|Harvey Mason — Chameleon (2014)|
Harvey Mason — Chameleon
θ•θ Multi-Grammy® nominated versatile jazz drummer who has backed a number of giants (Erroll Garner, George Shearing, Herbie Hancock, Freddie Hubbard).
Born: February 22, 1947 in Atlantic City, NJ
Location: Los Angeles, California
Album release: April 29, 2014
Record Label: Concord Records
01 Black Frost (feat: Kamasi Washington) 6:09
02 Montara 5:31
03 If I Ever Lose This Heaven (feat: Chris Turner) 5:58
04 Looking Back 1:35
05 Before the Dawn 6:49
06 Studio Life (Hold It One Second) 1:06
07 Places and Spaces (feat: Corey King / Christian Scott) 7:03
08 Either Way 5:19
09 Mase’s Theme 1:44
10 Chameleon 6:59
11 Looking Forward (Breaking Bad) [Bonus Track] (feat: Guillaume Perret) 4:02 Copyright © 2014 Harvey Mason. All Rights Reserved.
• Bob James / Grover Washington, Jr. 1
• Bobby Hutcherson 2
• Pam Sawyer / Leon Ware 3
• Mark de Clive-Lowe / Paul Jackson / Harvey Mason, Sr. 4
• Patrice Rushen 5
• Harvey Mason, Sr. 6, 8
• Fonce Mizell / Larry Mizell 7
• Mark de Clive-Lowe / Harvey Mason, Sr. 9
• Herbie Hancock / Paul Jackson / Bennie Maupin / Harvey Mason, Sr. 10
• Paul Jackson / Guillaume Perret / Harvey Mason, Sr. 11
• Billboard Albums
• 2014 Chameleon Jazz Albums #4
Album Moods: Lively Positive Swinging Agreeable Ambitious Dreamy Earthy Ebullient Exuberant Freewheeling Hypnotic Improvisatory Passionate Romantic Strong Swaggering © Nelson Onofre
Review by Matt Collar; Score: ****
• Harvey Mason's 2014 effort, Chameleon, is an expansive and funky album that finds the journeyman jazz drummer exploring the space between the '70s post-bop/fusion albums that marked his early career and the contemporary smooth jazz work that has defined the latter half of his career. Having started out playing with the masterful pianist Erroll Garner, Mason eventually join Herbie Hancock's legendary Headhunters ensemble, with whom he recorded the original version of this album's title track. And while he went on to a successful career working with a bevy of artists including Lee Ritenour, George Benson, and others, it is primarily his work with Hancock that is Mason's focus here. In fact, Mason has put together a group of adept musicians rivaling the original Headhunters lineup, including original Headhunters percussionist Bill Summers, trumpeter Christian Scott, saxophonist Kamasi Washington, Fender Rhodes keyboardist Kris Bowers, bassist Ben Williams, and others. Together, Mason and his band delve deep into a batch of original songs and well-chosen covers by such similarly inclined crossover jazz giants as Bobby Hutcherson, Patrice Rushen, and the Mizell Brothers. And while Mason's organic, chilled-out take on the title track (replete with Summers' atmospheric vocals and Hinda Hu whistle) is a highlight, it's merely the tip of this funk-berg. Similarly engaging are such cuts as the synth-driven, '80s video game funk of "Mase's Theme" and the yearning, alternative R&B-infused reworking of Leon Ware's "If I Ever Lose This Heaven," featuring vocalist Chris Turner. We also get the moody, sensuous "Black Frost," with its synth-layered groove that still allows for a muscular, skronk-laden solo from Washington. Ultimately, as the title implies, Chameleon is a joyful album that combines the best aspects of Mason's musically colorful, ever-changing career. (http://www.allmusic.com/) / Website: http://www.harveymason.net/
θ Multi-Grammy-nominated jazz-funk man Harvey Mason, a member of celebrated (and cheekily named) band Fourplay, is one of the most in-demand session drummers, producers and composers on the scene. Based on Chameleon, that’s no surprise. The man can play, and he’s capable of assembling and guiding a killer band through a set of ferocious, very much alive jazz music. There’s nothing “smooth” or “easy listening” about this; this is jazz for people who want to dance. This is the stuff that the beat writers considered rebel music back in the day, through modern ears. Mason is a master of his craft and, hey, maybe one day he’ll actually win one of those Grammys. (By Brett Callwood, http://metrotimes.com/)
θ Chameleon, the scintillating Concord Records debut from multi-GRAMMY® nominated Harvey Mason, finds him drawing upon the rich jazz-funk legacy of the 1970s and recasting seven of that era's most enduring classics with an early 21st-century sheen. A legendary session drummer, producer, composer and recording artist, Mason is among the most recorded and in-demand musicians of all-time.
θ Co-produced by Chris Dunn, Sr. Director of A&R for Concord Music Group, Chameleon features some of the brightest young jazz talents on the scene today. NEXT Collective alumni such as trumpeter Christian Scott, bassist Ben Williams, pianist/keyboardist Kris Bowers, guitarist Matthew Stevens enliven Chameleon. Bringing more young firepower to the fore are trombonist/vocalist Corey "CK" King, saxophonist Kamasi Washington, vocalist Chris Turner and keyboardist Mark de Clive-Lowe.
θ Helping Mason steer this cooperative are some of his contemporaries — bassist and co-founder of the legendary Yellowjackets, Jimmy Haslip; percussionist and founder of Los Hombres El Caliente, Bill Summers; and bassist Paul Jackson. Summers and Jackson worked with Mason on Herbie Hancock's 1973 landmark LP, Head Hunters.
