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Mariza — Mundo (October 9, 2015)

                     Mariza — Mundo (October 9, 2015)Mariza — Mundo (October 9, 2015)♠•≡♠  Když Mariza v březnu zpívala ve Velké Británii, prohlásila, že další album jejího nového materiálu — prvního za téměř pět let — bude mít “jinou koncepci”. Teď je mnohem uvolněnější, osobní a dost intimní, podle mého ještě mohla přidat.  Z tohoto úhlu pohledu je vzorová v “Sem Ti”. Písně sahají od robustného fado: již klasické “Anda O Sol Na Minha Rua” (proslavila ji Amália Rodrigues), až po argentinské tango; zpěvavou, klávesnicí–podepřenou píseň z Kapverdských ostrovů, částečně zpívanou v angličtině a do fado–zabarvené portugalské balady. Relaxed, personal album from fado Master. Americké turné zahájí Mariza 22. října ve Winston–Salemu — ale co evropské? Vybereš si? 08 Nov Geneve, Switzerland / 09 Nov Vienna, Austria / 14 Nov Luxemburg, Luxemburg / 15 Nov Cologne, Germany / 16 Nov Berlin, Germany / 17 Nov Zurich, Switzerland / 18 Nov Munich, Germany. Location: Lisboa, Portugal
Album release: October 9, 2015
Genre: Fado
Record Label: Warner
Duration:     48:11
01. Rio de Mágoa      3:14
02. Melhor De Mim      4:05
03. Alma      3:10
04. Saudade Solta      3:28
05. Sem Ti      4:57
06. Maldição (Fado cravo)      4:45
07. Padoce De Céu Azul      3:47
08. Caprichosa      2:33
09. Paixão      2:58
10. Anda O Sol Na Minha Rua     2:24
11. Adeus      2:52
12. Missangas      3:36
13. Sombra      3:49
14. Meu Amor Pequenino      2:28
♠•≡♠ Rosa Lobato Faria / Mário Pacheco     1
♠•≡♠ AC Firmino / Tiago Machado     2
♠•≡♠ Javier Limón     3
♠•≡♠ Pedro da Silva Martins / Luís José Martins, Pedro da Silva Martins     4
♠•≡♠ Miguel Gameiro     5
♠•≡♠ Armando Vieira Pinto / Alfredo Marceneiro     6
♠•≡♠ Vlu     7
♠•≡♠ Froilán Aguilar     8
♠•≡♠ Jorge Fernando     9
♠•≡♠ David Mourão–Ferreira / Fontes Rocha     10
♠•≡♠ Cabral do Nascimento / Pedro Jóia     11
♠•≡♠ Paulo Abreu Lima / Paulo de Carvalho     12
♠•≡♠ Jorge Fernando     13
♠•≡♠ Paulo Abreu Lima / Rui Veloso     14
♠•≡♠ José Manuel Neto — portuguese guitar
♠•≡♠ Pedro Jóia — acoustic guitar
♠•≡♠ Charlie Mendes — acoustic bass guitar
♠•≡♠ Alfonso Pérez — piano and keyboards
♠•≡♠ Israel Suárez 'Piraña' — drums and percussion
♠•≡♠ Joel Pina — acoustic bass guitar on “Maldição” and “Anda o Sol na Minha Rua”
♠•≡♠ Rui Veloso — piano on “Meu Amor Pequenino”
♠•≡♠ Javier Limón — guitarra flamenca em “Alma”
♠•≡♠ Carlos Leitão — viola em “Maldição” and “Anda o Sol na Minha Rua”
Personnel in pt:
♠•≡♠ José Manuel Neto — guitarra portuguesa
♠•≡♠ Pedro Jóia — viola
♠•≡♠ Charlie Mendes — viola baixo
♠•≡♠ Alfonso Pérez — piano e teclas
♠•≡♠ Israel Suárez “Piraña” — bateria e percussão
♠•≡♠ Professor Joel Pina — viola baixo em “Maldição” e “Anda o Sol na Minha Rua”
♠•≡♠ Rui Veloso — piano em “Meu Amor Pequenino”
♠•≡♠ Javier Limón — guitarra flamenca em “Alma”
♠•≡♠ Carlos Leitão — viola em “Maldição” e “Anda o Sol na Minha Rua”                                           © Photo credit: Isabel Pinto
♠•≡♠ Produção de Javier Limón
♠•≡♠ Produced by Grammy award winner Javier Limón, “Mundo” is her first new album in five years.
