Hatcham Social Cutting Up the Present Leaks Out the Future (2014)

Hatcham Social — Cutting Up the Present Leaks Out the Future (February 3, 2014)

 Hatcham Social — Cutting Up the Present Leaks Out the Future

  Ω    An ever so slightly forgettable third album from the London band
Ω      Winning over Charlatans frontman Tim Burgess and former Creation Records honcho Alan McGee, Hatcham Social made a fairly successful early bid for pop stardom in their native England.
Formed: 2006
Location: New Cross, London, UK
Album release: February 3, 2014
Record Label: O Genesis
Duration:     40:00
Tracks:
01 Ketamine Queen     7:46
02 All That I Can See Is a Gun     2:51
03 Confessions of An English Opium Smoker     3:45
04 To the Moon (Is This the Way Man Will Survive)     4:29
05 Spirit of ‘45     2:34
06 More Power to Live     3:10
07 Lion With a Laser Gun     6:01
08 All in the Moscow     2:25
09 Stay True to Your Family     3:23
10 Don’t Go to Sleep     3:36                                                                                     Members :
Ω      Finnigan Kidd
Ω      Toby Kidd
Ω      David Claxton
Ω      Riley Difford

REVIEW
John Calvert, Score: 5/10
Ω      Londoners Hatcham Social have been carving their own furrow with their blend of ‘60s beat music, avant garde and angular post~punk since 2006. Field Music and British Sea Power are the closest comparisons. Unfortunately, the odd flash of delicate charm aside (shy ballad ‘Don’t Go To Sleep’ is a real tearjerker), on this ever so slightly forgettable third album they are not their usual inventive selves. On ‘Spirit Of 45’ they sound like a depressed Best Coast, and ‘More Power To Live’ is just crusty classic rock. Ω      Yes, they write pretty and moving songs, but it’s reasonable to expect more from a band with a history of writing such sophisticated pop. (http://www.nme.com/)
REVIEW
BY LAURENCE DAY, 10 FEBRUARY 2014, 09:30 GMT, SCORE: 7
Ω      The Charlatan’s Tim Burgess has finally got what it appears he’s coveted for many moons — Hatcham Social. Renowned as a fan of the New Cross indie troupe — once upon a time calling them a “wonderful pop group with the world’s coolest drummer” — he’s putting out their third full~length LP on his own label, O Genesis.
Ω      Cutting Up the Present Leaks Out the Future was recorded live, straight to tape, in less than a week; in some ways, this ensures that even eight years into their career, Hatcham Social sound as grazed~elbow raw and brimming with youthful naiveté as when they were formed.
Ω      In obvious thrall to the halcyon ‘70s — especially the six~stringer legends of Lou Reed/Velvet Underground and Ray Davies, and to a lesser extent the denizens CBGBs — Hatcham Social relive an explosive, vital and electric time in music via modern themes and contemporary motives. It doesn’t sound drowned in nostalgia or particularly indebted to the past’s essence, but you can hear the ageing timbres and reverb~laced jangle~rock superimposed over their indie~pop tendencies. It’s a combination they’ve thrived off for years, and it’s not holding them back now; as opposed to them becoming stagnant, it’s kept them icebox~fresh.
Ω      “Ketamine Queen”, with oodles of opiate vocals from pipesman Tobias Kidd, sizzles along on repeated narcotic guitar riffs — faintly folky, completely delirious. There’s the odd ebb of avante~garde minimalist synth creeping in, akin to a squall through single~glazing, which is reminiscent of early synthesiser~based music from decades of yore. Following punkily on, “All That I See Is A Gun” howls with hard~rock licks and testosterone~fuelled genitals — Kidd’s vox aren’t especially matching in the brutal short cut, but who’s focusing on those when some scrummy fretwork is being noodled?
Ω      That’s where the LP succeeds; the repetitive pinnacles are the guitars. They’re simple, enamoured with shades of veteran legends, but they’re honest. Unpretentious. It’s especially nice in a time when everyone and their dog has something to prove with a guitar, that we see a band go back to the most basic basics, like rock’n’roll (“More Power To Live”), rockabilly (“Confessions Of An English Opium Smoker”) and generations when people still fawned over guitar solos. ?  This is all bulky chords and strummed motif. Even Temples, BBC and Picastro, who’s albums are terrific, aren’t really nailing simplicity — not at all a bad thing, but Hatcham Social’s axe methods are a welcome contrast.
