School of Seven Bells
SVIIB (February 26, 2016)

School of Seven Bells — SVIIB (February 26, 2016)

   School of Seven Bells — SVIIB (February 26, 2016) School of Seven Bells — SVIIB (February 26, 2016)Ξ   Friends, Benjamin and I wrote this record during a tour break in the summer of 2012. I can easily say that it was one of the most creative and inspired summers of our lives. What followed was the most tragic, soul shaking tidal wave that life could deliver, but even that wouldn’t stop the vision for this record from being realized. This is a love letter from start to finish. It’s the story of us starting from that first day we met in 2004, and that's the story of School of Seven Bells. So much love to all of you. Thank you for being a constant light in our lives. This record is for you. — Alejandra
Ξ   The final collection of recordings Alejandra Deheza and Benjamin Curtis made before Curtis’ untimely passing in 2013.
Ξ   At the end of last year, we were treated to the luminous lead track off the project, “Open Your Eyes.” Today, we’re getting another: “On My Heart,” an eruption of throbbing synth pop and koans for quarreling lovers like, There was a you before me, there was a me before you, and that’s the way it goes.
Ξ   “First Single, Everyone!!” wrote Deheza of this new release in an email to The FADER. “No Words. Pure Joy. And you are all Pure Heart xxxx. Beyond Psyched to share this with you. All my love, Alejandra.” Location: New York City, New York, United States
Album release: February 26, 2016
Record Label: Full Time Hobby
Genre: Dream Pop, Shoegaze, Indie, Female Vocal
Duration:     41:50
01. Ablaze     5:09
02. On My Heart     4:17    
03. Open Your Eyes     4:20
04. A Thousand Times More     4:30
05. Elias     4:23
06. Signals     3:46
07. Music Takes Me     5:10
08. Confusion     4:59
09. This Is Our Time     5:18Description:
Ξ   SVIIB is the final School Of Seven Bells album, produced by Justin Meldal–Johnsen (Beck, Nine Inch Nails, The Mars Volta). It was in the summer of 2012 that SVIIB was written, “I can easily say that it was one of the most creative and inspired summers of our lives”, Deheza recounts. What followed was the most tragic, soul shaking tidal wave that life could ever deliver, but even that wouldn’t stop the vision for this record being realized. It was in the fall of 2012 that Curtis was diagnosed with a rare form of T–Cell Lymphoblastic Lymphoma, less than a year later Deheza would be the sole member of the group. Benjamin Curtis passed away on December 29, 2013. In 2014 Deheza moved to Los Angeles to finish the record with Justin Meldal–Johnsen (Beck, Nine Inch Nails, M83), “I’m trying to feature Benjamin as much as possible”, Meldal–Johnsen says. As soon as Alley was settled in LA it took the two only a month and a half to finish the record. “This is a love letter from start to finish. It’s the story of us starting from that first day we met in 2004, and that’s the story of School of Seven Bells”, Alley says, “When I see those roman numerals, I just think of an era”.
