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Jenny Hval & Susanna — Meshes of Voice (2014)

Jenny Hval & Susanna — Meshes of Voice (August 18, 2014)

 Jenny Hval & Susanna — Meshes of Voice
Λ   Meshes of Voice, the product of a collaboration between two of the country’s most distinctive voices, was commissioned for Ladyfest and performed on 8 March 2009. According to Jenny Hval and Susanna, it is a kind of modern–day, surrealistic fable that deals with lust, fear, wondering, and mythical creatures. Grand piano, guitar, electric harmonium, various effects and electronics, and prepared piano and percussion combined with a mesh of voices has resulted in an alternately frugally delicate and solid soundscape. Meshes of Voice is genre–free music set in a modern, mythical landscape. The piece will be revived in a new version during Ultima.
Mixed and mastered by Helge Sten of Deathprod and Supersilent, the duo cite the cloaked figure of Maya Deren’s 1943 surrealist film Meshes Of The Afternoon as an influence, also adding: “Mythical animals were a big inspiration. We looked at Medusa, Athena and Harpy — as examples of depictions of woman — the ugly, the goddess–like, the gruesome.”
Birth name: Jenny Hval
Also known as: Rockettothesky (2006–2008)
Born: 11 July 1980, Oslo, Norway
Location: Oslo, Norway
Album release: August 18, 2014
Record Label: SusannaSonata
Duration:     52:46
Tracks:
01. Droplet      2:15
02. Black Lake      5:28
03. Milk Pleasures      2:17
04. I Have Walked This Body      5:37
05. O Sun O Medusa      2:19
06. A Mirror in My Mouth      3:05
07. Thirst That Resembles Me      4:15
08. I Have a Darkness      4:48
09. A Sudden Swing      2:53
10. Honey Dew      1:20
11. Medusa      3:19
12. Running Down      4:14
13. House of Bones      2:28
14. Dawn      4:05
15. The Black Lake Took      3:23
Λ   Jenny Hval: voice, effects, noise, samples, guitar, autoharp, piano;
Λ   Susanna: voice, grand piano, effects, noise, samples, electric harmonium;
Λ   Anita Kaasbøll: voice, effects, noise, drums;
Λ   Jo Berger Myhre: double bass, zither, effects, noise.
CREDITS:
Λ   Johanna Blom Artwork, Cover Design
Λ   Jenny Hval Arranger, Autoharp, Composer, Effects, Guitar, Noise, Piano, Producer, Sampling, Vocals
Λ   Anita Kaasbøll Contribution, Drums, Effects, Noise, Vocals
Λ   Jo Berger Myhre Contribution, Double Bass, Effects, Noise, Zither
Λ   Arne Bendik Sjur Artwork
Λ   David Solheim Engineer
Λ   Helge Sten Mastering, Mixing
Λ   Susanna Arranger, Composer, Effects, Harmonium, Noise, Piano (Grand),  Producer, Sampling, Vocals
Review:
By JOHN KELMAN,
Published: August 17, 2014 | SCORE: ****½
♣  http://www.allaboutjazz.com/jenny-hval-and-susanna-meshes-of-voice-by-john-kelman.php                                                               
REVIEW
Susanna/Jenny Hval: Meshes of Voice review — an exultant experience
John Fordham | The Guardian, Thursday 14 August 2014 22.30 BST | Score: ****
Λ   Norwegian singer/songwriter Susanna Wallumrød doesn’t flinch from raw emotional realities, but she usually traverses them with a seraphic, pure–toned calm. Conversely, Jenny Hval (Susanna’s compatriot, and a poet and novelist as well as one–woman band Rockettothesky) negotiates the same terrain with a fierce, dissonant candour — their meeting was always likely to strike sparks. They jointly wrote Meshes of Voice for Ladyfest in 2009, inspired by Maya Deren’s 1943 surrealist film, Meshes of the Afternoon, and the gothic visions of Antoni Gaudí. It’s a wild,disorientating but exultant experience, using voices, keys, guitar, percussion and electronics to embrace minimalist, quietlyclanging churchbell sounds; typical Susanna incantations that get swept away by crashing waves of noise; call–and–response exchanges between Susanna’s entreaties and Hval’s defiance, occasion–ally mellow, country–music vocal harmonies and pop–song tunes; and rumbles of prayerlike chanting. I Have Walked This Body — a mix of solemnity and abrasiveness reminiscent of Annette Peacock and the most pop–friendly track here — could even end up an underground hit. Fortaken: http://www.theguardian.com/ 
REVIEW
By Grayson Currin | August 15, 2014 | Score: 8.2
Λ   The temptation at the suggestion of a collaboration between Jenny Hval and Susanna Wallumrød is to bristle. Yes, they are both female Norwegian singers — strong leaders and writers with consistently compelling visions for the music they make, too — but that’s where the similarities seemingly cease. Hval is the tempestuous imp to Wallumrød’s version of graceful austerity. Wallumrød has reworked the songs of Henry Purcell with a classical harpist and offered her perfect, patient coo to sublime covers of Thin Lizzy and Black Sabbath, Tom Petty and Will Oldham; last year, she issued a beautiful song cycle with the chamber group Ensemble neoN. Hval, meanwhile, began 2013’s Innocence is Kinky by whispering, “At night/ I watch people fucking on my computer” over a slyly lurid beat. She embraces sonic bedlam and mischief, funneling both into songs with deeply psychological underpinnings. The pairing feels tantamount to asking Chan Marshall link up with with Annie Clark because they’re both critically appreciated American female singers.   
Λ   But that stylistic frisson and the shared willingness of Hval and Wallumrød to explore such tension is one of the greatest strengths of Meshes of Voice, the transfixing result of a 2009 live collaboration and one of the best records of either’s career. These 15 interconnected pieces unfold a surrealistic saga where the narrator wakes to find “I have lost my soul” — at the bottom of a black lake, no less. The tale twists through dream states, mythological allusions and impressionistic analogies, which the sounds match through a web of halcyon ballads, harsh–noise expositions and fragmented art–rock. Meshes of Voice mirrors the multimedia ambition of Laurie Anderson and aligns itself with the self–referential complexity of Joanna Newsom and Dan Bejar. It’s a singular world built of two very individual talents, each gifted with the plasticity to turn a mere live collaboration into a true relationship.  
