| Edgar Broughton Band |
Edgar Broughton Band |
Edgar Broughton Band — Edgar Broughton Band (May 1971) [Reissue 1994, June 10, 2008, August 9, 2004]
•■• Edgy British rockers who bore a resemblance to early Captain Beefheart. 
Location: Warwick, England
Genre: Psychedelic Blues/Hard Rock
Album release: May 1971
Recorded: 1971
Record Label: Harvest / Repertoire Records / Parlophone UK
Duration: 55:04
Tracks:
01. Evening Over Rooftops 5:02
02. The Birth 3:23
03. Piece Of My Own 2:50
04. a) Poppy
• b) Don’t Even Know Which Day It Is 6:38
05. House Of Tournabout 3:08
06. Madhatter 6:16
07. a) Getting Hard intro
• b) What Is A Women For? 7:31
08. Thinking Of You 2:06
09. a) For Dr. Spock (Part One)
• b) For Dr. Spock (Part Two) 3:52
Bonus tracks:
10. Out Demons Out 4:49
11. Apache Drop Out (Apache Intro. Drop Out Boogie) 3:14
12. Freedom 3:16
13. Up Yours! 3:01
Personnel:
• Edgar Broughton — Vocals, guitar
• Arthur Grant — Bass guitar, vocals
• Steve Broughton — Drums, vocals
• Victor Unitt — Guitar, harmonica, piano, organ, vocals
Credits:
• David Bedford Piano
• Mark Brennan Liner Notes
• Edgar Broughton Bass, Composer, Guitar, Horn, Keyboards, Vocals
• Edgar Broughton Band Composer
• Steve Broughton Bass, Drums, Guitar, Keyboards, Vocals
• P. Harold Fatt Vocals
• Arthur Grant Bass, Guitar, Keyboards, Vocals
• Herb Lorden Composer
• Mike Oldfield Guitar, Harmonica, Mandolin
• Victor Unitt Guitar, Harmonica, Keyboards, Vocals
• Johnny VanDerrick Violin
Description:
■ Formed in 1968 in Warwick, England, the Edgar Broughton Band were part of the late 60s British underground blues boom. Led by the Broughton brothers, vocalist/guitarist Edgar Broughton and drummer Steve Broughton, and fleshed out by bassist Arthur Grant and guitarist Victor Unitt (who also briefly served with The Pretty Things), they were contemporaries of Groundhogs, Hawkwind, and The Pink Fairies, but were unique within the movement due to their radical political consciousness. In May 1971 they released possibly their finest work: their eponymous third album, which contained the classic “Evening Over Rooftops” (with strings by David Bedford which Edgar Broughton called “stunning”). Mike Oldfield also featured on “Thinking Of You”.
AllMusic Review by Dave Thompson; Score: ***½
• The most conventional of the Edgar Broughton Band’s first (and best) three albums, 1971’s Edgar Broughton Band finds the group dispensing with the no~holds~barred mania and theatricality responsible for such classics as “Out Demons Out,” “Up Yours,” and “Apache Drop Out” and concentrating instead on more musical endeavors. It’s an approach that arguably captures the band at their very best at the same time as revealing them at their ugliest. The two~part epic “For Dr. Spock” conjures images of Gong, as it drifts closer to space rock than the Edgar Broughton Band had hitherto ventured, while “House of Turnabout” certainly restates the group’s free~freak credentials with its rumbling percussion and scything guitars, a second cousin to the roars that punctuated Wasa Wasa and Sing Brother Sing. The heart of Edgar Broughton Band, however, lies elsewhere. The lilting chant “Thinking About You,” with its spectral reminders of John Lennon’s “Working Class Hero,” is certainly one of their most rancorous concoctions, while “Evening Over Rooftops” rides an acoustic guitar as pretty as its flowery lyric, but you know there’s something rotten squirming just below the surface, even if you can never quite put your finger on it. The pure pop backing vocals, all “sha~la~la” and “doo~be~doo~be~doo,” of course, only add to your unease. And, as that is merely the opening number, you can guess what you’re in for over the rest of the album long before you actually get it.
Studio albums:
■ Wasa Wasa (1969)
■ Sing Brother Sing (1970) — #18 UK
■ Edgar Broughton Band (1971) — #28 UK
■ In Side Out (1972)
■ Oora (1973)
■ Bandages (1976)
■ Parlez~Vous English? (1979) (as The Broughtons)
■ Superchip (1982) (subtitled ‘The Final Silicon Solution?’)
