Isaac Gracie
Isaac Gracie (13 april 2018)

Isaac Gracie — Isaac Gracie (13 april 2018)

                Isaac Gracie — Isaac Gracie (13 april 2018)  Isaac Gracie — Isaac Gracie (13 april 2018)→      Eponymní debutní album se zvukem umělce, který se trochu přehoupl přes humbuk a semena pochybností, pocházejících z těžkých očekávání. Maskovaný skladatel, nekonečně vynalézavý, schopný zvládnout několik přístupů, které je téměř nemožné odhalit. Způsob, kterým debutuje, se nadzvedá poklička tajemství o umělci, kterým se ještě může stát. 23~letý Isaac, to je skromná a nenápadná duše. Síla jeho hlasu je tak impozantní, že každý, kdo se odvážil mluvit v polovině skladby, byl rychle potlačen a již se neuchýlil k zbytečným poznámkám. Mladý umělec z Ealingu se brzy ocitl uprostřed nečekané bouře. Pokud srovnáme rané věci od Jeff Buckleyho, Leonarda Cohena a Nicka Cavea, zaujme nejen nás teď, ale už dávno přilákal pozornost mnoha fanoušků a velkých šéfů průmyslu. Jeden z největších, sir Lucian Grainge — vedoucí Universal Music — přijel do Londýna krátce poté, co se ukázalo, že Gracie vystoupí v The Lexington London: hned poté Isaac rychle podepsal kontrakt s Virgin EMI. Svůj hlas ovládá skvěle, ale možná to není překvapivé pro někoho, kdo ví, co znamená vyškolit se v klášterní nadaci Ealing Abbey Choir, založené v březnu 1897. Jeho poetické a pečlivě zpracované texty se stávají působivějšími kvůli vzájemné kombinaci hudebních přístupů; Gracie je často nejsilnější ve chvíli, kdy jeho skladby jsou jakoby svlečeny donaha a jednoduché. Dodává do plenéru album, které je velmi pravdivé, jako sám umělec. Malování v přírodě podle skutečnosti odpovídá jeho pojetí písně. Ví, co pro ní dělá, ale ví, že může překonávat hranice, takže nelze ho označit jako určitý typ umělce. Na to, aby se mu to podařilo s debutovým albem tak dobře, jak to dokazuje, je obraz toho, že Gracie je víc, než si myslíme, že víme. Na slovíčko o otevřené zranitelnosti?  Ano, jeho vokály se třpytí trochu chvějícím se hlasem a díky hlasu se s ním téměř cítíme spojeni jako s člověkem a soucítíme s jeho bolestí z utrpení. Možná, pokud se s touto bolestí nebudete moci vypořádat, toto album odmítnete poslouchat znova,  ale pak ty náčrty stejně přijdou znovu, protože toto je určitě album plné pocitů. Možná nejlepší způsob, jak to reflektovat, je díky písni That Was Then, kde nám říká: “teď běžím, takže se mě nesnažte zachránit”. A je zpravidla ironické, když v jiné pokračuje: “Nemám chuť zpívat jinou píseň o cestách, kde všechno bylo špatně”, protože to je jeho parketa, jeho silný rys, který se odráží v písni When You Go. Jeho hlas získává oprávněné srovnání s některými z folk~rockových velikánů. Gracie má obrovský talent a pokoru v připravenosti omluvit se a zároveň pobavit, což je roztomilé a jak nás již naučila písničkářská historie, je to často ta zvláštní kombinace, která charakterizuje ty nejoblíbenější umělce. Dnes hraje v Edinburghu (The Mash House, Edinburgh), 15. 7. 2018 v Londýně na Festivalu CITADEL 2018 v Gunnersbury Parku. As a child, Isaac sang in the Ealing Abbey Choir and started writing songs at the age 14.  His mother Judith is a poet. Isaac likes Bob Dylan, Radiohead, Pearl Jam, Tim and Jeff Buckley amongst others.  In August 2015, he recorded a song called Last Words on Garageband in his bedroom.Fotka uživatele Ben Tais Amundssen.Born and raised: in Ealing, West London
Location: London, England
Genre: Pop, Indie, Singer~Songwriter, Psychedelia
Album release: 13 april 2018
Record Label: Virgin EMI
Duration:     46:38
Tracks:
01. Terrified     4:35
02. Last Words     3:44
03. The Death of You & I     4:57
04. Running On Empty     3:07
05. Telescope     3:23
06. That Was Then     4:09
07. When You Go     3:43
08. Silhouettes of You     4:57
09. All In My Mind     3:59
10. Hollow Crown     4:21
11. Reverie     5:43
Highlights: When You Go; Hollow Crown; The Death of You & I.