♠•≡♠ Once you have traveled all around the world, what’s left to do, to discover?
♠•≡♠ 14 years ago, a young singer released her debut album. Few would have ventured the journey she was then beginning would take her so far away from home for so long. Not even after that record, 2001’s Fado em Mim, became a runaway success.
♠•≡♠ The journey encompassed all that followed. Four other albums (Fado Curvo, Transparente, Terra e Fado Tradicional), three live recordings (Live in London, Concerto em Lisboa e Terra em Concerto), atriumphant greatest hits album (Best Of), countless international tours and concerts in some of the most prestigious venues around the world, numerous global awards and decorations... And in so doing, Mariza’s journey took her beyond her wildest dreams. You don't come home the same person you were when you left. Or do you?
♠•≡♠ Mariza answers that question with the opening track on her new album: “Rio de Mágoa”, a classic Fado that sets in stone who Mariza is, where she came from. And once you know your roots, you can go on a journey — and it's that journey that is chronicled in this new album, her sixth studio recording and her first of entirely new material in five years.
♠•≡♠ The record is called “Mundo”. “World”. It’s an appropriate title to describe all the world that fits inside it — a world that Mariza already had within herself, in her voice, but also the world whose doors opened to her as she traveled around it through the years.
♠•≡♠ Mariza is a Fado singer and she will never let go of, never forget, this music she heard from a young age. But Fado can be many things, as many as the singer wants it to be. And because Fado is always in Mariza’s voice, it’s always there even when it doesn’t conform to its traditional image.
♠•≡♠ It’s there in her voice, in the soul, in the passion she puts in every single track on this record, whether she is singing new material written by her producer, the Spaniard Javier Limón, or covering classics by the legendary Amália Rodrigues or the mythical Tango singer Carlos Gardel. Mariza’s remarkable voice builds a bridge between many different kinds of music under the all–encompassing umbrella of Fado. Not yesterday's Fado, not a purist, traditionalist Fado; but a modern, contemporary Fado, open to the world, as befits a song that began as a sailor's lament.
♠•≡♠ Mariza’s Fado is a different, adventurous Fado, that expands beyond the Portuguese borders in search of a new cosmopolitan identity. A new beginning, if you like, carried by a voice who always keeps her roots in her home country but knows that you need to learn and move on to soar higher, farther.
“Mundo” is a travelogue,a diary, a record of a journey, from Cape Verde to Spain, from Argentina to Portugal. All of it is present in Mariza's astonishing vocal and emotional range, a voice that shortens distances, folds time, makes the world smaller and brings it closer. Her voice, her songs, tell of “our” world, the world of music, of emotions, of Fado and all the styles swirling around it. But they also tell of her world–a world that has grown in the past five years, enriched by new landscapes, new places, new people, new influences. This is the world “Mundo” gives us.