Personnel:
• Edgar Broughton (born Robert Edgar Broughton, 24 October 1947 (age 69), Warwick, Warwickshire) — lead vocals, guitars, bass, percussion (1968~1976, 1978~1982, 1989, 2006~2010)
• Steve Broughton (born Stephen Alex Broughton, 20 May 1950 (age 66), Warwick) — drums, percussion, guitars, bass, keyboards, vocals (1968~1976, 1978~1982, 1989, 2006~2010)
• Arthur Grant (born Arthur James Grant, 14 May 1950 (age 66), Leamington Spa, Warwickshire) — bass, guitars, keyboards, percussion, vocals (1968~1976, 1978~1982, 1989, 2006~2010)
• Victor Unitt — guitars, keyboards, vocals (1971~1973)
• John Thomas — guitars, vocals (1975~1976, 1979~1981)
• Terry Cottam — guitars, vocals (1976)
• Tom Nordon — guitars, vocals (1978~1982)
• Richard de Bastion — keyboards, vocals (1978~1981)
• Pete Tolson — guitars (1978~1979)
• Duncan Bridgeman — keyboards (1981~1982)
• Dennis Haines — keyboards, vocals (1981~1982)
• Luke Broughton (born Luke Alex Broughton, 16 January 1980 (age 36), London) — keyboards, guitars, vocals (2006~2010)
• Bill Taylor (born William Taylor Smith) — bass (1989)
■ The band started their career as a blues group under the name of The Edgar Broughton Blues Band, playing to a small following in the region around their hometown of Warwick. However, when the band began to lean towards the emerging psychedelic movement, dropping the ‘Blues’ from their name as well as their music, Victor Unitt left.
■ In 1968, the Edgar Broughton Band moved to Notting Hill Gate, London, seeking a recording contract and a wider audience, and were picked up by Blackhill Enterprises. Blackhill landed them their first record deal, on EMI’s progressive rock label Harvest Records, in December 1968. Their first single was “Evil”/”Death of an Electric Citizen”, released in June 1969, which was also the first single released by Harvest.
■ The first single was followed by the Edgar Broughton Band’s first album, Wasa Wasa. Wasa Wasa retained a heavily blues influenced sound that was hard–driven and propelled by Edgar Broughton’s gritty vocal style, which was similar to that of Captain Beefheart and Howlin’ Wolf. The Broughtons entered into an attempt to capture their live sound on record by organising a performance at Abbey Road on 9 December 1969. Only one track was released at the time: a rendition of “Out, Demons Out!”, an adaptation of The Fugs’ song “Exorcising the Demons Out Of the Pentagon”, which had become the band’s set–closer and anthem. The rest of the recording was lost until its rediscovery and release in a remixed form in 2004 as Keep Them Freaks a Rollin’: Live at Abbey Road 1969.
© ■ The Edgar Broughton Band at Buxton P 1973.
■ The band’s touring attracted some controversy from their series of free concerts at locations such as children’s playgrounds, and from a number of cases of civil disorder occurring at their shows. The most notorious incidents were a show in Redcar at which a fight broke out between audience members and led to violent police intervention, and a show in Keele where the audience vandalized the venue using paint given to them by the band. Though the band denied doing anything to incite any of these incidents (in the case of Keele, Edgar Broughton admitted to giving paint to the audience but argued that “we didn’t tell them to do anything with it”), several towns banned the group’s concerts.
■ The Edgar Broughton Band kept recording, releasing the live performance of “Out Demons, Out!” as a single (b/w “Momma’s Reward (Keep Those Freaks a Rollin’)”) and following it, in June 1970, with the album Sing Brother Sing. This was accompanied by the single “Up Yours!” (b/w “Officer Dan”), a polemic on the 1970 General Election declaring their intention to drop out. The song featured a string arrangement by David Bedford.
■ Their next single, “Apache Dropout”, combined The Shadows’ “Apache” with Captain Beefheart’s “Drop Out Boogie”. It was played (to astonished and puzzled reactions) on the David Jacobs’ hosted BBC Television’s Juke Box Jury. Jerry Lordan, the composer of “Apache”, insisted that the title be “Apache Dropout” instead of the original “Dropout Apache”. The single reached No. 33 on the UK Singles Chart, stalling partly due to the then~current postal strike.
