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Matt Ulery
In the Ivory

Matt Ulery — In the Ivory (16 September 2014)

USA Flag Matt Ulery — In the Ivory

100% ALBUM: Matt Ulery — In the Ivory is a fantastic gem. NOMINATED FOR TAIS AWARDS
Albumography:
♦   A 2CD set featuring pianist Rob Clearfield, drummer Jon Deitemeyer, violinist Zach Brock, vocalist Grazyna Auguscik and 3–time Grammy–winning new music ensemble eighth blackbird in a lush chamber setting.
♦   Expanding upon the artistic and critical success of his 2012 double album By a Little Light, Chicago bassist–composer Matt Ulery returns with In the Ivory on Dave Douglas’ acclaimed independent label Greenleaf Music — eighty minutes of resplendent, lyrical, transportive, and impeccably performed chamber–jazz music. Inspired and motivated by the musical and personal relationships developed while recording and performing By a Little Light — Ulery’s most ambitious project to date — In the Ivory explores the idea of consciousness through patient, lyrical composition.
♦   At a time when classical musicians perform in clubs almost as frequently as jazz musicians appear in concert halls, Ulery has forged a unique signature sound that combines a jazz core with luminous ensemble writing and song craft. Built around a band of select, unique voices, In the Ivory draws upon Ulery’s positive experience performing Light with this particular thirteen–piece aggregation.
♦   Ulery’s sixth album as a leader blends jazz, American minimalism, Eastern European folk music (as a longtime writing member of Chicago band Eastern Blok), and romanticism into a constantly evolving emotional kaleidoscope.

Location: Chicago, Illinois
Album release: 16 September 2014
Record Label: Greenleaf Music
Duration:     42:14 + 37:15 => 79:29
Tracks:
CD1
01. Gave Proof      5:24
02. There's a Reason and Thousand Ways      7:57
03. Mary Shelley      6:41
04. Write it on the Wall      5:31
05. Black Squirrel      8:19
06. The Farm      5:35
07. Innocent      2:47
CD2
08. Resilin      3:24
09. When Everything is Just the Same      5:11
10. Longing      2:37
11. Visceral      8:02
12. Sweet Bitter      6:08
13. Seeker      5:36
14. Viscous      6:17
2014 Greenleaf Music
Personnel:
Θ¦Θ   Matt Ulery — double bass and compositions
Θ¦Θ   Grazyna Auguscik — voice
Θ¦Θ   Rob Clearfield — piano
Θ¦Θ   Jon Deitemyer — drums
Θ¦Θ   Andrew McCann, Zach Brock — violin
Θ¦Θ   Dominic Johnson — viola
Θ¦Θ   Yvonne Lam — violin (of eighth blackbird)
Θ¦Θ   Nick Photinos — cello (of eighth blackbird)
Θ¦Θ   Tim Munro — alto flute (of eighth blackbird)
Θ¦Θ   Michael Maccaferri — clarinet (of eighth blackbird)
Θ¦Θ   Lisa Kaplan — piano (of eighth blackbird)
Θ¦Θ   Matthew Duvall — vibraphone and marimba (of eighth blackbird)