θ The lead composition, "Chameleon," from Head Hunters serves, in part, as the signifying reference for Mason's disc. Not only did Mason provide the rhythmic spank for the jazz-funk staple, he co-wrote it with Hancock along with several other bandmates — Jackson and reedist Bennie Maupin.
θ The other part of the equalization for the disc's title comes from "chameleon" being a nickname, given to Mason, because of his incredible versatility. As a first-rate session musician and live performer, his brilliance resides not only in jazz. He's demonstrated musicianship in R&B, pop, country, Latin and European classical music; Mason also has played on an astounding number of recordings, movie and TV scores and commercial jingles.
θ After two decades of playing with the GRAMMY®-nominated ensemble Fourplay — with which he's still a member — Mason decided to reignite his solo career by forming a band based on the first edition of Hancock's Head Hunters ensemble. Mason took the combo to Japan and received rave reviews. That reception, along with serious encouragement from his manager, inspired him to record Chameleon. "I came back [from Japan] and my manager spoke with Chris Dunn, who was real excited about it. He championed the idea with Concord," Mason recalls.
θ During the sessions, Mason was surprised about how strongly '70s jazz-funk resonated with today's more cutting-edge jazz artists. "It's funny because a lot of those records, I may have listened to them maybe one time since I recorded them," Mason explains. "As a musician, you're always trying to evolve. When I listen to my drumming back then, it sounds dated. Now my sound is more opened. Back then, I had only one head on the toms, so they didn't ring as much. They had a darker sound. I've modernized my drumming to accommodate the music that's happening now. So when I listen to the old stuff, I just say, ‘Wow! That's really something. That's what they want to hear now.'"
θ After witnessing Dunn's passion for the project, Mason took his lead in terms of repertoire and sound quality. "I said to myself that there might be something to this that I might not be seeing. So I trusted his instincts," Mason says. "As we put it together, I saw where he was coming from."
θ A tour-de-force destined become a new hallmark in Mason's illustrious career, Chameleon begins with a smoldering rendition of Grover Washington, Jr.'s "Black Frost," arranged by King. It features Kamasi Washington blasting a searing tenor sax solo across an evocative sonic terrain crafted by Bowers and Corey King keyboard and synth chords as Steven's bluesy guitar accompaniment helps the rhythm section give it more funky momentum.
θ Like most of the songs on the disc, Mason participated in the recording sessions of the original version of "Black Forest." That 1974 date was of his first opportunity working with CTI Records and Creed Taylor. He recalls that except for Bob James (who co-wrote and arranged the song), many of the other musicians initially gave him the cold shoulder. "I remember no one would speak to me except for Bob because I was this hotshot making all these hits in L.A.," Mason says, "Bob was very welcoming to me. We instantly became friends. When we started playing, everything sort of opened up and things were cool after that. Those guys became some of my greatest friends."
θ The disc continues with an imaginative take on Bobby Hutcherson's "Montara," which has become a hip-hop gem thanks to people like the Roots and Madlib sampling it. On Chameleon, Mason handles the vibraphone part but allows Stevens, who arranged the makeover, to emerge as the lead voice on the melody, before passing the baton to de Clive-Lowe on Fender Rhodes.
θ Mason wasn't on the original version of "If I Ever Lose This Heaven," a soul-jazz ballad classic on Quincy Jones' 1974 LP, Body Heat. But Dunn insisted on including it on the disc; he suggested Turner, who croons a simmering rendition of the lyrics, originally sang by Minnie Riperton and the song's co-writer, Leon Ware. Arranged by King with vocals produced by Mason's son, the new version retains the sensual vibe of the original, yet it shimmers with a modern, after-hours appeal.
θ Chameleon then breaks into one of its three sensational interludes. The first one, "Going Back" provides an ideal vehicle for showcasing de Clive-Lowe's arranging and instrumental prowess on the keyboard as he tickles a hypnotic groove alongside Mason and Jackson.
θ The disc then slides into Bowers' stunning arrangement of Rushen's jazz-funk gem, "Before the Dawn," which is graced by impressionistic horn chords from Scott, Washington and King.
θ Donald Byrd's classic "Places and Spaces" arrives next, first with a haunting prelude, before it launches into a swaggering groove, enlivened by Scott's electrifying trumpet solo. King, who arranged the strutting down-tempo makeover, also lends his suave vocals on lead.
θ Afterward, Mason's wistful ballad, "Either Way" arrives. Originally appearing on Dave Grusin's 1979 LP, Mountain Dance, the song became famous in hip-hop circles after being sampled on Biggie Small's 1994 rap tune, "Everyday Struggle." Bowers deftly taps into that hip-hop/jazz connection with a melancholy arrangement.
θ The title track comes as a grand finale with an imaginative arrangement from reedist (and Concord labelmate) Ben Wendel of Kneebody. For the new arrangement, Mason invited Summers to reprise his famous hinedewho intro to "Watermelon Man" from Hancock's Head Hunters LP as a suspenseful teaser. It works like a charm as "Chameleon" moves into its trademarked stuttering melody and humpback groove.
θ The disc is a true testament to the enduring vitality of '70s jazz-funk, and to Mason's incredible musical flexibility. He's a musician intent on constantly pressing forward. So Chameleon is hardly caught up in shallow nostalgia; it's undeniably contemporary. “The music sounds different than it did back then,” Mason says. “But you get the same feeling and vibe.”
|Harvey Mason — Chameleon (2014)|
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