George Ezra Staying At Tamara’s

George Ezra — Staying At Tamara’s (23 Mar 2018)

          George Ezra — Staying At Tamara’s (23 Mar 2018) George Ezra — Staying At Tamara’s (23 Mar 2018)ρ•ð        Youthful, big~voiced Bristol~based singer~songwriter specializes in classy, soulful folk~pop.
ρ•ð        Every tune is catchy with an easily visualised and felt story. (D I Harris)
Born: Born June 7, 1993 in Hertford, England
Location: Bristol, UK
Genre: Indie Rock Singer~Songwriter
Album release: 23 March, 2018
Studio: Voltaire Road Studios, Clapham, London
Record Label: Columbia
Duration:     37:16
Tracks:
01. Pretty Shining People     3:32
02. Don’t Matter Now     2:56
03. Get Away     2:34
04. Shotgun     3:21
05. Paradise     3:42
06. All My Love     2:41
07. Sugarcoat     3:22
08. Hold My Girl     3:31
09. Saviour (feat. First Aid Kit)     3:32
10. Only a Human     3:35
11. The Beautiful Dream     4:30
℗  2018 Sony Music Entertainment UK Limited
EDITORS’ NOTES
ρ•ð        After the consuming business of touring for his million~selling debut Wanted on Voyage, George Ezra had time to consider the politically turbulent world and became gripped by anxiety. It sent him to the relative solitude of English farms and Barcelona boarding houses to write this follow~up. Despite, or maybe because of, that isolation, he’s emboldened his worldly folk~pop with the communal spirit of call~and~response verses, gospel choruses and breezy odes to solidarity. A sense of fellowship suits the warmth of his baritone — and his transition from open mics to open~air stages — but he still offers intriguing glimpses of vulnerability and darkness on the reflective “Saviour”.
Product Description
ρ•ð        “George Ezra returns with his highly anticipated sophomore album Staying At Tamara’s. Three years after the release of his 4x platinum, number one debut album Wanted On Voyage, George returns with a collection of “songs about escapism, dreaming, anxieties and love”. Uninhibited, feel~good new single ‘Paradise’ previews the new album and is available now to stream and download. Just like Wanted On Voyage, Staying At Tamara’s was written, created and inspired by George’s travels, including spells on the Isle of Skye; at a pig farm in Norfolk; in a former cornflour shed in Kent; a converted cow shed in north Wales; and in an Airbnb in Barcelona owned by the Tamara of the album’s title. The result is a finger~snapping, brass~blaring, wind~in~the~hair album that shines with positivity and encouragement, alongside moments of more subdued reflection.”
Charts:
•    Australian Albums (ARIA)     #7
•    Austrian Albums (Ö3 Austria)     #6
•    Belgian Albums (Ultratop Flanders)     #23
•    Belgian Albums (Ultratop Wallonia)     #50
•    Canadian Albums (Billboard)     #22
•    Czech Albums (ČNS IFPI)     #23
•    Dutch Albums (MegaCharts)     #7
•    German Albums (Offizielle Top 100)     #10
•    Irish Albums (IRMA)     #2
•    Italian Albums (FIMI)     #57
•    New Zealand Albums (RMNZ)     #8
•    Scottish Albums (OCC)     #1
•    Spanish Albums (PROMUSICAE)     #99
•    Swedish Albums (Sverigetopplistan)     #43
•    Swiss Albums (Schweizer Hitparade)     #6
•    UK Albums (OCC)     #1
•    US Billboard 200     #68
Review
Laura Snapes, Fri 23 Mar 2018 10.00 GMT / Score: ***
ρ•ð        Even by the standards of critically uncool music, George Ezra is not cool. Time was when all any summer jam needed was a guitar~playing hat man faintly acquainted with ska. That simple time is over, the sound of the summer is now self~loathing set to slinky dancehall. Paolo Nutini is in the wilderness. Even Olly Murs sings sex jams now. It makes Ezra’s second album a total anachronism, and potentially more charming for it: horns parp, hands clap, choruses rouse and seethe with bonhomie.
ρ•ð        It’s easy to forget that Ezra’s debut, Wanted on Voyage, made him 2014’s third biggest~selling artist behind his much higher~profile peers Ed Sheeran and Sam Smith. On Staying at Tamara’s, he follows the path trodden by Sheeran between x and ÷, stripping the intriguing darkness out of his music in favour of near~relentless positivity. This might seem cynical if cynicism weren’t so thoroughly absent from the album, which instead nobly sets out to bring cheer to the world in uncertain times, and reassure the anxious that it’s fine to check out of the news cycle if it’s messing with their mind.
ρ•ð        With the scary stuff (like standing on “an island in an ocean full of change” in Pretty Shining People) sidelined, Ezra focuses on the good things in life: holidays (the treacherously catchy Shotgun), dreams (Get Away) and all~consuming romance. This would constitute saccharine overload were it not for two things. First, towards the end of the album, Ezra exchanges rustic, Mumfords~ish euphoria for a few darker songs, including Hold My Girl (quite nakedly inspired by the National’s I Need My Girl), Only a Human (a contemplative piano ballad reminiscent of Lorde’s Liability) and standout Saviour, a paranoid, Nashville~tinged tempest.
