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Holy Sons
In the Garden

Holy Sons — In the Garden (21 Oct 2016)

                       Holy Sons — In the Garden (21 Oct 2016)Holy Sons — In the Garden (21 Oct 2016)Born: 1976, Coconut Grove, Florida
Location: Brooklyn, New York
Recording Location: Russell Street Recording
Album release: 21 Oct 2016
Genre: Post~Beatles, Psychedelic
Record Label: Thrill Jockey
Duration:     34:45
Tracks:
01. Robbed and Gifted     4:22 
02. Denmark     3:40 
03. Original Sin     2:55 
04. Double Negative     2:07 
05. Eyes Can See Clearly     5:24 
06. Behind Glass     3:05 
07. Pattern Gets Cold     3:41 
08. Too Late     2:56 
09. It’s My Feeling     3:22 
10. In The Garden     3:21
Credits:
Ξ     John Agnello Engineer, Producer
Ξ     Emil Amos Composer, Instrumentation
Ξ     Donovan Brien Artwork, Design, Layout
Ξ     Greg Calbi Mastering
Ξ     Cameron Deyell Guitar (Electric)
Ξ     Zach Jaeger Artwork, Design, Layout
Ξ     Alex Lipsen Mellotron
Ξ     Del Shannon Composer
Notes: Garden Green Colored Vinyl (Ltd Ed. Green LP/Black LP/CD)
✹    Zatím největší a nejkrásnější nahrávka Holy Sons je zaznamenána u Johna Agnellla (Sonic Youth, Dinosaur Jr.) u helmy v Hobokenu. Holy Sons se rozrostli o 15letou historii na úroveň obsedantního a kontaktního místa pro zpěváka a skladatele Emila Amosse. In the Garden nachází bubeníka Grails, který se opět vrátil k formátu jednoho muže. Tentokrát se k němu připojil producent~inženýr John Agnello (Sonic Youth, Dinosaur Jr., Son Volt). Stejně jako většina jeho minulých alb, Amos zde dusí a drví všechny nástroje, zásobuje jimi všechny písně. Rozdíl v tomto okamžiku spočívá v tom, že díky zkušenosti Agnella a sofistikovanému studiu Amos dokázal nahlédnout do hlubšího a zvukově vrstveného zvuku. Vzhledem k atmosféře klasických rockových LP z 60. a 70. let z kapel jaké dělali Pink Floyd a Beach Boys, In the Garden nachází Amose s použitím jeho krutého hrdla pro sadu gramotných, temných a hrůzných hymnusů, zdůrazněných svěžím hněvem, horkokrevností kytary, bicími a klavíru. Na deváté písni “It’s My Feeling” se skladatelsky podílí Del Shannon.
✹    While Amos digs deep into the 60s and 70s songwriter era for the missing blueprint, In The Garden is an undoubtedly contemporary album. While other musicians look back to ape entire songs or sounds as a template, Amos manages to adopt the authentic mindset of a 60s era artist. He manages to channel the creativity, freedom and isolation of a former time, while still sounding fresh and modern. Working closely with veteran producer John Agnello (Dinosaur Jr., Kurt Vile, Phosphorescent, Sonic Youth). Amos explains their process:
✹    Emil Amos has been hiding in plain sight for almost two decades now. He’s created over a dozen albums under the name Holy Sons (also as a member of Om, Lilacs and Champagne and Grails), as well as a heavy hand in an impressive run of ground~breaking experimental albums over the last ten years. Like other master shape~shifters (think Brian Eno, Jim O’Rourke or even Paul McCartney) it becomes difficult to pin him down with such an overabundance of material. This is not to say Amos doesn’t have an extremely loyal fanbase (he does!) but rather to be a fan of Amos and Holy Sons means that you are willing to follow the madman where he leads. You’re comfortable with being picked up at an improbable musical intersection and taken somewhere completely unexpected.
✹    To fully appreciate Holy Sons forthcoming album on Partisan Records, In The Garden, it’s essential to understand Amos, first, as a songwriter. At its core, Holy Sons is a deep exploration of melody. Amos explains, “…the more focused into melody’s fundamental purpose you are, the more you can directly harness the overall power of song~craft.” In Holy Sons this means every lyrical hook, each guitar line and piano run stacks, builds and layers almost to the point of complete collapse. Traditional structures like chorus, verse and bridge are rendered obsolete as songs are simply songs by whatever means necessary — direct and emotional brain dumps from Amos to the listener — he takes songs where he wants, whenever he wants to.
✹    Album opener “Robbed” and “Gifted” expands from a wandering solo acoustic guitar to a fully realized exploded mantra within moments of its brooding start. “Eyes Can See Clearly” is a piano~led ballad that walks the thin line between gorgeous Surf’s Up~era Beach Boys and doom~n~gloom, late~period Pink Floyd. It’s the cover of Del Shannon’s lost nugget “It’s My Feeling,: however, that adds revealing context to the album. The directness and despair of Amos’ delivery of the lyrics, “You will tell me all your pain, and I will listen and explain…” is bleak, beautiful and disarming. When he croons, “It’s my feeling. It’s my feeling”, he twists a sixties love song into a gut~wrenching existential plea. Lyrically, the songs all work off this model. Brutal truth paired with stunning arrangements.
✹    “In The Garden is essentially John Agnello and I out at Water Music in Hoboken, New Jersey carving out the sound of a classic 70’s record if it had been made by a band with all its players being very focused in the hey~day of their career… but we ‘faked’ that vibe using one player. That’s basically what I learned 4~tracking in the 90’s… how to replicate live~sounding recordings where a band is reacting and playing off of each other in real~time.”
✹    Held up to the light, In The Garden is Holy Sons in its most potent, crystalline form. The songs that make up the album are Amos’ most focused, most detailed and most carefully emotional. It’s an efficient and powerful batch of songs that captures peak~era Holy Sons in an ideal studio setting with the perfect producer (in Agnello) steering the ship toward a purity of sound and vision that has eluded Amos in the past.
✹    “This album was originally aesthetically based on the joy of pulling out old 70’s American & British songwriting LPs at night while you’re pounding whiskeys by the fireplace. The way those albums look and feel like a lost pillar of classicism. The drums are so round and close they sound like you could eat them …and there’s that feeling of pure pleasure you get from hearing guitar solos that were done in one take and slightly flawed vocal harmonies recorded on the fly before Pro Tools existed. It came from a lust after that time when mixes and the relationship between all the instruments breathed beautifully at the height of analog equipment.”
✹    In a career of over 20 years, In The Garden is Amos’ statement album thus far, his flawless song cycle. Once it sees the light of day, it seems an impossibility that Amos and Holy Sons will continue to have the luxury of hanging out on the fringe.
Label: http://partisanrecords.com/
Website: https://www.holysons.com/
Twitter: https://twitter.com/emil_amos
Facebook: https://www.facebook.com/HolySons/
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Holy Sons — In the Garden
Here Lies the Body

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Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)