Saturday Sun — Orixé [2014]

Saturday Sun — Orixé [January 2014]

 Saturday Sun — Orixé

EXCELLENT ALBUM Saturday Sun — Orixé & NOMINEE for 8th TAIS AWARDS / HARVEST PRIZE 2015
•   “Máme velkou lásku k Johnu Martynovi”.
•   Je mi potěšením ponořit se dovnitř. Kombinace úchvatně krásných vokálů, lidově znějící kytary a jednoduchých, ale efektivně zaměstnaných bicích vytváří krásnou atmosféru, která pohltí posluchače a vyvolává pocity hluboko "v ledvinách".
Location: Swanage, Dorset, Britain (UK)
Album release: January 2014
Record Label: Viva La Fleetwood
Duration:     59:23
Tracks:
01. Something In The Woods      3:25
02. Seagull      3:57
03. I Want A Life For You      2:37
04. Blinded By The Truth      5:26
05. Borderline      2:48
06. Seeds To The Sun      4:13
07. Down To The Forest      3:52
08. In Your Head      5:05
09. Like A Stray      5:02
10. Hollows      4:41
11. Singing Logos      6:15
12. Life In The Garden      3:25
13. Whale Song      8:37
Band members:
≈   Alex Hedley: guitar & vox
≈   Billy Merrick: guitar
≈   Allan Varnfield: drums
≈   Tobias Fitton: bass/vox
Written by:
≈   Alex Hedley / Billy Merrick 1, 6, 8, 11, 12
≈   Alex Hedley / Billy Merrick / Owen Thomas 2, 5
≈   Alec Harrison / Alex Hedley / Billy Merrick 3
≈   Alec Harrison / Alex Hedley / Luke Kill / Billy Merrick 4, 7, 10
≈   Alex Hedley / Luke Kill / Billy Merrick / Nathan Rowe 9
≈   Alex Hedley / Luke Kill / Billy Merrick 13
REVIEW
By David HonigmannScore: ****
The folk ambience is strangened by falsetto vocals and the psychedelic atmospherics that rise up to grip them
≈   The Isle of Purbeck is better known for its stone than it is for its rock, but Saturday Sun bring Laurel Canyon to the Tilly-Whim Caves.
≈   The folk ambience is strangened by Alex Hedley’s falsetto vocals and the psychedelic atmospherics that rise up to grip them. The best parts evoke the natural world: the plucked melody of “Seagull”, the distorted wash of “Whale Song”, the slow swell of “Down To The Forest”. Fortaken: http://www.ft.com/
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≈   "It washes over you subtly like the tide slowly creeping in or the warmth of the sun on your back. Yet there’s twists and turns, a building sense of urgency, a raw edge in each song. And a sense of power, weaved into the vocals — sometimes angelic in their falsetto, at times a gravelly near-roar of emotion. Their name, taken from the Nick Drake song, will wield comparisons, but Saturday Sun’s mix of folk, rock and psychedelia lays more with John Martyn or the early work of Pink Floyd. Saturday Sun create a sound that is as mesmerising and intricate plugged-in as it is stripped back and acoustic. It’s a sound that hints of americana, folk, rock, blues, even grunge influences all melted into a sound that is pure Saturday Sun."
BIOGRAPHY:
≈   “Gentle acoustics and luscious melodies.” — Q, Track of the Day
≈   “Where do Saturday Sun songs go? It's a question that's formed with awe. The way the group orchestrates and bends those minutes, it feels no longer than a blink. It was barely here and still it was memorable. It was delicate and it was demanding. It seemed as if it had been made through inner-turmoil that couldn't help itself, but tospill out onto the streets. It took over the way we suddenly felt” — Daytrotter
≈   In April, Saturday Sun released their debut ‘Seagull EP’ of four tracks on Lazy Butterfly Records, aided by iTunes placing it on their homepage as a recommended record. The title track won a coveted Q Track of the Day and a place on the soundtrack of forthcoming film House on the End of the Street. In addition the band were promptly invited to record sessions for Daytrotter, Crypt and Watch, Listen, Tell — the latter receiving over 11,000 hits in 1 week.
≈   Saturday Sun hail from Dorset and make music that is at once “delicate and demanding” — Dayrotter. It washes over you subtly like the tide slowly creeping in or the warmth of the sun on your back. Yet there’s twists and turns, a building sense of urgency, a raw edge in each song. And a sense of power, weaved into the vocals — sometimes angelic in their falsetto, at times a gravelly near-roar of emotion. Their name, taken from the Nick Drake song, will wield comparisons, but Saturday Sun’s mix of folk, rock and psychedelia lays more with John Martyn or the early work of Pink Floyd. Saturday Sun create a sound that is as mesmerising and intricate plugged-in as it is stripped back and acoustic. It’s a sound that hints of americana, folk, rock, blues, even grunge influences all melted into a sound that is pure Saturday Sun.
≈   The pitches shifted, the wraps of anticipation had almost suffocated the bubbles below. The cities stood tall but in a backdrop on broken structures, the molecules of water became broken, a far cry from the crystalline structures of 14 billion years of cosmic dance.
≈   To see was to see. Nothing more. And what was seen was accounted to for what was shown upon. The unambiguous world.
≈   Slowly what was seen in the mirror knew it resided within those around, like the swaying mangroves searching for the coolest of waters. How could anybody be sure...... they couldn't. So time passed for those that accounted it, a personal habbit on the planetary system, shame about no doctors being available!
≈   Then it popped and the shell broke. Of which was left stayed where it always resided.
Saturday sun came early one morning
In a sky so clear and blue
Saturday sun came without warning
So no-one knew what to do.
Saturday sun brought people and faces
That didn't seem much in their day
But when I remember those people and places
They were really too good in their way.
In their way
In their way
Saturday sun won't come and see me today.
Think about stories with reason and rhyme
Circling through your brain.
And think about people in their season and time
Returning again and again
And again
And again
And Saturday's sun has turned to Sunday's rain.
So Sunday sat in the Saturday sun
And wept for a day gone by.
Website: http://saturdaysun.get-ctrl.com
Bandcamp: http://saturdaysun.bandcamp.com/