Similar artists: Tim and Jeff Buckley, Bob Dylan, Rylan Walker, Ryan Adams, Radiohead. Fotka uživatele Ben Tais Amundssen.Review
Victoria Ling, 11/04/2018; Score: ****
→      Starting with a heartbeat, Terrified opens the debut album from Isaac Gracie, and what a statement it is to mark his place in the music world, “I’ve heard all the people calling my name. They never see how much I’ve changed. Now I’m terrified….” This is life, and music is a beat of it and there really is no need for him to be terrified.
→      Gracie’s name has been around a few times. He hasn’t been catapulted into the music world but very much nurtured. He has had the time to work on his writing and style and has now released a fine debut that is a testament to his music ability and no one else’s.
→      In the first five songs we are given a range of musicality from Gracie. From the opening heartfelt Terrified, straight into the country~folk feel of Last Words. Seriously, if you close your eyes, you can feel that piece of straw hanging from your lips as the sun sets over the fields. It has a catchy hook of a chorus that would definitely transfer great live as a sing~along.
→      We are then treated to Death Of You And I, the title~track of his 2017 EP, with a somewhat Latin flamenco feel, or so it seems until the chorus kicks in with a shout~fest! Is this how the breakdown of love feels, ”running into one another, you say you want to hide!” All the emotions are there in the almost five~minute sound piece. In fact it takes another turn around the three~minute mark. Be prepared to be surprised.
→      Running On Empty is almost Springsteen~like (and definitely no pun intended towards Boss~classic Born To Run). All the elements are there for this to be a mainstream hit. The chorus is memorable and almost has that beer~swigging~in~the~sun vibe. It’s catchy with its vibrant strums on the electric guitar and the lively beat of the drum.
→      After most of his musical meanderings, the remainder of the album is how most have come to know Gracie — stripped back and vulnerability open. His vocals shine with a bit of a quiver and we almost feel connected to him as a person and feel his pain of heartache. Maybe don’t listen to this album if you cannot deal with that pain, but then again do, as it is definitely an album of feeling. Maybe the best line to reflect this is with That Was Then, when he tells us that he is, “running now, so don’t you try to save me.” And it is quite ironic when he sings, “I don’t want to sing another song about the ways I got everything wrong,” as that is his strong element, reflected on the indie~folk tinged When You Go.
→      The complexity of Gracie’s vocals seems to shine most brightest on All In My Mind. With the slight choral opening and his shaky vocals, it is probably the strongest of the slower tracks and the electric guitar in the instrumental break gives it a bit more edge.
→      Gracie delivers an album that is very true of himself as an artist. He knows what works for him yet he knows he can break the boundaries, so that he is not labelled as a certain type of artist. To nail it with a debut album as good as this shows that there is more to Gracie than we think we know.   →      https://thankfolkforthat.com/
Review & Interview
In Conversation: Isaac Gracie
√     On creativity, the importance of good mental health, and his debut album...
ROBIN MURRAY  FEATURES  12 · 01 · 2018
•★•       When Clash finally catches Isaac Gracie he’s only just woken up.
•★•       But then, the frenetic pace with which the songwriter has conducted the past 12 months would wear down even the hardiest of souls.
•★•       Emerging from a hard~earned break, he’s ideally poised to look back on his successes, and to sketch out where he could go next.
•★•       New EP ‘Death of You & I’ is out now, and with a flurry of live dates scheduled both for the UK and the continent Isaac Gracie is set to be busier than ever over the coming weeks.
•★•       So it’s perhaps apt that Clash finds him in a rare state of relaxation, able to talk freely about creativity, the importance of good mental health, and his debut album...
Q:    The tour kicks off in a matter of days, how have the live shows been going?
→      Live is pretty much my favourite part of the whole equation at the moment! I’ve never played with a band before, and since I’ve started with that everything has taken on a whole new life. The shows are just different!
→      And it also helps for when I play on my own, as well, because it puts everything into perspective a little bit. And I think it makes you better — or more comfortable, at least — onstage when you have other people up there with you. Which I’ve never had before!