Ω      Cutting Up The Present Leaks The Future is a refreshing listen. Its lo~fi aesthetic, invigorating guitar approach, nuanced throwbacks, heartfelt lyrics and general quality (among many other fascinating titbits) all make for a lovely record. It’s not tacked onto the bombast brigade — there’s few tracks, save perhaps “Lion With A Lazer Gun”, which is the album’s most oomphy few minutes of gumption — but rather prefers to slink and slither underfoot, carefully caressing and massaging your brain cells. It’s a grower, not a shower. A thinker, not a… a… erm…
Ω      Anyway. Basically, in summary: it’s great, and a valuable addition to Hatcham Social’s canon, but not a record that’ll smack you upside the chops to impress you. You’ve gotta cajole it first — wine it, dine it. Give it the attention and respect it deserves, and you’ll reap the rewards. Fortaken: http://www.thelineofbestfit.com/
REVIEW
Andrew Tran, February 26th, 2014;  Score: 7.9/10
Ω      Hatcham Social: Cutting up the Present Leaks out the Future — in the later 2000s, Hatcham Social caught the public eye with a string of honeybee~bright indie pop singles along the lines of Shout Out Louds, and with heavy nods to Morrissey and Merseybeat. As charming as they were, these singles and the accompanying albums You Dig the Tunnel, I’ll Hide the Soil and About Girls never strayed out of the circle inscribing their endless guitar~pop party. Then came Cutting up the Present Leaks out the Future, their third full~length album and the most introspective, fully~realized production they’ve yet released.
Ω      Returning fans will know something’s up from the get~go; track one, ‘Ketamine Queen’, is a dour Syd Barrett acoustic ballad swaddled in blind echoes and reverb. The fall from Beatle~pop to Barrett~pondering is a long and startling one, but not unpleasant. It’s an affecting, albeit cold lullaby that stakes out the dreamy, indeterminate tone of the album, with lines like “In our heads/where we are safe/in our fishbowl/so far away”. With a discography like Hatcham Social’s, an opener like this is a statement. And a somewhat puzzling one too, as tracks two and three launch straight back to the buzz~pop they’re known for, but it’s different, in minuscule ways.
Ω      It’s as though they’re nailed down somehow — the jumpier tracks aren’t as loud as they might be, and throughout the record I got the impression that lead vocalist Toby Kidd was singing to himself. Not that any of this detracts from the quality of their sound; on the contrary, it always felt to me like they could take the cheekiness down on a notch, and I think they dialed it down just the right amount on Cutting up the Present Leaks out the Future. The melodies speak for themselves now, like potent poetry softly spoken. Don’t get me wrong, though — the guitars are still completely ripping on tracks like ‘All That I Can See Is a Gun’ and ‘Confessions of an English Opium Smoker’. Actually, I think the licks and solos are probably the strongest they’ve ever been, possibly aided by the album’s context of mental strain and existential wandering.
Ω      The best descriptor of the band’s shift might be that everything’s wrapped in a Velvet Underground ironic restraint. The off~ness reminds the listener of Lou Reed’s possessed~by~a~precocious~child sort of feel, and the guitars have a similarly mild, buzzy carbonation enveloping the tones. Instead of tossing their sound outwards and over the wall to the audience on the other side, Hatcham Social takes the VU route and vibes it through the wall’s concrete, or burrows it through dream~channels beneath the wall. Factor in the string backings and gentle sway on ‘Stay True to Your Family’ and you could give an educated guess as to what’s been on their Spotify as of late.
Ω      Dreaminess dominates half of the record, and acts as the backdrop to the jangle~pop. Kidd’s pensiveness bleeds through on tracks like ‘To the Moon (Is This the Way Man Will Survive)’, ostensibly a love-letter asking a lady~friend on a date to the moon, but it’s not a lover’s moon. It’s the moon of inevitability, a gatekeeper into an oppressive uncertainty: “To make the journey’s all we have/to die like this would be too sad”. It’s moments like this that give the soloing and the electric licks something to fight for at last, and which give Cutting up the Present Leaks out the Future a gravity beyond anything they’ve ever written. The nocturnality returns on ‘Lion with a Lazer Gun’, a lost Franz Ferdinand number that wanders dark streets, singing, “In the nighttime/where the demons stare/in the evening where I found a place to hide/I slip away”. It’s driven by a new~wave snick and scatter percussive style, and guitar lines that cut in the dark like a dull machete through jungle vines.
