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Lambchop — Nixon (2000, 2014)

 Lambchop — Nixon (2000, Reissue January 28th, 2014)

USA Flag                  Lambchop — Nixon 
♣   Lambchop combines country and R&B influences with moody, orchestral arrangements and quirky lyricism.
♣   At its heart, Nixon is an album fascinated by the world at its most fallible and ordinary. “And of that sweet, sweet soul,” Wagner sings on “Up With People”, “Let’s be certain the deliberate monologue/ As sure as if it will fall/ Across you, unto you/ We’ll most certainly leave the doing, the doing undone.” In other words: You’re probably gonna fuck it up.
♣   The album was a critical and commercial breakthrough for the band, especially in the United Kingdom where it polled highly in several year-end polls in music magazines, among them Uncut magazine. The song Up with People was subsequently remixed by Zero 7.
♣   The sleeve is a painting by Wayne White, a childhood friend of Kurt Wagner who also provided cover art for Thriller, Aw Cmon and No You Cmon by the band.
Formed: 1993 in Nashville, TN
Location: Nashville, Tennessee
Album release: February 8, 2000/28 January, 2014
Record Label: Merge
Duration:     49:50 + 24:11 => 74:01
Tracks:
01 The Old Gold Shoe     6:22 
02 Grumpus     4:19 
03 You Masculine You     5:59  
04 Up with People     5:59 
05 Nashville Parent     5:39  
06 What Else Could It Be?     3:39 
07 The Distance from Her to There     4:21 
08 The Book I Haven't Read     5:45  
09 The Petrified Florist     4:53 
10 The Butcher Boy     2:54
BONUS MATERIAL,  with French radio session White Sessions 1998: How I Met Cat Power.:
11 What Else Could It Be? (How I Met Cat Power)     4:51
12 Up with People (How I Met Cat Power)     4:58
13 The Distance from Her to There (How I Met Cat Power)     4:29
14 The Book I Haven't Read (How I Met Cat Power)     5:18
15 The Saturday Option (How I Met Cat Power)     4:35
From Kurt: “This was a rare solo performance recorded at Radio France of (with the exception of one) as-yet unrecorded Lambchop songs with cassette tape loop accompaniment for a show they had called the White Sessions. It's called "How I Met Cat Power," which actually is true; we were doing back-to-back promo sessions that day...”
Written:
•   Kurt Wagner: 1, 2, 3, 4, 5, 6, 7, 9
•   Curtis Mayfield / Kurt Wagner: 8
•   Traditional/Public Domain: 10
Album Moods: Ambitious Lazy Quirky Acerbic Bittersweet Confident Earnest Intimate Literate Poignant Reflective Sentimental Theatrical Wry Cynical/Sarcastic Sophisticated
Themes: Affirmation Loss/Grief Affection/Fondness
Group Members:
•   Allen Lowrey
•   Ben Martin
•   Deanna Varagona
•   Dennis Cronin
•   John Delworth
•   Jonathan Marx
•   Kurt Wagner
•   Marc William Trovillion
•   Mark Nevers
•   Paul Burch
•   Paul Niehaus
•   Scott C. Chase
•   William Tyler
CREDITS:
•   Brady Barnett  Editing
•   Lloyd Barry  Arranger, String Arrangements
•   Paula James Booker  Guitar (Electric)
•   Ken Coomer  Percussion
•   Dennis Cronin  Assistant Engineer, Cornet, Engineer, Trumpet, Vocals, Vocals (Background)
•   Tony Crow  Piano
•   John Delworth  Hammond Synth, Juno, Organ (Hammond), Piano
•   Tommy Dorsey  Mastering
•   Allen Lowrey  Drums
•   Jonathan Marx  Trumpet, Vocals, Vocals (Background)
•   Curtis Mayfield  Composer
•   Alex McManus  Guitar (Electric)
•   Brian Miles  Assistant Engineer, Engineer
•   The Nashville String Machine  Strings
•   Mark Nevers  Engineer, Guitar, Guitar (Electric), Mixing, Producer
•   Paul Niehaus  Fender Telecaster, Pedal Steel, Vocals
•   Public Domain  Composer
•   David Streit  Assistant Engineer
•   Matt Swanson  Guitar (Bass)
•   Deanna Varagona  Sax (Baritone), Vocals, Vocals (Background)
•   Kurt Wagner  Composer, Guitar, Juno, Mixing, Producer, Vocals
•   Wayne White  Cover Art, Cover Painting
Review by Mark DemingScore: ****
♣   Supposedly a concept album about the disgraced 37th president of the United States (though the lyrics make no recognizable statements about Richard Nixon’s infamous life and times), Lambchop‘s fifth full-length was a powerful consolidation of the strengths they’d gained since their uncertain debut in 1994.