Q:    You’ll be travelling to the continent, which must be quite exciting. What is it to travel and visit these places?
→      Yeah! I mean, it gives me something to do… It’s like having a job, in a way! And you get to travel and play gigs. Aside from a long tour where you’d maybe get worn down a little — I can imagine — I really can’t see what’s wrong with that set up, y’know. Everything about it is enjoyable. Even travelling isn’t that bad because it’s meditative… I’d probably just be wasting time anyway.
→      “Live is pretty much my favourite part of the whole equation...”
Q:    Can you write on the road? Or do you need to find somewhere a little more solitary?
→      No, I’ve tried… I recorded a whole bunch of voice memos, and that’s generally how I write my songs. I tried on the bus before to score through them, and finish the lyrics and stuff like that, and get that whole picture worked out… Sometimes that works, and it’s fun, and that’s excellent, and other times it doesn’t because the further away you are from actually being able to implement the changes you envisage in your head it can become quite a maddening and depressing thing.
→      So if you’re on a seven hour drive from France to Germany then you might start that drive and think, oh cool I’m going to write some lyrics to this song and it’s all good, but then three hours in you’re like: I’m getting nowhere with this song, that’s three hours wasted!
Q:    So is the studio where those ideas come together in a coherent sense?
→      Not really… It’s more in my bedroom. The song will be written and I’ll usually have a picture of it because I’ll usually do a demo. What we do in the studio is to seek to replicate that.
→      ‘The Death Of You & I’ was written by me when I went for a jog, just me writing it in my head while I went for a jog, and then the next day I had a rehearsal session with the guys and I just played it to them, put it to the floor, and that’s how that happened. So it’s changing, it’s evolving, it’s not the same necessarily as when I started. It’s rare that ideas come to fruition in the studio, it’s usually the leg~work happens prior to that.
Q:    Each EP from you seems to say something different, is that a purposeful approach?
→      I’d like to say yeah, but at the same time it’s more that when we put out those demos they truly were my demos, and at that point I had no conception of the music industry or what it was to play music for a job. I honestly had no idea about any of that stuff, so it was the rawest form of my relation to music. Invariably, when more doors opened up to me and what I’m able to do with music — in terms of writing songs or producing them — the sounds can change and grow and become more fleshed out.
→      I didn’t come into music obsessing over any sort of plan or idea of where things were going to go or what would happen. I feel the releases we’ve put out have just been an organic representation of where I’ve grown.
→      “The album is a representation of how I’d rolled with the punches...”
Q:    You’ve stuck to that EP format, will there be an album in the not~too~distant future?
→      Yeah. I mean, that’s an ongoing passion project over the course of the past two years — and it’s finished, actually… today! Which is really cool. Right here as we speak it’s being finished! It’s just grown with the project and how things have evolved, it’s taken different recording sessions but it’s a representation of how things have grown along the way.
Q:    Did you have a single vision of what the album should be, or was it more a case of accepting the differing ways it was to change and evolve?
→      I think it was more like I was rolling with the punches. I think when we started doing the album I needed a lot of help, a lot of guidance, a lot of direction from other people because I felt really out of my depth in terms of understanding these things. I’d never really been into a studio before! It took time.
→      As far as I’m concerned it isn’t a bad thing that the album is a representation of how I’d rolled with the punches. It’s almost an honest thing. And if I were to try to do an album that had more of a preconceived look or feel — in terms of the songs themselves, or the way it was done — that would be in the future, when all these things are understood.
→      I think there’s something about a debut album that it has to demonstrate the rough ‘n’ tumble of finding your feet in music. It’s not an easy thing. I never had any formal training in terms of understanding music as a professional endeavour, so you’ve got to learn the steps and that’s evident in the record.
Q:    Have those experiences helped you gain confidence, both in yourself and in your artistry?
→      It goes in waves. I honestly feel… low, sometimes. I feel worried and I feel anxious… but then at the same time I also feel reassured in finishing the album. You go through peaks and troughs – you might have an experience that brings you confidence in yourself, some reassurance, and sometimes it will be difficult. When there’s an absence of things to do, especially. This is why I like being on tour — it’s difficult to maintain that confidence because you’re not doing the thing that makes you confident about the thing that you do. And for me, that’s always been writing songs.
→      So I find if I go through a period of writer’s block then it can get really challenging. I wouldn’t say there’s any complete answer in the sense of confidence or assurance that I didn’t have previously, but I would say that I’m learning to understand how I feel about all of it a bit better maybe.