■ In 1971, the band decided that existence as a power trio was limiting, and asked Victor Unitt, who had been playing meanwhile in The Pretty Things, to rejoin the band. In May, with the new lineup, they released their eponymous third album, which contained “Evening Over Rooftops” (again with strings by David Bedford). Edgar Broughton Band contained heavy blues and even country influences.
■ The album was followed by the release of the double A~side “Hotel Room”/”Call Me A Liar”. This was played by Tony Blackburn as his ‘record of the week’ upon its release: Edgar Broughton recalled him saying that “he hated everything that we stood for, but that the single was the best thing he had heard that year”. The single failed to chart, but the album sold well throughout Europe, especially in Germany.
■ With the success of their third album, the Edgar Broughton Band relocated to Devon to begin recording for their next album, Inside Out, after which Unitt departed.
■ In 1975 the band signed to NEMS. In the same year, John Thomas joined the band on guitar for the Broughtons’ sixth album, Bandages. This featured a softer sound than previous releases. Shortly after the release of Bandages, John Thomas left and was replaced by Terry Cottam. In 1976, having recorded the live album Live Hits Harder (which was not released until 1979), the Edgar Broughton Band dissolved.
■ However, Edgar and Steve Broughton together with Grant regrouped as The Broughtons to release Parlez~Vous English? in 1979, with Tom Nordon and Pete Tolsen playing guitar and Richard de Bastion on keyboards. This was the Band’s first adventure into a fuller, more orchestral style of heavy rock. Pete Tolsen was not retained after the release of the album and was replaced by John Thomas for the two years of European touring that followed. Tom Norden appears again, along with keyboardist Dennis Haines, on Superchip, released in 1982.
■ After this the band returned to a hiatus, recording no more studio material but touring infrequently throughout the 1980s and 1990s. A mini-tour in 1989 included a gig at The Oval in London. Following another lengthy hiatus with occasional gigs, the band returned to live action in 2006 after the re~issue of their back catalogue had stimulated new interest in their work. They had a mini tour of England and Germany then completed a European tour in 2007, including an appearance at the German Burg Herzberg Festival.
■ The Edgar Broughton Band disbanded in 2010, with Edgar Broughton opting to continue to perform as a solo artist. ■ http://faroutcampers.co.uk/
■■_________________________________________________________■■
| Edgar Broughton Band |
Edgar Broughton Band |
•■• Edgy British rockers who bore a resemblance to early Captain Beefheart.
Genre: Psychedelic Blues/Hard Rock
Album release: May 1971
Recorded: 1971
Record Label: Harvest / Repertoire Records / Parlophone UK
Duration: 55:04
Tracks:
01. Evening Over Rooftops 5:02
02. The Birth 3:23
03. Piece Of My Own 2:50
04. a) Poppy
• b) Don’t Even Know Which Day It Is 6:38
05. House Of Tournabout 3:08
06. Madhatter 6:16
07. a) Getting Hard intro
• b) What Is A Women For? 7:31
08. Thinking Of You 2:06
09. a) For Dr. Spock (Part One)
• b) For Dr. Spock (Part Two) 3:52
Bonus tracks:
10. Out Demons Out 4:49
11. Apache Drop Out (Apache Intro. Drop Out Boogie) 3:14
12. Freedom 3:16
13. Up Yours! 3:01
Personnel:
• Edgar Broughton — Vocals, guitar
• Arthur Grant — Bass guitar, vocals
• Steve Broughton — Drums, vocals
• Victor Unitt — Guitar, harmonica, piano, organ, vocals
Credits:
• David Bedford Piano
• Mark Brennan Liner Notes
• Edgar Broughton Bass, Composer, Guitar, Horn, Keyboards, Vocals
• Edgar Broughton Band Composer
• Steve Broughton Bass, Drums, Guitar, Keyboards, Vocals
• P. Harold Fatt Vocals
• Arthur Grant Bass, Guitar, Keyboards, Vocals
• Herb Lorden Composer
• Mike Oldfield Guitar, Harmonica, Mandolin
• Victor Unitt Guitar, Harmonica, Keyboards, Vocals
• Johnny VanDerrick Violin
Description:
■ Formed in 1968 in Warwick, England, the Edgar Broughton Band were part of the late 60s British underground blues boom. Led by the Broughton brothers, vocalist/guitarist Edgar Broughton and drummer Steve Broughton, and fleshed out by bassist Arthur Grant and guitarist Victor Unitt (who also briefly served with The Pretty Things), they were contemporaries of Groundhogs, Hawkwind, and The Pink Fairies, but were unique within the movement due to their radical political consciousness. In May 1971 they released possibly their finest work: their eponymous third album, which contained the classic “Evening Over Rooftops” (with strings by David Bedford which Edgar Broughton called “stunning”). Mike Oldfield also featured on “Thinking Of You”.