♣   Kurt Wagner’s sometimes singing/sometimes talking vocal style and lyrics that were oblique to the point of seeming surreal remained a matter of taste, but his melodies hit a new peak in their beauty and evocative spirit as he merged countrypolitan country, smooth R&B, and chamber pop in ambitious and intriguing ways. And as Lambchop swelled to 13 musicians (not counting guest musicians, a choir, and the string section), the arrangements became increasingly sophisticated as Wagner and his collaborators used their rich palette of sounds to inspire a wealth of moods — from the easygoing groove of “Grumpus” to the luxurious sadness of “Nashville Parent” — and helped to clarify and strengthen that which seemed uncertain in Wagner’s lyrics. And given the sheer ambition of this album, Nixon is a milestone in independent record making, music constructed on a grand scale that’s richly satisfying without seeming overdone or tricked up simply for its own sake. And regardless of how one feels about Wagner’s abilities as a singer, when he lets his heart do the talking on numbers like “The Distance from Her to There” and “The Book I Haven’t Read,” his sincerity is undeniable and affecting. Calling Nixon Lambchop’s masterpiece is to ignore the fine work they’d done before and the similarly ambitious work that came afterward, but it is the point where they showed they were in full command of the tools and talents at their disposal, and its glorious eccentricities are as pleasurable as anything in their catalog.
♣   In 2014, Merge Records released a remastered edition of Nixon with deluxe packaging and a bonus disc, White Sessions 1998: How I Met Cat Power, featuring five songs from a French radio broadcast. The radio session is essentially a Kurt Wagner solo set, playing four songs that would later appear on Nixon accompanied only by his guitar and some additional music beds playing on a cassette machine. While these performances strip the songs of the studio magic that helped make Nixon memorable, they also reveal how strong the tunes really are, still compelling in their most basic form, and Wagner is an engaging solo performer, though his falsetto is somewhat erratic in this context. If the bonus material is less than absolutely essential, it’s certainly worth a listen for fans, and will add to the experience for those checking out Nixon for the first time.
Artist Biography by Jason Ankeny
♣   Touted as "Nashville's most fucked-up country band" by their label Merge Records, Lambchop was arguably the most consistently brilliant and unique American group to emerge during the 1990s. Their unclassifiable hybrid of country, soul, jazz, and avant-garde noise seemed at one time or another to drink from every conceivable tributary of contemporary music, its Baroque beauty all held together by the surreal lyrical wit and droll vocal presence of frontman Kurt Wagner. Although Lambchop's ever-rotating roster would later expand to over a dozen members, the group formed in 1986 as a simple three-piece teaming Wagner, guitarist Jim Watkins, and bassist Marc Trovillion, former high school classmates already ten years removed from the educational system. ♣   Originally dubbed Posterchild, the trio made its earliest recordings in Trovillion's bedroom, self-releasing a series of cassettes with titles like I'm Fucking Your Daughter. In time, the lineup began to grow and the band regularly performed live in and around the Nashville area, often at the area record shop, Lucy's (not coincidentally owned by Wagner's wife, Mary).
♣   In 1992, Posterchild — now consisting of Wagner, Trovillion, guitarist Bill Killbrew, clarinetist Jonathan Marx, multi-instrumentalist Scott C. Chase, drummer Steve Goodhue, and percussionist Allen Lowery — released An Open Fresca + A Moist Towlette, a split single with friends Crop Circle Hoax. The 7" brought the group to the attention of entertainment lawyer George Regis, who issued cease-and-desist orders on behalf of his clients, the noise pop band Poster Children. After rejecting the names REN, Pinnacles of Cream, and Turd Goes Back, the band settled on Lambchop, added vocalist/saxophonist Deanna Varagona, steel guitarist Paul Niehaus, and organist John Delworth, and signed to Merge to release the 1993 single "Nine." Their debut LP, I Hope You're Sitting Down (aka Jack's Tulips), followed a year later. In many ways, this album would be the most conventional Lambchop record. Its Nashville origins and torch-and-twang ambience would saddle the band with the increasingly erroneous alt-country tag, although Wagner's Lou Reed-like vocals and bizarre narrative conceits — in particular the fan-favorite "Soaky in the Pooper," a vivid recounting of a bad LSD trip — immediately signaled their obvious distance from the likes of Uncle Tupelo or the Jayhawks.