ρ•ð        The second thing that saves Staying at Tamara’s is its disarming likability. With his optimistic baritone, Ezra has the boyish gravitas of a youth pastor, and as artless as his lyrics are, his hooks stick firm in the mind. These are songs destined to soundtrack supermarket adverts extolling the convivial virtues of barbecuing. They stand up to scrutiny about as well as a cheap sausage, but slip down just as easily.
ρ•ð        https://www.theguardian.com/
Review
By Nick Reilly, Mar 23, 2018 6:39 am / Score: ****
The boy’s done good
ρ•ð        Four years ago, George Ezra scored the UK’s third highest~selling record of the year: his debut ‘Wanted On Voyage’ was topped only by the stadium~filling anthems of Ed Sheeran and Sam Smith. But while world~beating tracks like ‘Budapest’ were enough to sustain Ezra’s immediate success, an altogether more pressing question of what to do next soon followed.
ρ•ð        The answer, it transpires, was to head to Barcelona, where Ezra decamped to write a second album that takes his jaunty charm and injects it with a vital slice of maturity. ρ•ð        It’s teeming with uplifting tunes intent on burrowing their way into the deepest recesses of your ears.
ρ•ð        Opener ‘Happy Smiling People’ sees Ezra anchoring an infectious chorus around dark and world~weary lyrics: “What a terrible time to be alive if you’re prone to overthinking”, he croons, before offering a message of upbeat and hearty resilience (“Hey pretty smiling people, we’re alright together“). ‘Shotgun’ is another early standout, providing Ezra with the chance to prove that he’s far more than a identikit troubadour as he delves into Afrobeat rhythms a world away from his first record.
ρ•ð        As the album progresses, the choruses get bigger — reaching their apex at the album’s midpoint with the defiant stomp of ‘Paradise’, an on~the~nose tale of headiness during the early stages of a relationship.
ρ•ð        The emotional thread gets a lot more serious during the final third, notably on the soft cut ‘Hold My Girl’, which sees Ezra ditching the twanging guitars for his most soul~baring song yet — one destined to become first~dance material.
ρ•ð        Maturity, however, is no bad thing — it provides one of the record’s strongest songs in ‘Saviour’, Ezra’s first collaboration with Swedish country sensations First Aid Kit. Like the theme tune for some imaginary neo~western, it perfectly combines Ezra’s deep vocals with the soulful vocal stylings of the Soderberg sisters.
ρ•ð        Ultimately, it’s this blend of new~found maturity and crowd~pleasing choruses that transform Ezra’s second offering into the perfect progression from the sound of his debut.    ρ•ð        http://www.nme.com/
Review
Rosanna Greenstreet, Sat 24 Feb 2018 08.00 GMT
George Ezra: ‘I don’t have a diary but I do have a sister, or “assister” as I call her’
ρ•ð        The singer~songwriter, 24, on touring, drinking and the importance of sleep
Sleep
ρ•ð        This isn’t very rock’n’roll, but I am useless unless I get plenty of sleep. I get off stage and go straight back to the tour bus. It’s more important to get my head down than to please selfie~hunters. I’ll probably fall asleep listening to a 20~hour audiobook on my minor obsession, the Tudor monarchy. At home, I put my phone on airplane mode by 9pm, get into bed, read and drift off. I set the alarm for 8am and rise with the day.
Eat
ρ•ð        I see food as a reward system. If I do half an hour in the gym, I’m allowed to eat rubbish. My parents are vegetarian, so I didn’t eat much meat growing up, and don’t cook it often now. For breakfast I mix Rice Krispies with muesli. I have lunch on the fly: today a salad from the record label canteen. I love fish and roasted vegetables for dinner. I put on Radio 4 as I cook.
Work
ρ•ð        People think singers sit around doing nothing unless they are on tour, but you need to create online content and go through artwork and video concepts. I do the boring stuff in the morning. I don’t drive, so I walk everywhere listening to demos or voice memos of songs, to see what’s worth pursuing. I’ll play around with an acoustic guitar until dinner. I don’t have a diary, but I do have a sister, or “assister”, as I call her. Jess travels with me. That’s lovely when everything’s crazy.
Family
ρ•ð        I live with my girlfriend, who is a songwriter. It’s not easy on tour; we have special nights out to catch up. Hopefully, she’ll join the next one.
Fun
ρ•ð        I love walking and the countryside: I got a month off after my first album and walked the Cotswold Way alone. I read: I love Haruki Murakami and Philip Pullman. I like to go to the pub with friends. The first year of touring I indulged — it’s hard not to at 19, and people want to show you the best party every night. But it catches up with you. Peers of mine drink every night and it doesn’t affect their performance, but I am not that guy. If it’s my name above the door and I can’t sing, there’s no point the show going ahead.   ρ•ð         https://www.theguardian.com/
Soundcloud: https://soundcloud.com/george-ezra
Website: http://www.georgeezra.com/
Twitter: https://twitter.com/george_ezra
Facebook: https://www.facebook.com/georgeezramusic
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George Ezra Staying At Tamara’s

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Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)