• The most conventional of the Edgar Broughton Band’s first (and best) three albums, 1971’s Edgar Broughton Band finds the group dispensing with the no~holds~barred mania and theatricality responsible for such classics as “Out Demons Out,” “Up Yours,” and “Apache Drop Out” and concentrating instead on more musical endeavors. It’s an approach that arguably captures the band at their very best at the same time as revealing them at their ugliest. The two~part epic “For Dr. Spock” conjures images of Gong, as it drifts closer to space rock than the Edgar Broughton Band had hitherto ventured, while “House of Turnabout” certainly restates the group’s free~freak credentials with its rumbling percussion and scything guitars, a second cousin to the roars that punctuated Wasa Wasa and Sing Brother Sing. The heart of Edgar Broughton Band, however, lies elsewhere. The lilting chant “Thinking About You,” with its spectral reminders of John Lennon’s “Working Class Hero,” is certainly one of their most rancorous concoctions, while “Evening Over Rooftops” rides an acoustic guitar as pretty as its flowery lyric, but you know there’s something rotten squirming just below the surface, even if you can never quite put your finger on it. The pure pop backing vocals, all “sha~la~la” and “doo~be~doo~be~doo,” of course, only add to your unease. And, as that is merely the opening number, you can guess what you’re in for over the rest of the album long before you actually get it.
■ Wasa Wasa (1969)
■ Sing Brother Sing (1970) — #18 UK
■ Edgar Broughton Band (1971) — #28 UK
■ In Side Out (1972)
■ Oora (1973)
■ Bandages (1976)
■ Parlez~Vous English? (1979) (as The Broughtons)
■ Superchip (1982) (subtitled ‘The Final Silicon Solution?’)
Personnel:
• Edgar Broughton (born Robert Edgar Broughton, 24 October 1947 (age 69), Warwick, Warwickshire) — lead vocals, guitars, bass, percussion (1968~1976, 1978~1982, 1989, 2006~2010)
• Steve Broughton (born Stephen Alex Broughton, 20 May 1950 (age 66), Warwick) — drums, percussion, guitars, bass, keyboards, vocals (1968~1976, 1978~1982, 1989, 2006~2010)
• Arthur Grant (born Arthur James Grant, 14 May 1950 (age 66), Leamington Spa, Warwickshire) — bass, guitars, keyboards, percussion, vocals (1968~1976, 1978~1982, 1989, 2006~2010)
• Victor Unitt — guitars, keyboards, vocals (1971~1973)
• John Thomas — guitars, vocals (1975~1976, 1979~1981)
• Terry Cottam — guitars, vocals (1976)
• Tom Nordon — guitars, vocals (1978~1982)
• Richard de Bastion — keyboards, vocals (1978~1981)
• Pete Tolson — guitars (1978~1979)
• Duncan Bridgeman — keyboards (1981~1982)
• Dennis Haines — keyboards, vocals (1981~1982)
• Luke Broughton (born Luke Alex Broughton, 16 January 1980 (age 36), London) — keyboards, guitars, vocals (2006~2010)
• Bill Taylor (born William Taylor Smith) — bass (1989)
■ The band started their career as a blues group under the name of The Edgar Broughton Blues Band, playing to a small following in the region around their hometown of Warwick. However, when the band began to lean towards the emerging psychedelic movement, dropping the ‘Blues’ from their name as well as their music, Victor Unitt left.
■ In 1968, the Edgar Broughton Band moved to Notting Hill Gate, London, seeking a recording contract and a wider audience, and were picked up by Blackhill Enterprises. Blackhill landed them their first record deal, on EMI’s progressive rock label Harvest Records, in December 1968. Their first single was “Evil”/”Death of an Electric Citizen”, released in June 1969, which was also the first single released by Harvest.
