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Elizabeth Colour Wheel — Nocebo (March 15, 2019)          Elizabeth Colour Wheel — Nocebo (March 15, 2019) Pamela MÃÃÃÃÃÃÃÃÃÃÃÃÃéndez ÃÃÃÃÃÃÃÃÃÃÃÃâ Time (22 Feb 2019)∠∠    Nocebo; “a detrimental effect on health produced by psychological or psychosomatic factors such as negative expectations of treatment or prognosis.”
∠∠    Nocebo, the first full~length by the Boston Massachusetts five piece ELIZABETH COLOUR WHEEL, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. Nocebo came to fruition over the summer of 2018 with the band embracing a heavy ‘kill your idols’ mindset over the summer of 2018, crafting an album that is distinctly schizophrenic yet familiar, touching on 90’s heavy rock, shoegaze, and black metal influences.
∠∠   Mixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five~walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls are frequencies of spectral anger echo and resound, gathering into thunderous waves which crash against the borders of the room before dying out into eerie silence.
∠∠    ELIZABETH COLOUR WHEEL, whose name is pinched from The Lily’s track of the same name, formed in 2014 around the Boston area. The band has shared the stage with numerous bands, mostly notably Flenser label~mates Have a Nice Life and Planning for Burial. Nocebo is the band’s first release for the The Flenser.
∠∠    Milky Clear w/ Oxblood Splatter Vinyl is limited to 300 copies. There are 250 available with a special edition silk~screened art cover.
∠∠    Flenser Series One Subscribers will be getting color~in~color Milky clear with Oxblood center.
Location: Boston, Massachusetts
Album release: March 15, 2019
Record Label: v
Duration:     47:26
Tracks:
01 Pink Palm   6:59
02 Somnambulist   2:22
03 23   6:16
04 Life of a Flower   6:30
05 Hide Behind (Emmett’s Song)   7:12
06 Bedrest   6:34
07 34th   4:25
08 Head Home   7:08
Review
POSTED BY MATT BACON ON MARCH 24, 2019 AT 10:15 AM. SCORE: 9.5/10
∠∠    Elizabeth Colour Wheel opened for Fórn roughly a year ago in Brooklyn and it was stunning. It was immediately one of the most impressive and terrifying performances of my life. I was floored by how they fused numerous genres with ease. They combine everything from doom and grindcore to post~punk and harsh noise. Elizabeth Colour Wheel radiate intensity. They began at Berkeley College during their refining early days and bloomed into something grandiose and powerful. Consequently, their first full~length album, Nocebo, is a testament to all that is heavy, beautiful, and twisted.
∠∠    This full~length debut is forward~thinking heavy music at its finest — bombastic but it still retains its DIY edge. Making for action~packed destructive music that pulverizes skulls. Nocebo showcases all the band has accomplished in a very brief time. It’s a stunning listen right from the opening moments of ‘Pink Palm.’ Lane Shi’s scream offers something so purely powerful and in many ways sonically unique and just a single part of record that pushes far beyond any expectation of what the band might be capable of. It nicely captures their live performance’s sense of controlled chaos. Elizabeth Colour Wheel teeters on the cusp of something great — something which constantly demands listeners’ full attention.
∠∠    Nocebo stuns in its immaculate conception. Elizabeth Colour Wheel thrive where potent and perfected guitar tones lurk under tortured vocals. One might normally think that fusing a litany of genres like this is a recipe for overambitious disaster. Yet, the band pulls it off. The execution on every song is near perfect, without any dragging moments. Even a track like ‘Bedrest’ — whose dark ambient musings are fascinating — feels like it is perfectly placed. Digging through this record feels like journeying through a forgotten landscape.
∠∠    Some moments are beautiful, others are brutal. Through it all though it is a delight to adventure in. The emotional power of these songs is fascinating. Years of torment and anguish seem to drag the listener down, just as driving punk rock grooves act as a kick back into reality. It’s clear that these guys are fucking good at what they do, yet it never comes off as pretentious. Rather than mucking around with prog metal elements like so many of their Berkeley peers, the punk house smear never quite wipes off the band. They continue to grow and fascinate, speaking to a larger than life sense of sonic poetry. The devout fan of heavy music is going to find a lot to sink their teeth into. This is a band who make just as much sense opening for The Cure as they do Napalm Death.
∠∠    In short: this is an absolute crusher. Nocebo showcases a variety of weird sounds fused into one potent combination. It’s a record that speaks to the musicians’ talent, personalities, and training. Few records in 2019 seem to embody the modern state of punk rock as well as this one. While at times Elizabeth Colour Wheel can feel scary, at others they are comforting. There is a clear intent behind it all and the album’s flow was clearly a serious consideration here. What we have here is an album that wants to continually push for new heights. To search for new vistas and to prove that otherworldly combinations of heavy music can remain powerful, fascinating and virile.
∠∠    Sure, there are dense moments. If listeners aren’t heavily invested into this world they probably won’t get the fall in love with the grinding madness that comes on a track like ‘34th.’ There’s a high bar of entry. But then this record probably isn’t really for them. This is a record that brings people face to face with their own humanity. With the potential to change the face of punk rock, Elizabeth Colour Wheel is the forward~thinking music we need in 2019. Nocebo is a truly impressive statement. This is the band who make years of squatting in punk houses feel worth it. They are the validating force behind every artsy punk rock band who never did anything. Nocebo crushes all comers; get ready.
∠∠  https://metalinjection.net/reviews/elizabeth-colour-wheel-nocebo 
Label: https://nowflensing.com/ 
Bandcamp: https://elizabethcolourwheel.bandcamp.com/ 
Facebook: https://www.facebook.com/elizabethcolourwheel 
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ALBUM COVERS XI.

33EMYBW — Golem (25 Sept., 2019)
First Aid Kit — Stay Gold (2014)
STEREOLAB: Oscillons from the Anti~Sun
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
Jack Peñate — After You (29th Nov. 2019)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Avey Tare — Eucalyptus (July 21, 2017)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
The Growlers — Natural Affair (25th Oct. 2019)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
David Thomas Broughton — The Complete Guide To Insufficiency /re
Grimes — Visions (2012)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
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No~Man — Love You To Bits (Nov. 22, 2019)
Martin Barre — Away With Words
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Virginia Plain — Strange Game (Dec. 13, 2019)
Cold Chisel — Blood Moon (6 Dec., 2019)
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The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
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Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
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Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
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Intocable ― Percepcion (March 15, 2019)
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Scorn — Cafe Mor (Nov. 15, 2019)
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The Sufis — Double Exposure (Jan. 24, 2020)
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Torres — Silver Tongue (Jan. 31, 2020)
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Recondite — Dwell (Jan. 24, 2020)
Silkworm — In The West (24 Jan., 2020)
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James Harries — Before We Were Lovers
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Loveblind / Sleeping Visions (March 27, 2020)
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The Album Leaf — OST (March 20, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
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Noveller — Arrow (June 7, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
The Electric Soft Parade — Stages (Jan. 8, 2020)
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Beck — Deep Cuts (March 2020)
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Pearl Jam — Gigaton (March 27, 2020)
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Lucy Railton — Paradise 94 (22 Mar 2018)
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Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
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100 Gecs — 1000 gecs (May 31, 2019)
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Perfume Genius — No Shape (5 May, 2017) FC
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Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
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The Memories — Pickles & Pies (May 29, 2020)
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Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
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Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)