•   Greenleaf Music is proud to announce the release of bassist and composer Matt Ulery’s “In the Ivory.” This double–CD features pianist Rob Clearfield, drummer Jon Deitemeyer, violinist Zach Brock, vocalist Grazyna Auguscik and 3–time Grammy–winning new music ensemble eighth blackbird in a lush chamber setting.
•   Expanding upon the artistic and critical success of his 2012 double album By a Little Light, Chicago bassist–composer Matt Ulery returns with In the Ivory on Dave Douglas' acclaimed independent label Greenleaf Music — eighty minutes of resplendent, lyrical, transportive, and impeccably performed chamber–jazz music.
•   Inspired and motivated by the musical and personal relationships developed while recording and performing By a Little Light — Ulery’s most ambitious project to date — In the Ivory explores the idea of consciousness through patient, lyrical composition.
•   At a time when classical musicians perform in clubs almost as frequently as jazz musicians appear in concert halls, Ulery has forged a unique signature sound that combines a jazz core with luminous ensemble writing and song craft. Built around a band of select, unique voices, In the Ivory draws upon Ulery's positive experience performing Light with this particular thirteen–piece aggregation. Ulery's sixth album as a leader blends jazz, American minimalism, Eastern European folk music (as a longtime writing member of Chicago band Eastern Blok), and romanticism into a constantly evolving emotional kaleidoscope.
•   “This is music of brisk intelligence and an almost off–putting abundance of composure… with frictionless access to great chunks of classical postminimalism, atmospheric indie–rock and harmonically astute post–bop.” — NY Times
REVIEW/INTERVIEW
Howard Reich, CHICAGO TRIBUNE
♦   Two years ago, Chicago bassist–bandleader Matt Ulery achieved an artistic breakthrough with "By a Little Light," a double album featuring his uncommonly alluring compositions.
♦   Penned for a sprawling chamber ensemble staffed by jazz and classical musicians, "By a Little Light" transcended those musical languages. Eastern Europe folkloric music, populist songwriting, cinematic soundtracks, American minimalism, 20th century opera and other idioms converged elegantly in "By a Little Light." Not surprisingly, the recording turned up on many best–of–the–year lists and earned Ulery high–profile concert engagements, including an appearance at the Pritzker Pavilion in Millennium Park and concert dates across the country.
♦   After scaling the music back last year with "Wake an Echo," created for his Loom quintet, Ulery now returns with what amounts to a follow–up to "By a Little Light": "In the Ivory" (Greenleaf Music). Once again, Ulery has produced a double album spotlighting more than a dozen jazz and classical players, his compositions at once radiantly lyrical and impeccably detailed, carefully crafted and subtly orchestrated.
♦   "In the Ivory" fulfills the promise of "By a Little Light," establishing that Ulery was no one–hit wonder and that he still has a great deal to say in a chamber–jazz idiom of his own making. In effect, "In the Ivory" expands the repertoire he has created for the musicians of "By a Little Light." Once again, Ulery has turned to pianist Rob Clearfield, drummer Jon Deitemyer, violinist Zach Brock, vocalist Grazyna Auguscik and the contemporary music ensemble eighth blackbird to give voice to his music.
♦   The commonalities between the two albums are many, but perhaps it's the tonal glow of this music that represents the most obvious continuity.
♦   "I'm trying to write something beautiful, trying to create some beauty in art," says Ulery, who leads many of the aforementioned musicians in the CD release celebration for "In the Ivory" Friday and Saturday nights at the Green Mill Jazz Club.
♦   "Not in spite of anything, not to go against anything — just because we could use it."
♦   Indeed, we always can use inspired melodies, glistening instrumental colors and ethereal vocals of the sort that define "In the Ivory." Though some of the chord structures on the new recording sound a tad simplistic, Clearfield's poetic keyboard work and Auguscik's high–flown vocal lines deepen the meaning of this music.
♦   And Ulery has doubled down on his classical impulses, featuring strings alone on three compositions. Elsewhere, the sound of Timothy Munro's alto flute, Michael Maccaferri's clarinets and Gregory Beyer's marimba, vibraphone and other percussion attest to the Ulery's distinctive sonic palette.
♦   "The ensemble is very similar (to 'By a Little Light') in an orchestration sense, although it's a little more nailed down," says Ulery. "I learned a lot since I put 'By a Little Light' together. I was writing a piece here and a piece there, trying to make it work. What I want to do here is set the band.