Λ   As the title implies, the dual stars are the singers’ voices themselves. Wallumrød has the sort of stainless tone that could lead soft jazz outfits toward the tops of adult–contemporary charts. That ease is epitomized by “A Sudden Swing”, where she rises and falls alongside the curves of a piano’s path with classical beauty. Hval is more of a chameleon and jester, though, her voice able to shift from spoken–word scorn to singsong lilt without notice; her imagination and versatility suggest a thornier Björk. During “Running Down”, she funnels the phrase “milk pleasures” through software that makes her sound like a broken automated teller, repeating a meaningless robotic mantra. But by song’s end, she’s purring a blanket–soft lullaby against the horizon.
Λ   The voices are only the fixtures, however, the reference points for a trip that races headlong into altogether unexpected territory. There seem to be few risks that either partner is unwilling to take, no set of shocks for which their style is too precious. Hval has tinkered with noise before and even said she likes to write songs over beds of it, but “I Have Walked This Body” is a commitment to cacophony — and a total triumph with it. They sculpt static and feedback with the skill and finesse of Aaron Dilloway or John Wiese. Wallumrød submits to it, her manipulated air slipping inside the mess as if that’s where it has always belonged; elsewhere, Hval adds gorgeous harmonies to “O Sun O Medusa,” her refracted notes trailing Wallumrød like a comet’s tail.
Λ   While there are some mostly pretty songs and completely chaotic numbers, Meshes of Voice compels by ignoring such binaries. The soft beauty “A Sudden Swing” ends under sinister threat, droning strings and circling percussion bubbling from beneath the pristine piano like a toxic leak. Hval delivers a childlike chant during “Milk Pleasures,” her voice suggesting a pixie. But she sings of mongrel body parts and milk running down pale legs, as Wallumrød answers with distant, ghastly echoes. Meshes of Voice depends on the reputations of its makers, but it delights most when they let those legacies fall away or, at the very least, bend in new ways.
Λ   Meshes of Voice is very much a unified program of music, where songs drift into one another and vestiges and premonitions blur what might otherwise be absolute boundaries. The long industrial exhalation at the end of “I Have Walked This Body”, for instance, creeps beneath the resplendent piano of “O Sun O Medusa”, where it’s picked up and suddenly romanticized by a bowed double bass. Those are mechanical links, though, as the more important bonds are the repeating musical and lyrical motifs and the way that the four–piece ensemble shifts them every time they arrive. “I Have a Darkness” is a glowering monster, with a din of static and stunted signals spilling from disembodied vocals. Toward the end, though, a distant seraphim choir sings the words “honey dew” on repeat — not beating back the noise, but certainly pushing against its shadows. Several minutes later, Wallumrød sings, “Dawn came quiet/dawn came cool/The inside of my eyelid is glazed with honeydew.” Λ   The source of that earlier sound is finally revealed; her voice is low and powerful with defiant confidence, overrunning a harmonium drone that crackles beneath her.
Λ   Just before album’s end, Wallumrød begins another song with the same stanza and the same strength, Hval’s robotic voice circling behind her in an instant of sudden unity. These moments offer arrows toward a resolution, to the moment in the finale where Hval “pulled out my heart from the seaweed.” The narrative here often feels slippery and unattainable, like a “Kubla Khan” dream that’s been recorded in front of a live audience. But the repetition supplies the signposts, assurances that you too can outlast this nightmare of mirrors and confusion. 
Λ   That adventurous perseverance has a lot to do with why Meshes of Voice is so successful. Hval and Wallumrød, refined and distinct stylists, committed more to the value of this concept than of their own reputations. They seemed to bristle less at the the idea of being typecast as a popular female Norwegian singer than not being able to turn that expectation into something more than pretty covers of popular songs or abrasive explorations of the psyche. As immersive and deep as the lake around which it revolves, Meshes of Voice adds a new dimension to the output of both its makers. (http://pitchfork.com/)
Website: jennyhval.com
Website: http://susannamagical.com/
YouTube: https://www.youtube.com/user/rockettothesky
Soundcloud: https://soundcloud.com/jennyhval
Twitter: https://twitter.com/jennyhval
Facebook: https://www.facebook.com/jennyhval
Facebook: https://www.facebook.com/susannamagical
CONTACT:
Management: Eric Deines,
Label inquiries/Press Norway: Rune Grammofon
Press UK:  Ampersand PR.
Press US: Jessica Linker/Pitch Perfect PR,
Booking (EU/UK): Nikita Lavrinenko/ Paper and Iron Booking Co.
/ +49 (0) 30 70225003
Booking (US): Andrew Morgan/ Billions
/ (312) 997–9999 x8246

____________________________________________________________

Jenny Hval & Susanna — Meshes of Voice (2014)

 

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Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)