         © Photo credit: Picture: Clarke Tolton (below) / Justin Hollar (above)
✨   I can’t even begin to put into words how it feels to share Open Your Eyes with you guys. It’s been long enough. The feeling is indescribable. Grab it via the super rad folks at Noisey. Thank you Kim Taylor Bennett for digging into my brain and for listening to this story. Infinite Gratitude to you, friends, for all of your love and passion and light. ⚡️?⚡️All my heart, Alejandra  ???ALBUMS:
Ξ   Alpinisms (2008)
Ξ   Disconnect from Desire (2010)
Ξ   Ghostory (2012)
Ξ   SVIIB (2016)
Singles and EPs:
Ξ   "Face to Face on High Places" (2007)
Ξ   "My Cabal" (2007)
Ξ   "Silent Grips" (2007)
Ξ   "Half Asleep" (2008)
Ξ   "Heart Is Strange" (2008)
Ξ   "Iamundernodisguise" (2009)
Ξ   "Windstorm" (2010)
Ξ   "I L U" (2010)
Ξ   Put Your Sad Down (2012)
Ξ   "The Night" (2012)
Ξ   "Lafaye" (2012)
Ξ   "Scavenger" (2012)
Ξ   "Open Your Eyes" (2015)
By Kim Taylor Bennett
Ξ   There’s a white brick building that squats on Wythe Avenue in Williamsburg, Brooklyn, and it houses a J.Crew which opened at the tail–end of 2014 — not long after the area welcomed Urban Outfitters and Madewell just a few blocks to the north. The building used to be a rehearsal/recording space for TV on the Radio, and in the early 2000s, just around the corner, stood another rehearsal spot frequented by everyone from Battles to Interpol to Black Dice. You know the deal: Back then Williamsburg was bleaker, cheaper, and lacking a coffee spot that served flat whites, but even as recently as four years ago there were still artists living in the area. In 2011, TVOTR’s old HQ on Wythe was home to School of Seven Bells’ Benjamin Curtis, Aaron Pfenning (formerly of Chairlift), and for a time, Dev Hynes. During the summer of 2012, in the downtime between touring behind School of Seven Bells’ third album Ghostory, Benjamin and the group’s other member Alejandra Deheza had fallen into their regular routine — working side–by–side, ten to 12 hours a day.
Ξ   “I would wake up every morning to muffled looping sounds or sometimes Alley’s voice,” remembers Pfenning. “The kitchen was right next to where they were recording so I’d make breakfast and tea and linger and listen to what they were doing. They’d work for so long. I’ve never met any other band that worked as hard as they did.”
Ξ   Sometimes, after Alejandra had gone home, Benjamin would work a little bit more, although perhaps neither would really call it work. They were in constant motion, creating — first separately with their siblings in the early aughts, as On!Air!Library! and Secret Machines, respectively, and then together, as School of Seven Bells. Although the duo had already released an album in 2012 and their Put Your Sad Down EP was slated to come out in the fall, in those summer months, they were already deep into writing and recording their fourth record, titled the shorthand for their band, SVIIB. Alejandra says that when she starts writing “it’s usually me emptying every corner of the contents of my brain.” The words pour out of her and only latterly do the lyrics come into prescient focus. In the case of this record, Alejandra found herself writing the story of her and Benjamin, a story that spanned a decade, half of which was spent as couple. Alejandra never explicitly discussed the lyrics of this collection with Benjamin, but every line pieces together their history and shoots straight to the heart.Ξ   “When we were making this record we’d gotten to this amazing point where the hurt was gone,” recalls Alejandra. “Not that we weren’t close before that, but it was this moment of purity, like when we first met, where there was no history and I almost felt like I didn’t have the right to interrupt the peace we had. Now of course, I wish I’d told him but he must have known, and that’s my comfort: He just didn’t want to say anything because he wanted to protect it too.”
Ξ   On December 31, they rang in 2013 at their manager Ryan Gentles’ apartment in the East Village. He always throws a great party. “I have a picture from that New Year’s Eve and we’re all so happy,” she says haltingly. “We were having the time of our lives — that moment where everything was perfect. No indicator — nothing — that something was going to go terribly wrong the next year. There was no easing into it. Just, boom.” In February 2013, Benjamin Curtis was diagnosed with T-cell lymphoblastic lymphoma and that December, just a few days shy of seeing 2014, he passed away. He was just 35.
