Joanne Shaw Taylor — Songs from the Road (2013)

 Joanne Shaw Taylor — Songs from the Road (2013)

Joanne Shaw Taylor — Songs from the Road
Ξ   Joanne Shaw TaylorTaylor embodies all the elements of modern blues, even if she sings with a distinctively British accent. Given her extraordinary dexterity as a guitarist and well-developed vocal chops, Taylor was already a sensation on the blues festival circuit in both the U.S. and Great Britain when only in her mid-twenties.
Location: Birmingham, UK ~ Detroit, Michigan, U.S.
Album release: November 4th (UK), 12th (US) 2013
Recorded: at the Borderline in London back in May 2013
Record Label: Ruf Records
Duration:     77:35
Tracks:
CD
01.    Soul Station     5:57
02.    Tied And Bound     6:43
03.    Beautifully Broken     7:32
04.    Watch 'Em Burn     10:08
05.    Diamonds In The Dirt     6:52
06.    Manic Depression     7:38
07.    Jealousy     7:10 
08.    Kiss The Ground Goodbye     7:28
09.    Just Another Word     4:24
10.    Band Introductions     0:30
11.    Jump That Train     6:37
12.    Going Home     5:36

DVD
01.     Soul Station
02.     Tied And Bound
03.     Beautifully Broken
04.     Watch 'Em Burn
05.     Diamonds In The Dirt
06.     You Should Stay I Should Go
07.     Almost Always Never
08.     Jealousy
09.     Kiss The Ground Goodbye
10.     Just Another Word
11.     Let It Burn
12.     Time Has Come
13.     Jump That Train
14.     Lose Myself To Loving You
15.     Going Home
RELEASE NOTES
◊≡   One night. One shot. No safety net. If there was pressure afoot as Joanne Shaw Taylor walked onstage at The Borderline on May 12th, 2013, then the bandleader used it as rocket-fuel, channeling the vibe into the set of her life. Now, six months later, that explosive performance is captured on Songs From The Road: a live album with the soul power to jostle the greats off the podium.
◊≡   “I’m really pleased with it,” says Joanne. “It’s everything I wanted it to be.”  
◊≡   As the latest release in Ruf Records’ legendary Songs From The Road series, this CD/DVD set is the live album you’ve been screaming for. “The timing is good,” agrees Joanne. “My fans, and especially the blues fans, have been asking me for a live album for a while now. I’m glad that we waited, and didn’t do it two years ago, because hopefully I’ve improved. We’ve done three studio albums now, so I think the live album ties all the albums together.”
◊≡   A seasoned road-warrior since 2009’s debut album White Sugar, Joanne has nothing to fear from the stage, but the demands of her diary meant Songs From The Road presented a logistical challenge. “We only had one chance to do it because of my schedule,” she reflects. “If I’d have played terribly — which fortunately I don’t think I did — it would have been unusable. It worked out really well, and I think a big part of that is because the fans were so good.
◊≡   “We wanted to do it in London,” Joanne continues, “and the reason for picking The Borderline was because I wanted something small and intimate. I grew up being inspired by those small Stevie Ray Vaughan and Albert Collins club gigs, and I wanted to have that same ‘everyone-packed-in-like-sardines’ vibe — as opposed to a big production and losing some of that intimacy.”
◊≡   If the crowd brought the atmosphere, then Joanne brought the songs. While some bands merely sleepwalk through the hits live, Songs From The Road finds the bandleader pulling her back catalogue around by the hair, ensuring that from early favourites like Going Home to current roof-raisers like Soul Station, these songs are very different beasts to the studio originals.
◊≡   “I think there’s a very different energy live: that’s probably the main thing,” she notes. “I’m a live guitar player. There’s definitely more guitar in my live show than on any of the albums. I tend to lose all sense of control once I get onstage and everything is twenty beats faster than it’s meant to be! And there were no overdubs, so what you hear is what you get.”
◊≡   If you only know Joanne Shaw Taylor as the songwriter and studio magician, then it’s time you heard Songs From The Road. Released November 2013 on Ruf Records, it’s a candid snapshot from the road that makes your front room feel like the front row. ◊≡   “That night was just really good fun,” she reflects. “And I think that translates on the album.”
