affairs built to last. Monomania’s sudden lurch into noise established that Deerhunter were the kind of band who operate according to their frontman’s own internal logic; listeners were invited to either gratefully tag along with him or get lost. Fading Frontier’s diversion into something more direct seems just as whimsically driven. You wouldn’t bet on their next album sounding much like it. •≡≡•   http://www.theguardian.com/
PRESS:
•≡≡•   “Remarkable album, one that only grows more awesome with each listen.” — NME *****
•≡≡•   “Certainly belongs in any discussion of their best.” — Spin (9/10)
•≡≡•   “Thrilling.” — Uncut (9/10)
•≡≡•   “Phenomenal.” — Under The Radar (9/10)
•≡≡•   “Deerhunter’s most content, warm and plainspoken work to date.” — Pitchfork (8.4 — Best New Music)
•≡≡•   “Takes the band into more straightforward pop territory — but there’s still a deep disquiet to it all.” — The Guardian **** 
•≡≡•   “Deerhunter’s most accessible songs yet are also their most affecting.” — MOJO ****
Website: http://deerhuntermusic.com/
Label: http://4ad.com/
Shop: http://www.roughtrade.com/albums/96750
Also:
BY MARIA SCHURR, 13 October 2015;  SCORE: 6
•≡≡•   http://www.popmatters.com/review/deerhunter-fading-frontier/
By Michael Cyrs, 15 October 2015; Score: 8
•≡≡•   http://www.thefourohfive.com/music/review/deerhunter-fading-frontier-144
By SIMON CHANDLER;  SCORE: ***½
•≡≡•   http://www.tinymixtapes.com/music-review/deerhunter-fading-frontier
BY JAMES RAINIS, OCTOBER 14, 2015; SCORE: ****
•≡≡•   http://www.slantmagazine.com/music/review/deerhunter-fading-frontier
_____________________________________________________________

DEERHUNTER — FADING FRONTIER (October 16th, 2015)

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Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
KMRU — Peel (18th Sept., 2020)
Kris Delmhorst — Blood Test
Bill Callahan — Gold Record (Sept. 4, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Asher Gamedze – Dialectic Soul (July 10, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Throwing Muses — Sun Racket (Sept. 4, 2020)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
PVRIS — Use Me (March 3, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
The Flaming Lips — American Head (Sept. 11, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Sara Bareilles — More Love: Songs from Little Voice Season One (
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)
Lo Tom — LP2 (September 11, 2020)
The Telescopes — Hidden Fields (August 7th, 2015)
Slow Pulp — Moveys (Oct. 9, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)