♣   The lovely How I Quit Smoking appeared in 1996 (although on the subsequent "Cigaretiquette" single, Wagner would proudly announce, "I'm smoking again"). Recorded live the previous Independence Day, the Hank EP followed later in 1996. Marking the debut of drummer Paul Burch, the disc represented the apotheosis of Lambchop's Billy Sherrill-inspired phase, its lush production evoking the Nashville sound so popular three decades earlier, but now completely passé among Music City's chart superstars. 1997's Thriller proved a major turning point; highlighted by the Muscle Shoals soul of "Your Fucking Sunny Day" and including no fewer than three songs penned by East River Pipe's F.M. Cornog, this sprawling, difficult album introduced the uncompromising eclecticism that would dominate Lambchop's work from here on out. ♣   The follow-up, 1998's What Another Man Spills, upped the ante further; for remarkably soulful covers of Curtis Mayfield's "Love Song (Give Me Your Love)" and Frederick Knight's "I've Been Lonely for So Long," Wagner's baritone drawl even gave way to a Prince-like falsetto. That same year, the group also backed Vic Chesnutt on his album The Salesman and Bernadette.
♣   Lambchop's fifth full-length, Nixon, appeared in the spring of 2000. Supposedly a concept album exploring the presidency of the infamous Tricky Dick, Wagner even included a bibliography in the liner notes — a direct connection to the Watergate scandal remains unidentified. Though still criminally unknown at home, Lambchop enjoyed a much more substantial following overseas, and on May 13, 2000, they appeared at the London Royal Festival Hall; the gig was recorded and made available at U.K. appearances that fall as the Queens Royal Trimma limited-edition EP. (A 2001 European tour yielded the Treasure Chest of the Enemy EP.) The 2001 collection Tools in the Dryer assembled many of Lambchop's scattered singles, compilation tracks, and remixes.
♣   After recording the purposefully spare Is a Woman in 2002, Wagner and company moved on to their most ambitious project yet — two simultaneously released albums, Aw C'Mon and No, You C'Mon, in which Lambchop was returned to full power and joined by a lush string section. The next year the musically experimental EP CoLAB came out, followed in the spring of 2006 by The Decline of Country & Western Civilization, Pt. 2: The Woodwind Years, an eclectic collection of tracks that had never appeared before on Lambchop records, including one new song, "Gettysburg Address," and a record of all new material called Damaged later that summer. 2008 saw the release of the typically graceful and elegant OH (Ohio), followed in early 2012 by the group’s 11th full-length outing, the austere Mr. M., which offered up 11 lush, string-laden meditations on love and loss, all of which were dedicated to the late Vic Chesnutt.
Website: http://www.lambchop.net/
Label: http://www.mergerecords.com/nixon-reissue-1
MySpace: https://myspace.com/lambchopisaband
Twitter: https://twitter.com/lambchopisaband
Facebook: https://www.facebook.com/lambchopisaband
Also:
By Mike Powell; January 29, 2014;  Score: 8.3
♣   http://pitchfork.com/reviews/albums/18826-lambchop-nixon/
Studio albums:
1994 I Hope You're Sitting Down/Jack's Tulips
1996 How I Quit Smoking
1997 Thriller
1998 What Another Man Spills
2000 Nixon
2002 Is a Woman
2004 Aw Cmon
2004 No You Cmon
2006 Damaged
2008 OH (Ohio)
2012 Mr. M
EPs:
1996 Hank
2000 The Queens Royal Trimma (Live Royal Festival Hall, London — Tour Only)
2001 Treasure Chest of the Enemy (Tour Only)
2005 CoLab (with Hands Off Cuba)
2012 Mr. N
Live albums:
2009 Live at XX Merge
DVDs:
2007 No Such Silence
_______________________________________________________________

Lambchop — Nixon (2000, 2014)

 

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Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Veneer — Recovery (April 15, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Brendan Benson — Dear Life (April 24, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
From Atomic — Deliverance (April 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Gerald Cleaver — Signs (March 27, 2020)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
All The Best, Isaac Hayes (A Spoken Word Album)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Joan As Police Woman — Cover Two (May 1, 2020)
Kuře v hodinkách — Flamengo
Kuře v hodinkách — Flamengo
Devon Williams — A Tear in the Fabric (May 1, 2020)
Johanna Warren — Chaotic Good (May 1, 2020)
emozpěv — Spolu (1st May 2020)
THE LEAGUE OF ASSHOLES — UNPLUGGED (1st May 2020)
Morgan1
Zuzana Mikulcová — Slová
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
The Fratellis — Half Drunk Under A Full Moon (8th May, 2020)
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Coloured Clocks — Flora (May 2, 2020)
I Break Horses — Warnings (08 May 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Indoor Voices — Animal (Feb. 14, 2020)
I Break Horses — Chiaroscuro
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Evergreen — Overseas (15 Jun 2018)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)