♠•≡♠ It’s Mariza’s world. We're lucky to be living in it.REVIEW
Robin Denselow, Thursday 15 October 2015 18.00 BST;  Score: ****
♠•≡♠   When she played in the UK in March, Mariza announced that her next album of new material — her first in almost five years – would have “a different concept”. ♠•≡♠   It’s true, but it’s remarkable not for her choice of songs, rather the quality of her singing. Her last set, Fado Tradicional, was over–declamatory and failed to do justice to her highly emotional live performances. Now comes an album dominated by “musical fado” — in which different songs are given the traditional treatment — and her approach is transformed. From the thoughtful Rio de Mágoa to the delicate opening to Paixão, this is a more relaxed, personal and intimate Mariza. The songs range from the sturdy fado classic Anda O Sol Na Minha Rua (made famous by Amália Rodrigues) through to Argentinian tango; a lilting, a keyboard–backed song from Cape Verde, partly sung in English; and fado–tinged Portuguese ballads. All are transformed by that remarkable voice. ♠•≡♠ http://www.theguardian.com/
Website: http://www.mariza.com/
Twitter: https://twitter.com/marizaoficial
Facebook: https://www.facebook.com/marizaoficial
Agent: Taberna da Música |
Nuno Morais | Publicado 24 Set, 2015, 08:31
♠•≡♠ http://www.rtp.pt/antena1/antena1-fado/mundo-o-novo-disco-de-mariza-sera-editado-em-outubro_8895
♠•≡♠ In less than twelve years, Mariza has risen from a well hidden local phenomenon, known only to a small circle of admirers in Lisbon, to one of the most widely acclaimed stars of the World Music circuit.
♠•≡♠ It all started with her first CD, Fado em Mim, published in 2001, which quickly led to a number of highly successful international presentations — the Québec Summer Festival, in which she received the event’s First Award (Most Outstanding Performance), New York’s Central Park, the Hollywood Bowl, the Royal Festival Hall, the Womad Festival — and ultimately earned her BBC Radio 3’s award for Best European Artist in the area of World Music. Fado em Mim was an exciting first album, showing a young singer with a rich, vibrant voice and a strong artistic personality. She still sang several hits of Amália’s repertory but her approach to the heritage of the great Fado diva was already so personal that she could easily cast away any suggestion of mere imitation. And within her original material Ó Gente da minha Terra, by the young composer Tiago Machado, soon became a major hit in its own right.
♠•≡♠ In 2003 came her second album, Fado Curvo. It was clearly a step ahead in a process of strengthening her own style and widening her own repertory, with the help of excellent arrangements by Carlos Maria Trindade. Amália was still present, with her emblematic Primavera, on a poem by David Mourão Ferreira, but so was ballad singer José Afonso, an icon of the democratic opposition to the Salazar regime in the 1960s and 70s, and much of the material was new and inspired. Fado Curvo would reach 6th place on the Billboard chart for World Music, and win the Deutsche Schallplattenpreis and the European Border Breakers Award at the 2004 MIDEM. Mariza’s stage performances multiplied, with great personal triumphs at the London Royal Festival Hall, the Frankfurt Alte Oper, the Paris Théâtre de le Ville, the Los Angeles Walt Disney Concert Hall (with the Los Angeles Philharmonic), the Madrid Teatro Albéniz or the Barcelona Teatre Grec. Her performing style at that period can be seen in her Live in London DVD, featuring her March 2003 concert at the Union Chapel and displaying her impressive vocal gifts and her growing self confidence onstage. In 2004, together  with Carlos do Carmo, she was appointed by the Mayor of Lisbon an Ambassador for the nomination of Fado to the  Representative List of Intangible Cultural Heritage of Humanity, which was to be officially approved by UNESCO in November 2011.
♠•≡♠ 2005, when she received the Best Artist Award from the Amália Rodrigues Foundation and was appointed an Ambassador of Good Will by UNICEF, was a particularly remarkable year for Mariza, from the artistic point of view, with the issuing of her third CD, Transparente. She emerged in this album with a new, more mature style, so assured of her vocal powers that she could now afford to whisper and croon as well as sing at full force, building the climax of each phrase in an impressively serene and intelligent way, articulating the text in an even more expressive manner. She found an opportunity to salute three great fado singers with whom she felt deep artistic as well as personal affinities: Amália, whose Segredo, by Reinaldo Ferreira and Alain Oulmain, had been the late singer’s last original release; the recently deceased Fernando Maurício, acclaimed by the popular audiences of Lisbon as “the King of fado”, and at whose side she had often sung in their common neighbourhood of Mouraria; and Carlos do Carmo, whose advice she always made a point of acknowledging as an important factor in the formation of her own artistic personality and to whom a very affectionate version of one of Carmo’s greatest hits, Duas Lágrimas de Orvalho, was here dedicated. The repertoire was now more varied, musically as well as poetically, supported by Jacques Morelenbaum’s outstanding orchestral scores. A CD and DVD of her September 2005 anthological concert in Lisbon, accompanied by the Lisbon Sinfonietta under Morelenbaum himself, published in 2006, came as yet another document demonstrating this stage of reinforced maturity, and would eventually earn her a Grammy nomination in the Latin Music category, the first ever awarded to a Portuguese performer. In the same year she would be granted by the Portuguese President, Jorge Sampaio, the honours of Commander of the Order of Prince Henry the Navigator.