■ The first single was followed by the Edgar Broughton Band’s first album, Wasa Wasa. Wasa Wasa retained a heavily blues influenced sound that was hard–driven and propelled by Edgar Broughton’s gritty vocal style, which was similar to that of Captain Beefheart and Howlin’ Wolf. The Broughtons entered into an attempt to capture their live sound on record by organising a performance at Abbey Road on 9 December 1969. Only one track was released at the time: a rendition of “Out, Demons Out!”, an adaptation of The Fugs’ song “Exorcising the Demons Out Of the Pentagon”, which had become the band’s set–closer and anthem. The rest of the recording was lost until its rediscovery and release in a remixed form in 2004 as Keep Them Freaks a Rollin’: Live at Abbey Road 1969.
■ The band’s touring attracted some controversy from their series of free concerts at locations such as children’s playgrounds, and from a number of cases of civil disorder occurring at their shows. The most notorious incidents were a show in Redcar at which a fight broke out between audience members and led to violent police intervention, and a show in Keele where the audience vandalized the venue using paint given to them by the band. Though the band denied doing anything to incite any of these incidents (in the case of Keele, Edgar Broughton admitted to giving paint to the audience but argued that “we didn’t tell them to do anything with it”), several towns banned the group’s concerts.
■ The Edgar Broughton Band kept recording, releasing the live performance of “Out Demons, Out!” as a single (b/w “Momma’s Reward (Keep Those Freaks a Rollin’)”) and following it, in June 1970, with the album Sing Brother Sing. This was accompanied by the single “Up Yours!” (b/w “Officer Dan”), a polemic on the 1970 General Election declaring their intention to drop out. The song featured a string arrangement by David Bedford.
■ Their next single, “Apache Dropout”, combined The Shadows’ “Apache” with Captain Beefheart’s “Drop Out Boogie”. It was played (to astonished and puzzled reactions) on the David Jacobs’ hosted BBC Television’s Juke Box Jury. Jerry Lordan, the composer of “Apache”, insisted that the title be “Apache Dropout” instead of the original “Dropout Apache”. The single reached No. 33 on the UK Singles Chart, stalling partly due to the then~current postal strike.
■ In 1971, the band decided that existence as a power trio was limiting, and asked Victor Unitt, who had been playing meanwhile in The Pretty Things, to rejoin the band. In May, with the new lineup, they released their eponymous third album, which contained “Evening Over Rooftops” (again with strings by David Bedford). Edgar Broughton Band contained heavy blues and even country influences.
■ The album was followed by the release of the double A~side “Hotel Room”/”Call Me A Liar”. This was played by Tony Blackburn as his ‘record of the week’ upon its release: Edgar Broughton recalled him saying that “he hated everything that we stood for, but that the single was the best thing he had heard that year”. The single failed to chart, but the album sold well throughout Europe, especially in Germany.
■ With the success of their third album, the Edgar Broughton Band relocated to Devon to begin recording for their next album, Inside Out, after which Unitt departed.
■ In 1975 the band signed to NEMS. In the same year, John Thomas joined the band on guitar for the Broughtons’ sixth album, Bandages. This featured a softer sound than previous releases. Shortly after the release of Bandages, John Thomas left and was replaced by Terry Cottam. In 1976, having recorded the live album Live Hits Harder (which was not released until 1979), the Edgar Broughton Band dissolved.
■ However, Edgar and Steve Broughton together with Grant regrouped as The Broughtons to release Parlez~Vous English? in 1979, with Tom Nordon and Pete Tolsen playing guitar and Richard de Bastion on keyboards. This was the Band’s first adventure into a fuller, more orchestral style of heavy rock. Pete Tolsen was not retained after the release of the album and was replaced by John Thomas for the two years of European touring that followed. Tom Norden appears again, along with keyboardist Dennis Haines, on Superchip, released in 1982.
■ After this the band returned to a hiatus, recording no more studio material but touring infrequently throughout the 1980s and 1990s. A mini-tour in 1989 included a gig at The Oval in London. Following another lengthy hiatus with occasional gigs, the band returned to live action in 2006 after the re~issue of their back catalogue had stimulated new interest in their work. They had a mini tour of England and Germany then completed a European tour in 2007, including an appearance at the German Burg Herzberg Festival.
■ The Edgar Broughton Band disbanded in 2010, with Edgar Broughton opting to continue to perform as a solo artist. ■ http://faroutcampers.co.uk/