Ω      The album ends on a dancer afraid of the dark: ‘Don’t Go to Sleep’ has a nearly tragic desperation to it, as Kidd murmurs and shimmies by himself in a club at closing time.  The vocals are flung to the corners, and the surf~like riffs strain to keep their eyes open with nimble jabs and maneuvers, to no avail; it all ends on the warp of a record pulled from the needle.
Ω      If you’ve been following Hatcham Social for a while, you can’t afford to miss this headspinner of a record, and if you’re joining them for the first time, sit back and enjoy the riffs and sleepwalker moments… Fortaken: http://www.violentsuccess.com/
Also:
By colleyc · February 11, 2014 ·  Ω   http://musicalpearls.vlsweb.net.br/?p=44980                        Discography:
Albums:
Ω      2009 You Dig The Tunnel, I'll Hide The Soil (UK) Fierce Panda
Ω      2009 You Dig The Tunnel, I'll Hide The Soil (US) TBD Records
Ω      2012 About Girls (UK) Fierce Panda
Ω      2014 Cutting Up The Present Leaks Out The Future
(UK) OGenesis Records
EP´s:
Ω      2007 Found In The Woods (edition 1) cassette tape, PopGrooves
Ω      2007 Found In The Woods (edition 2) cassette tape, PopGrooves
Ω      2008 Party mp3 download, PopGrooves
Ω      2008 Crystal World (Japan only) CD, Vinyl Junkie
Ω      2009 Postcard In Colours (US and Canada only) CD, TBD Records                                                                                                                                        TIM BURGESS
Birth name: Timothy Allan Burgess
Born: 30 May 1967, Salford, Lancashire, England
Grew up mostly in: Northwich, Cheshire, UK
Solo:
Ω      Burgess’s debut solo album, I Believe, was released in Europe on 3 September 2003 and included the track "Oh My Corazon".
Ω      In 2012, Burgess explained the origin of his second solo album Oh No I Love You:
Ω      The root of this album goes right back to a Kurt Wagner show in Manchester. I carried Kurt’s guitar to the car for him. I took the chance to ask him if he would ever consider writing a song with me. He said, “Sure Tim, you write the music and I'll write the words.” That one song turned into an album and almost ten years after we first talked about it, the album is ready.
Ω      Oh No I Love You also features collaborations with Factory Floor, R. Stevie Moore and My Morning Jacket, among others. The album was produced by Mark Nevers and recorded at his home in Nashville, Tennessee, US. The album was later nominated for the Artrocker ‘Album Of The Year’ award in 2012.
O Genesis:
Ω      O Genesis is Burgess’s own record label, founded in 2011. A compilation CD, featuring the label’s artists, was released by the label on 10 March 2014. Burgess appears as a solo artist on the compilation album, alongside artists such as Minny Pops, Hatcham Social and Jack Underwood.
Discography:
Ω      I Believe 8 September 2003
Ω      Oh No I Love You 1 October 2012
Personal life:
Ω      Burgess’s autobiography, Telling Stories, was published in 2012 by Viking Press. Following the release of the book, Burgess responded to a question about whether he would have changed anything about his career:
Ω      No, because I would have had to re~write it again! Everything that happened happened because we made a decision at a point in time and at certain ages. I had a relationship with drugs for quite a long time. I’m glad it’s over but at the same time I don’t regret it. I must have enjoyed it because I did it for so long. It’s the same with the relationship with other people. They lasted as long as they did because they were mostly quite good.
Ω      In the The Daily Telegraph in 2012, Burgess explained why he practices Transcendental Meditation:
Ω      At the minimum it de~stresses you. You get thoughts — it’s not psychedelic — but things pop into your brain. John Lennon used to stop and write his ideas down: “I choose not to. I’m enjoying myself so much I don’t want to stop.”
Ω      In February 2013, Burgess replaced BBC Radio 6 Music host Lauren Laverne, while she and other National Union of Journalists (NUJ) members engaged in strike action against the BBC.
Ω      In March 2014, during a BBC Radio 6 interview with Roddy Frame, it was revealed that Burgess is a fan of the music of both Frame and Edwyn Collins, and invited the pair to play at a Manchester cafe that he owns. Frame stated during the interview that Burgess is “so positive” and both will occasionally drink tea together. Website: http://hatchamsocialofficial.co.uk/ / Facebook: https://www.facebook.com/HatchamSocial?fref=ts