Soundcloud: https://soundcloud.com/saturdaysun
Twitter: https://twitter.com/SaturdaySun1
Facebook: https://www.facebook.com/saturdaysunmusic
Press: / 0797 4000 415
Agent: National — Joanna Ashmore @ Coda Agency: London: Lowri Gerrard at IAM NEW MUSIC :
Contact: Julian Able —
Also:
Review by Liz Ahye; Score: 9 out of 10
:: http://www.iamnewmusic.com/2014/01/09/saturday-sun-orixe-album-review/
Paintings: http://www.adonnak.com/
INTERVIEW: http://vulturehound.co.uk/2012/06/saturday-sun-interview/
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REVIEW
By Tony David Foster
≈   Since the age of 18 I’ve watched ‘local’ bands with a heightened interest. Initially this was due to an obsession with music in general, for the last six or seven years it was my job as well as my passion. I managed music venues and through my own business promoted and encouraged local musicians and bands. I watched local artists maybe four or five nights a week, made many friends and saw some incredible talent, much of which received virtually no recognition outside of my then home county of Dorset. I left Bournemouth well over two years ago now, and at the time there was a band from Swanage (a sleepy, picturesque coastal town in the south-east of Dorset) who had been playing locally for less than a year, primarily in their own remote neck of the woods. I’d heard whispers of the luminosity and brilliance of Saturday Sun from a few who had already seen them — such mutterings I had heard many times before — so I booked them to play purely on hearsay.
≈   They blew me away. Again, this wasn’t the first time a local band had hit my senses hard, but there were a few things that stood out beyond the beauty of the music. Saturday Sun looked, and behaved off stage, like a trio of mellow (stoned), unkempt and unassuming teenagers. Apparently they lived in a caravan, which looked about right. They were faintly affable and shy with youth. On stage they were ridiculously radiant, illuminating the stage with such ease it looked as though they weren’t trying. ≈   Before leaving Bournemouth I booked them and watched them many more times, each time becoming more and more overawed by their talent. They weren’t perfect by any means, but Alex Hedley’s vocal talent as well as their ability to mix subtlety and intensity to create such a captivating sound had made them (considering their tender years) a band with huge promise — yes, something else I’ve said so often before.
≈   Soon after my departure they released Seagull — a wonderful self-released 7-track EP recorded at Conversion Studios. Seagull was made a recommended release on the iTunes homepage, their plaudits were growing and live appearances were increasing in number and worth. I’ve watched their progress from afar with great interest, and with fervour and excitement I purchased Orixé, their debut LP soon after its release. Plaudits continue to grow, from Rough Trade to Q, The Guardian and 6 Music. No wonder, Orixé shines like a beacon of youthful hope, mixing acoustic refinement, folk explosions and sonic soundscapes, all perfectly sculptured around the substantial vocal range and prodigious talents of Alex Hedley. More than anything I want music to move me; to affect my mind, body and soul, and Orixé does that in extravagant spades.
≈   Alongside co-founders Alex Hedley and Billy Merrick, Saturday Sun have recruited Allan Varnfield (drums) and Tobias Fitton (guitars) to record Orixé, both known admirers of the band before joining, and both oozing ability. Allan and Tobias only enhance the quality, not altering the band’s sound or aura which (whilst lending from the likes of Nick Drake, Jeff Buckley, John Martyn and Bon Iver) has an abundance of unique qualities. It’s impossible overstate the brilliance of Alex Hedley’s vocals throughout Orixé and attempting to choose a track to highlight his talents is pointless. Jeff Buckley is the most obvious comparison, and much like the great man himself it’s when you see Alex live that his talent and mastery hits you hardest.
≈   This performance not only highlights Alex’s ability, but also showcases Billy’s perfectly restrained electric guitar — a constant highlight throughout Orixé. Such subtlety can go unnoticed, but the band’s ‘less is more’ approach works perfectly, occasionally exploding into a more expansive alt-rock, psychedelic and multi-layered sound. It also reveals their laid-back nature, not taking themselves or their music too seriously, something that has become increasingly apparent from social media updates and interviews…
Q: Hey guys, for anyone that hasn’t heard any of you music how would you describe it?
A: A full cream mr.whippy dripping from a dog’s nose in the rising sun!
Vulture Hound
Q: What is the album about? Does it have an over-arching theme?
A: It’s about the spreading wings of an eagle, garnishing the nurtured souls of a forgotten past in a time that can only be remembered by a small amount. It’s also about how pizza is good.
Q: Can you tell me about the new 4-piece line up? What do you think it adds to the music?
A: It adds a certain benign decadence to the wings of glory. Mmm hot wings…
We Love Brighton
≈   Saturday Sun performed to great acclaim at last year’s Larmer Tree Festival, they’ve been tour support for Sigur Rós including a date at the Eden Project, and having now released this gem of an album it would seem even greater things await. ‘Seagull’ has featured on the soundtrack of independent horror film House at the End of the Street, and the band’s ability to paint sublime musical murals would suggest more scores must surely follow. Orixé does more than enhance the promise and potential of Saturday Sun; its maturity and magnificence places the band amongst its musical peers. Listen to the opening three tracks and be engulfed by beauty, listen to Orixé in its entirety and be swept away by a tidal wave of sonic euphoria. (http://tonydavidfoster.wordpress.com/)
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Saturday Sun — Orixé [2014]

 

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Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)