REVIEW
◊≡   The Blues has a loud and proud history in the UK and the latest flag bearer is a girl; Joanne Shaw Taylor, who can play a Gibson Les Paul as well as any of the elder statesmen who flock to her gigs, and with Songs from the Road you can hear why.
◊≡   Joanne recorded this album at the Borderline in London back in May 2013; with the opener only needing a couple of taught bass notes followed by a trademark guitar run for fans to recognise Soul Station and we are off and running.
◊≡   There are no surprises here, with fan favourites like Tied & Bound, Diamonds in The Dirt and Beautifully Broken coming at you like a machine gun; with each track elongated by intricate and potent guitar solos from the Queen of British Blues.
◊≡   About half way through the set Joanne slows things down and gets very soulful with a heartfelt version of Frankie Miller’s Jealousy that takes the original and adds extra fire and brimstone, proving the young lady is no one-trick pony.
◊≡   Some of the notes on the ten minute opus Watch ‘em Burn actually explode in your ears and the organ had me remembering the early days of Deep Purple and Joanne’s adaptation of Hendrix’s Manic Depression is virtually unrecognisable as she makes it her very own.
Fortaken: http://www.nodepression.com/
Artist Biography by Richard Skelly
◊≡   Joanne Shaw TaylorTaylor embodies all the elements of modern blues, even if she sings with a distinctively British accent. Given her extraordinary dexterity as a guitarist and well-developed vocal chops, Taylor was already a sensation on the blues festival circuit in both the U.S. and Great Britain when only in her mid-twenties. Taylor caught the blues bug as a young teenager growing up in the Birmingham area. She heard guitarists Stevie Ray Vaughan, Albert Collins, and Jimi Hendrix and knew then that was the kind of music she wanted to pursue, eventually full-time.
◊≡   Producer Dave Stewart (of Eurythmics fame) said of Taylor, several years previously when he first heard her: "I have played with all sorts of blues musicians all over the world. I even made a film, Deep Blues, where I went to Mississippi and recorded with some legendary players such as R.L. Burnside and Jesse Mae Hemphill. Last year I heard something I thought I would never hear: a British white girl playing blues guitar so deep and passionately it made the hairs on the back of my neck stand on end!" (Taylor was just 16 years old at that time.) Stewart was so impressed with her playing and musicianship that he asked her to accompany his supergroup, D.U.P., in touring Europe in 2002. She was also offered a record deal but the company went bankrupt.
White Sugar Seven years later, in May 2009 and with Taylor 23 years old, she released her stunning debut album, White Sugar, for Ruf Records, a German label with U.S. offices and a strong U.S. presence. She followed it up with extended U.S. touring, including shows with pianist and singer/songwriter Candye Kane. For her debut, Taylor went to the producer she most admired, Jim Gaines, who also produced good albums by her favorite blues players, including Jonny Lang, Luther Allison, Stevie Ray Vaughan, and Carlos Santana. Accompanying her on White Sugar were veteran Memphis recording session players Steve Potts on drums and Dave Smith on bass.
◊≡   Good things are in the offing for this up-and-coming blues and blues-rock talent, and a glance at her website reveals a frantic touring schedule. She's clearly willing to work at her craft and put in the kind of air and ground miles needed to build a grassroots following in today's music business.
Website: http://joanneshawtaylor.com/
Label: http://rufrecords.de/index.php?lang=en
Twitter: https://twitter.com/joshawtaylor/
YouTube: http://www.youtube.com/user/jstblues55
Instagram: http://web.stagram.com/n/joshawtaylor/
Facebook: https://www.facebook.com/joanneshawtaylor
_______________________________________________________________

Joanne Shaw Taylor — Songs from the Road (2013)

 

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Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)