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Hatcham Social Cutting Up the Present Leaks Out the Future (2014)

 

ALBUM COVERS XI.

Human Impact — Human Impact (13 March 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
Avey Tare — Eucalyptus (July 21, 2017)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Narrow Head — 12th House Rock (Aug. 28th, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Allegra Krieger — The Joys of Forgetting (August 7, 2020)
Scorn — Cafe Mor (Nov. 15, 2019)
Bo Ningen — Sudden Fictions (26th June, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Bill Callahan — Gold Record (Sept. 4, 2020)
Mary Lattimore — Silver Ladders (Oct. 9, 2020)
The Adobe Collective — All the Space That There Is (10 Jan 2020)
Andy Statman — Old Brooklyn (2011)
Endless Field — Alive in the Wilderness (June 12, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Khruangbin — Mordechai (June 26, 2020)
Caribou — Our Love (October 14, 2014)
Hornscape — Hornscape (March 6th, 2020)
Lo Tom — LP2 (September 11, 2020)
Orchards — Lovecore (March 13th, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
Fairport Convention — 50:50@50 (June 9, 2017)
The Flaming Lips — American Head (Sept. 11, 2020)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Buju Banton — Upside Down (June 26, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
The Gray Havens — She Waits (Nov. 7, 2018)
Orlando Weeks — A Quickening (June 12, 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Elysian Fields — Transience of Life (Sept. 4, 2020)
Molina — Vanilla Shell (Jan. 24, 2020)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Men — Mercy (Feb. 14, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
Debashish Bhattacharya JOY!guru cover
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
Arbouretum — Let It All In (March 20, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
emozpěv — Spolu (1st May 2020)
Whyte Horses — Empty Words (March 9, 2018)
Ajimal — As It Grows Dark / Light (June 26, 2020)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Tim Heidecker — Fear of Death (Sept. 25, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bacchae — Pleasure Vision (March 6, 2020)
PVRIS — Use Me (March 3, 2020)
Morgan1
Ajimal — As It Grows Dark Light (June 26, 2020)
Joywave — Possession (March 13, 2020)
Sufjan Stevens — Aporia (March 27, 2020)
Anna Burch — Quit The Curse (Feb 2, 2018)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Work Drugs — Delta (December 5, 2012)
Deserta — Black Aura My Sun (Jan. 17, 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Georgia — Seeking Thrills (10th Jan., 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
The Growlers — Natural Affair (25th Oct. 2019)
James Taylor — American Standard (Feb. 28th, 2020)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Trees Speak — Ohms (3rd April, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Caribou — Suddenly (Feb. 28th, 2020)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Larkin Poe — Self Made Man (June 12th, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Troi Irons — Flowers (Sept. 25, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Grimes — Visions (2012)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Teen Daze — Morning World
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
DAGMAR VOŇKOVÁ — ARCHA (2020)
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)