♠•≡♠ Mariza’s career now proceeded with even greater success than ever, with appearances on some of the most important stages in the world: the Paris Olympia, the Frankfurt Opera, the London Royal Festival Hall, the Amsterdam Le Carré, the Barcelona Palau de la Música, the Sydney Opera House, the New York Carnegie Hall, the Los Angeles Walt Disney Concert Hall — in the latter case with a stage setting especially designed for her by none other than one of the world’s greatest architects, Frank Gehry.
♠•≡♠ In 2007 she was one of the leading stars in Spanish director Carlos Saura’s acclaimed movie Fados, exhibited in almost one hundred countries, as well as the subject of the BBC documentary Mariza and the History of Fado, directed the British music critic Simon Broughton, and in the following year she participated prominently in the first documentary series dedicated by the Portuguese public television to the history of Fado, Trovas Antigas, Saudade Louca, narrated by Carlos do Carmo on a script by Rui Vieira Nery.
♠•≡♠ Also in 2008 came her fourth album, Terra, with musical direction by José Limón, summing up much of the new repertory she had been performing in her latest tours, including such hits as Alfama and Rosa Branca and partnerships with Tito Paris, Concha Buika, Rui Veloso, Ivan Lins and Dominic Miller.
♠•≡♠ And 2010 was the year of a very special recording project, the album Fado Tradicional, in which she would reaffirm her connection with the most authentic tradition of classical Fado by going back to some of the most representative composers in the history of the genre, such as Alfredo Marceneiro, albeit with a highly individual and contemporary approach. In the same year she was made a Chevalier de l’Ordre des Arts et Lettres by the French Government.
♠•≡♠ No Portuguese artist since Amália Rodrigues has experienced such a triumphant international career, accumulating success after success on the most prestigious world stages, raving reviews from the most demanding music critics worldwide and countless international awards and distinctions. As usual, her musical partners are simply only the best: Jacques Morelenbaum and John Mauceri, José Merced and Miguel Poveda, Gilberto Gil and Ivan Lins, Lenny Kravitz and Sting, Cesária Évora and Tito Paris, Carlos do Carmo and Rui Veloso. An her repertoire, while firmly rooted in classical and contemporary Fado, has grown to include occasional Cape Verdean mornas, Rhythm and Blues classics or any other themes she holds dear to her heart.
♠•≡♠ In the past twelve years, Mariza has long passed the stage of a mere exotic episode in the World Music scene, ready to be replaced by whatever new colourful phenomenon appears in another geographic corner of the recording industry’s market. She proved to be a major international artist, strongly original and immensely gifted, from whom much is yet to be expected in the future. The young girl from Mozambique, raised in the popular Lisbon neighbourhood of Mouraria, has mastered the roots of her musical culture and developed into an universal artist who is able to open herself to the world without ever losing her heartfelt sense of Portuguese identity. And Portuguese audiences are the first to acknowledge this triumph and pay her back with unlimited love and gratitude.
♠•≡♠ Instituto de Etnomusicologia — Centro de Estudos de Música e Dança
♠   2001 — FADO EM MIM
♠   2003 — FADO CURVO
♠   2004 — LIVE IN LONDON (DVD)
♠   2008 — TERRA
♠   2014 — BEST OF
♠   2015 — MUNDO♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠≡•♠♠•≡♠




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