Q:    Do you have techniques to get yourself out of periods of writer’s block?
→      No… I wish I did! But I’m far too much of a hypochondriac… even about writing. So when I can’t write — which is a lot of time… because who can, really? — I might over~dramatise the fear of it. And it is scary. When you can’t write a song you worry that you’ll never be able to write a song.
→      I try most of the time to just write more, put myself in a position where I’m forcing myself to write. But in all honesty I don’t think that’s the best way of dealing with it, as it ultimately leads to me becoming depressed. The more time you spend doing something you’re failing at, the more pressure you put on that thing to make you not feel like a failure, not feel depressed. It’s like sinking into quicksand.
→      “When you need it that much you can’t turn your back on it...”
→      So I genuinely think that taking myself away from that, finding interest in other things, finding beauty or purpose in something else that would make me want to write a song… That wouldn’t be too pre~constructed or preconceived. It would feel fresh and natural and just leap out of me. It’s difficult because when you need it that much you can’t turn your back on it.
Q:    If the album is finished then will the upcoming shows feature new tracks?
→      There’s quite a few new tracks in there, and I’m excited about that. They follow in the vein of the last few releases, and it’ll be good to play them live. One of my things about releasing new music is that the whole point of the deal is you want to put out music all the time, and it’s nice to be able to do that. When you’re not putting out new music you just want to be doing that… so it’s good when you can, I guess.
Q:    So is that plan for 2018, then? A lot more music and a lot more shows?
→      I think so! Pretty much. If I can play as much as possible then I’ll be happy. Hopefully it’s just playing lots of gigs and releasing the album and putting out new music. That’s all I look for, really.   •★•       http://www.clashmusic.com/
Twitter: https://twitter.com/isaac_gracie
Facebook: https://www.facebook.com/isaacgraciemusic
Facebook: https://soundcloud.com/isaac-gracie
Website: http://www.isaacgraciemusic.com/
Citadel 2018: http://citadelfestival.com/
Ealing Abbey Choir: http://www.ealingabbeychoir.org.uk/Fotka uživatele Ben Tais Amundssen._____________________________________________________________

Isaac Gracie
Isaac Gracie (13 april 2018)

ALBUM COVERS XI.

33EMYBW — Golem (25 Sept., 2019)
First Aid Kit — Stay Gold (2014)
STEREOLAB: Oscillons from the Anti~Sun
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
Jack Peñate — After You (29th Nov. 2019)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Avey Tare — Eucalyptus (July 21, 2017)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
The Growlers — Natural Affair (25th Oct. 2019)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
David Thomas Broughton — The Complete Guide To Insufficiency /re
Grimes — Visions (2012)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Martin Barre — Roads Less Travelled (26 Oct. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Martin Barre — Away With Words
Guranfoe — Sum of Erda (Dec. 13, 2019)
Virginia Plain — Strange Game (Dec. 13, 2019)
Cold Chisel — Blood Moon (6 Dec., 2019)
930 x 827 tmavší podklad.jpg
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Florist — Emily Alone (July 26, 2019)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
KING CRIMSON, The Night Watch
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
Intocable ― Percepcion (March 15, 2019)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
Scorn — Cafe Mor (Nov. 15, 2019)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Destroyer — Have We Met (Jan. 31, 2020)
Devendra Banhart — Ma (September 13, 2019)
Bellows — The Rose Gardener (Feb. 22, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
A Winged Victory for the Sullen — The Undivided Five
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Georgia — Seeking Thrills (10th Jan., 2020)
The Chap — Digital Technology (10 Jan., 2020)
Field Music — Making a New World (Jan. 10, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Circa Waves — Sad/Happy (March 13th, 2020)
Hawktail — Formations (Jan. 10, 2020)
Moonchild — Little Ghost (6th Sept. 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Of Montreal — Ur Fun (Jan. 17, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
The Adobe Collective — All the Space That There Is (10 Jan 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Whyte Horses — Empty Words (March 9, 2018)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
Keeley Forsyth — Debris (17 Jan., 2020)
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Deserta — Black Aura My Sun (Jan. 17, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Ospalý pohyb — ø (May 24, 2016)
Caspian — Dust and Disquiet (Sept. 25, 2015)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
The Sufis — Double Exposure (Jan. 24, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Blackbird & Crow © 2020 Author: Megan Doherty
Torres — Three Futures (29th Sept. 2017)