♦   "It's a little more consistent in the ensemble" writing throughout, says Ulery, "even though it does pare down to the string quartet. That's just sort of to say: This group of four people within the ensemble acts as a unit sometimes, and here is the unit on its own."
♦   That Ulery penned enough new music for a second double album surprised no one more than the composer himself, who says he wasn't thinking about how long the compositions would run as he was creating them. But when he realized he had roughly 80 minutes of music, he didn't want to start cutting pieces and "struggling to fit it in."
♦   The Greenleaf Music record label knew Ulery was working on his next big project, he says, so he received no resistance to the prospect of another double album. Considering the critical praise lavished on "By a Little Light," Greenleaf chose wisely in embracing the ambitious project.
♦   "They said, 'Cool,'" recalls Ulery.
♦   Yet he harbors no illusions regarding the audience for music as sophisticated as this.
♦   "Our audience is still small," he says. "The percentage of people into this weird art music is small. But that's why it's great to be with Greenleaf, because they're such an excellent label." One that clearly values enterprises that aspire higher than conventional standards.
♦   "In the Ivory" — even more than "By a Little Light" — would seem to have a shot at drawing a wider audience than many jazz projects can. Despite its unusualness of instrumentation and idiosyncrasy of phrase, this work is quite accessible to anyone willing to venture outside his or her musical safe zone. You don't have to be a jazz aficionado or a classical maven to be moved by the openness, melodic beauty and spiritual undertone of this work.
♦   For the Green Mill dates, Ulery has re–arranged the scores for slightly reduced forces and somewhat different personnel, though his Loom quintet, a string quartet and Auguscik will be in place. A larger instrumental group will play the music Oct. 10 at Constellation, and on Oct. 14 Ulery will launch a national tour that will stretch from New York to Detroit.
♦   It's entirely possible that this recording and the performances in support of it will give Ulery's work the wider audience it richly deserves. If not, the value of the music still cannot be denied.
♦   "I'm thankful for my friends who are putting in the time and energy and bringing their unique voices," says Ulery. "Rob and Jon and Grazyna — they're really giving it all to this music. Especially Rob as pianist and soloist.
♦   "The main hope is to gain more momentum, to keep getting more opportunities like this."
♦   Once people hear this music, momentum surely will build.
:: http://www.chicagotribune.com/
Website: http://mattulery.com/wordpress/
Website: http://jondeitemyer.com/
website: http://www.gmasounds.com/
European Booking:
Ryszard Wojciul
www.artobus. pl
+48 660724146

:: http://www.littlefieldnyc.com/event/604215-matt-ulerys-in-ivory-brooklyn/
Bandcamp: http://mattulery.bandcamp.com/

GRAZYNA AUGUSCIK
♦   Singer, composer, arranger, and producer Grazyna Auguscik has won the praise and admiration of music critics, jazz enthusiasts and even non–jazz audiences with a singular voice that speaks a universal language. She is one of the most intriguing contemporary vocalists on today’s world jazz scene. Her elusive style challenges traditional definitions of jazz and shows a vocalist and musician without boundaries. ♦   Her unorthodox approach to rewriting classic works pays tribute to their authors and at the same time is an adventure into uncharted territory. Her original music gives a fresh taste of uncanny flavor.
♦   She began her professional music career in Europe, and then completed her studies at the prestigious Berklee College of Music in Boston in 1992. Since then she has become a prolific collaborator, sharing the stage with such jazz notables as Michael and Randy Brecker, Jim Hall, John Medeski, Paul Wertico, Kurt Rosenwinkel, Robert Irving III, Michal Urbaniak, Urszula Dudziak, Terry Callier, Patricia Barber, John McLean, Ron Perrillo, and many others. Grazyna has recorded, produced and distributed 17 albums, 10 of which were under her own record label, GMA Records, and has appeared as a guest on as many projects.
♦   Her album Pastels was chosen one of the best of 1998 by National Public Radio listeners. Her 2002 release River placed her as one of the hottest young jazz talents in the country. In 2003 Grazyna received a Twirlie Nomination for Top Female Vocalist and was nominated for Best Female Vocalist of 2002 at the 22nd Annual Chicago Music Awards. She was named Best Jazz Vocalist of 2002, 2003, 2004, and 2006 by the prestigious European Jazz Forum Magazine. In 2002 Fujitsu Concord Jazz Festival named her Top Vocalist, and her album Homage — Three for Brazil, recorded for Pony Canyon Records in Japan, was one of the Top 20 Jazz Albums in Asia.
♦   Her 2003 release Past Forward, featuring the remarkably talented accordion player Jarek Bester, once again resists easy classification because of its musical eclecticism, but embraces jazz in all its contemporary potential, in the pulsating, exhilarating, eastern musical origins that lead to the past and at the same time give an uncanny impression of wholeness.
♦   “Auguscik may be on the brink of innovation,” says a Chicago Tribune review.
♦   The LA Times says “Grazyna Auguscik is doing important work in advancing the potential for imaginative jazz singing. She is a singer to be watched.”
____________________________________________________________

Matt Ulery
In the Ivory

 

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Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)