Promised Land Sound — For Use and Delight (October9, 2015)

PROMISED LAND SOUND — ‘USE AND DELIGHT’ (October 2nd, 2015)

      PROMISED LAND SOUND — ‘USE AND DELIGHT’ PROMISED LAND SOUND — ‘USE AND DELIGHT’ (October 2nd, 2015)•ς•   “There is an incredible amount of honesty and ingenuity in this music that really shines through.”Location: Nashville, Tennessee
Album release: October 2nd, 2015
Record Label: Paradise of Bachelors
Duration:
Tracks:
01 Push and Pull (All the Time)     5:12 
02 She Takes Me There     4:47 
03 Otherworldly Pleasures     3:40 
04 Through the Seasons     3:49 
05 Dialogue     3:20 
06 Oppression     3:32 
07 Golden Child     4:29 
08 Canfield Drive     4:42 
09 Better Company     3:49 
10 Northern Country Scene     4:10 
11 Within Sight     6:41
℗ 2015 Paradise of Bachelors
CREDITS
•ς•   Zach Casebolt Strings
•ς•   Jem Cohen Producer
•ς•   Jeremy Ferguson Engineer
•ς•   Alysse Gafkjen Band Photo
•ς•   Brendan Greaves Design, Layout
•ς•   Steve Gunn Guitar
•ς•   Ryan Jennings Flute, Percussion
•ς•   Mitch Jones Group Member, Producer
•ς•   Patrick Klem Mastering
•ς•   Jason Meagher Engineer, Mixing, Producer
•ς•   Evangeline Neuhart Cover Design
•ς•   Promised Land Sound Composer, Mixing
•ς•   Evan Scala Group Member
•ς•   Joey Scala Group Member
•ς•   Mark Scala Cover Painting
•ς•   Luke Schneider Pedal Steel
•ς•   Peter Stringer–Hye Group Member
•ς•   Sean Thompson Group Member
•ς•   Jeff Zeigler MixingREVIEW
Words from Will Calvert
•ς•   Mixing psychedelic music and country music can be a deeply pleasurable concoction. It’s something that bands like The Byrds, Buffalo Springfield and The Flying Burrito Brothers all the way up to more recent acts like Beck and The War on Drugs all have in common. They masterfully blend the finesse of country song-writing with an often near–suffocating amount of reverb to create something that lives outside of its two mother genres entirely. But, this mixing of styles can be problematic. Delve too deep into the psychedelic aspects of the genre and a band can end up sounding like a bad Grateful Dead covers band. On the flip side, rely too heavily on the country aspects and the music can often fall into sentimental mush.
•ς•   It is rare to see a band straddle these two genres so naturally and dexterously, which is exactly what makes “For Use and Delight” such a joy. Promised Land Sound released their self–titled debut album in 2013 when the band was still too young to drink in their home town of Nashville, Tennessee. Two years on, Promised Land Sound have produced a much more mature album in the form of “For Use and Delight”.
•ς•   First up is the vibrant opener “Push and Pull (All the Time)”, a five minute long slice of psychedelic rock with some snarling Dylan–esque vocals. Right off the bat, Promised Land Sound are showing how they can seamlessly move between anthemic choruses and more psychedelic jam band material. The cluttered drums on the second half of this track mix so well with the warm, glossy guitar tones. It is a combination that, when paired with superb production, makes me imagine watching pots and pans falling down the stairs in slow motion. I mean that in a glorious, sublime kind of way; not in a look at all the spaghetti hoops I’m going to have to clean out of the carpet kind of way.
•ς•   “She Takes Me There” is just as much haunting as it is gentle. The way the guitar and the vocals on this track interweave really create a very bare, lonesome atmosphere. The lyrical response between the vocals “Where could she be?” and the backing vocals “She’s over me” really gives the listener an idea of the solitude this song portrays. “She Takes Me There” finishes with a dazzling slide guitar solo that perfectly complements and heightens the rest of the song.
•ς•   The guitar work on this album really is stellar. Aside from the clear technical proficiency, there has been such a care taken to maintain a psychedelic aesthetic to the guitar tone, without seeming overly familiar or cliché. The acoustic guitars feel tactile and punchy; the use of effects on the electric guitars feel well placed and seem to be chosen as contributing factors to a song, not just an afterthought of a guitarist with far more pedals than ideas.
•ς•   As the album moves forward there is a good amount of variance between songs to keep the listeners’ interest peaked. “Golden Child” is a real shot in the arm after some of the more drowsy numbers. It is a raw, bustling track filled with some very sweet, brittle guitars. Probably the slowest and most Dylan–esque moment on this album is “Canfield Drive”. It is a track that feels so much like a 1960s protest song “18 years old, they took his life, a summer’s day, on Canfield Drive”. It is a powerful lyric, especially when coupled with the otherworldly production on this song.
•ς•   There is a kind of shimmer to this whole album. It’s in the production but most importantly it’s in the song–writing. Every song and performance feels as if it has been presented just as it is meant to be. To take “For Use and Delight” at first glance, it could be dismissed as just another derivative album yearning for a seemingly purer time in music. But, there is an incredible amount of honesty and ingenuity in this music that really shines through. Promised Land Sound have hit their stride with “For Use and Delight” and hopefully there is more to come. •ς•   http://slatethedisco.com/
AllMusic Review by Timothy Monger;  Score: ****
•ς•   The Nashville indie underground has become a haven for experimental psych and garage combos playing against Music City’s reputation for slick country and pop. From the more pastoral end of this spectrum are Promised Land Sound, whose excellent sophomore LP, For Use and Delight, manages a robust rock clamor that sways with an earthy Big Pink–meets–Workingman’s Dead spirit. Although they were born out of the city’s garage scene, it’s clear that the young band’s musical allegiances are more aligned with bands like the Flying Burrito Brothers and Creedence Clearwater Revival. •ς•   Following their 2013 debut, they swapped keyboardist Ricardo Alessio for ace guitarist Peter Stringer–Hye (the Paperhead) and his contributions here, both as an instrumentalist and part–time vocalist, are a key part of their evolved sound. Also joining them on this outing is Mitch Jones from psych group Fly Golden Eagle who mans the keys and acts as a co–producer. Among the 11 tracks here are harmony–laden jangle pop cuts like the opener “Push and Pull (All the Time)” and Dylan–esque rave–ups like “Otherworldly Pleasures,” which showcases Promised Land Sound’s beefed–up guitar work. With its watery slide guitar riffs and rich harmonies, album highlight “She Takes Me There” channels the gentle psych sweetness of early George Harrison, while the bucolic acoustic ballad “Northern Country Scene” ripples dreamily, showing off the band’s extended range and songwriting chops. The music is beautifully captured with an overwhelmingly organic feel in spite of being festooned with plenty of wah–guitar and other tasteful effects. From their clever songcraft to the very natural manner in which they've presented it, Promised Land Sound have delivered a gem with a rambling country–folk feel and plenty of rock vitality.
Also:
By Jason P. Woodbury
•ς•   http://www.tucsonweekly.com/tucson/southern-psych-promised-land-sound/Content?oid=5944613
Bandcamp> http://promisedlandnashville.bandcamp.com/
Facebook: https://www.facebook.com/PromisedLandSound•ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς••ς  

Promised Land Sound — For Use and Delight (October9, 2015)

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I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)