Torres — Silver Tongue (Jan. 31, 2020)
Andy Statman — Old Brooklyn (2011)
Recondite — Dwell (Jan. 24, 2020)
Silkworm — In The West (24 Jan., 2020)
James Harries — Superstition (Jan. 31, 2020)
James Harries — Before We Were Lovers
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Loveblind / Sleeping Visions (March 27, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
HMLTD — West of Eden (7 Feb., 2020)
HMLTD ©Dean Hoy
ÁSGEIR: IN THE SILENCE
Ásgeir — Bury the Moon (7 Feb., 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Les Filles de Illighadad — Eghass Malan (Oct. 28, 2017)
Nina Kohoutová — Blue Sunray (Feb. 6th, 2020)
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Cheerleader — Almost Forever (Feb. 7, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
ELYSIAN FIELDS — Pink Air
The Men — Mercy (Feb. 14, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
The Gray Havens — She Waits (Nov. 7, 2018)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Caribou — Our Love (October 14, 2014)
Caribou — Suddenly (Feb. 28th, 2020)
Jack Peñate — After You [Expanded Edition] (2020)
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Sarah Harmer — Are You Gone (Feb. 21st, 2020)
Sonny Landreth — Elemental Journey (May 22, 2012)
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Humanist — Humanist (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Myopia Exclusive Crystal Clear Vinyl
Molina — Vanilla Shell (Jan. 24, 2020)
Debashish Bhattacharya JOY!guru cover
Cate Le Bon — Here It Comes Again (2020)
CocoRosie — Restless (Feb. 12th, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Calexico / Iron & Wine — Years to Burn (2019)
Fairport Convention — 50:50@50 (June 9, 2017)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
James Taylor — American Standard (Feb. 28th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
The Third Mind — The Third Mind (Feb. 14, 2020)
ANNA CALVI — HUNTED (March 6, 2020)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
Jonathan Wilson — Dixie Blur (March 6, 2020)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Sink Ya Teeth — Two (28th Feb. 2020)
Stian Westerhus — Redundance (March 5, 2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Thomas Dybdahl — Fever (March 13, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
Sam Gendel — Satin Doll (13 Mar 2020)
Chapelier Fou — Deltas (Sept. 22, ​2014)
Chapelier Fou — Meridiens (Feb. 28, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Dungen — Live (March 13, 2020)
Queer Jane — Home (Dec. 1, 2016)
Hornscape — Hornscape (March 6th, 2020)
Joywave — Possession (March 13, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Human Impact — Human Impact (13 March 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
Orchards — Lovecore (March 13th, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Cathedral Bells — Velvet Spirit (March 6, 2020)
Bacchae — Pleasure Vision (March 6, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
Låpsley — Through Water (March 20th, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
Baxter Dury — The Night Chancers (20 March 2020)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Album Leaf — OST (March 20, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Noveller — Arrow (June 7, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Ben Watt — Storm Damage (31st Jan., 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
Sufjan Stevens — Aporia (March 27, 2020)
Beck — Deep Cuts (March 2020)
BECK — Uneventful Days (St. Vincent Remix)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Arbouretum — Let It All In (March 20, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Loveblind: Visions
Loveblind: Visions
San Fermin — San Fermin (Nov. 11, 2013)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
Queer Jane — Amen Dolores (March 27, 2020)
Rory Block — Prove It On Me (March 27, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Lilly Hiatt — Walking Proof (27 March, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Marissa Nadler — unearthed (March 20, 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Trees Speak — Ohms (3rd April, 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Ellipsis dans l’harmonie BACK COVER
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Cocteau Twins — Garlands (1982, Reissue 2020)
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
Sea Wolf — Through a Dark Wood (March 20, 2020)
Locate S,1 — Personalia (April 3, 2020
Anna Burch — Quit The Curse (Feb 2, 2018)
M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
Born Ruffians — Juice (April 3, 2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Laurel Halo — Possessed (April 10, 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Cowboy Junkies — Ghosts (30 Mar 2020)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Midwife — Forever (April 10, 2020)
Moondog — On The Streets Of New York (Feb. 14, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
I Like to Sleep — Daymare (April 17, 2020)
MoE/Mette Rasmussen — Tolerancia Picante (March 25, 2019)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Sarah Jarosz — World On The Ground (June 5, 2020)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)