Ξ   Dropped into the musical landscape of 2008 — when the likes of Vampire Weekend, Santigold, MGMT, and Lykke Li were having their moment — School of Seven Bells’ arrival was heralded by Alpinisms, a debut that layered ambient textures, chiming guitars, and enveloping, core–quaking synth lines. The beats were exacting, but combined with the hazily entwining vocals of Alejandra and her identical twin Claudia, they sounded like none of their peers. The spell was cast. The story of how an Oklahoma–born boy and two Guatemala–born sisters came together begins in 1999 when the twins moved from Miami, where they were raised, to New York, driven by Alejandra’s romantic aspirations of being a poet in the city. She ended up forming a band on a lark after someone mistook her for a musician and offered her an opening slot on a bill of three acts. Alejandra called Claudia and told her they had a month to write some songs and On! Air! Library! was born. A year later Benjamin Curtis and his older brother Brandon migrated East, via Dallas and Chicago, as Secret Machines, but the two bands paths didn’t cross until Interpol’s 2004 tour across the States. “By the end of it we felt like a gang and I was sad to see it end, which is rare — it felt like the last day of something,” recalls Interpol’s Daniel Kessler. But really, it was just the beginning, both in terms of these artists’ individual careers and the bonds formed and cemented between them which survive to this day. By the end of that tour, Alejandra and Benjamin were inseperable. “We had this moment where something in my head exploded — like wow, I’ve known this dude, we are connected, we’ve met in a past life, and I know it was the same for him,” remembers Alejandra. “Eyes and bodies didn’t exist. I know it sounds crazy, but it’s so true. I just knew it. This is my soulmate, the love of my life. Still is.”
Ξ   At this point Alejandra had already decided On!Air!Library! had run its course. With Claudia, she wanted to start from scratch, christening the band School of Seven Bells after a Colombian pickpocketing academy which may or may not have existed. It was also on this tour that Benjamin decided he wanted to be a part of this new project, but it wasn’t until 2007, after Secret Machines released their second album, that he left his brother’s band to focus fully on SVIIB.  Ξ   They began life as an incredibly self–sufficient trio: For a while they all lived together, with Benjamin, a multi-instrumentalist who started off playing drums in Tripping Daisy in his late teens, handling production duties. They created ripples thanks to mesmeric live shows — performing shoulder to shoulder, Benjamin flanked by the half Costa-Rican, half–Bolivian sisters. Their songs showcased the hymnal charms of their twinned harmonies gliding over pulsating synths, like some shoegaze–enamored Wiccans drawn to the flickering lights of the dance floor.
Ξ   “From my perspective as soon as they started dating it was obvious that it was more than their relationship — they had a creative thing, a spark,” says Brandon. “I know Benjamin was really inspired by Alley and her creativity and both her singing voice and writing, and they were such an intrinsic part of each other’s process. There was a lot of non–language communication that happened between them. Being in the room with them was always really exciting, just to see them work.”
Ξ   The pair broke up midway through recording their second full length, Disconnect from Desire. Bands have disintegrated over much less, but the idea of not continuing SVIIB never even entered their heads. They continued to work together every day, finishing the record, touring behind it and striving to find a way to function outside of their grief. Three months after the album was released, Claudia decided to leave the band, and then there were two.
Ξ   Nine songs strong, their forthcoming album, SVIIB, is a slim, but supremely compelling collection, and in so many ways its completion and eventual release in February 2016 is a victory. For the most part, it sounds like one too. For instance, joyous album opener “Ablaze” clearly maps the thigh–tingling thrill of Alejandra and Benjamin’s first connection while introducing the record’s recurrent imagery: embers, flames, fires, the night sky, the stars, awakened inspiration. And of course, love. She calls it her most blatant love song: “Our whole life together is that song.” Similarly, at the record’s close stands “This Is Our Time” — melancholic, yet utterly uplifting too, it’s a love letter to New York in the early 2000s when the city was humming with possibility and all the best music was coming out of dives like Mercury Lounge and Brownies. “That feeling we both felt when we moved to New York is that same feeling you feel when you fall in love, you’re just like — I can do anything, I’m all powerful, this world is working with me. It’s on my side,” she says. She’s smiling.
Ξ   Benjamin’s diagnosis blindsided everyone, not least because, in their ten years together, Alejandra can’t once remember him even getting a cold. Brandon concurs: If Benjamin had a heavy night of drinking and indulgence, while others would wallow in bed, he’d still be up at 8 AM, working on music or doing something productive.
Ξ   “I think that also contributed to my own denial about his recovery,” Brandon continues. “He was always leading the charge: ‘What’s the plan? How are we going to beat this?’ That same level of energy and excitement that he carried in music was the thing that drove him. Even in weird situations, like in the hospital when they would test the bone marrow or do the spinal taps, he would be like, ‘Let’s get this on film.’ I don’t know what his plan was but he wanted to document it. He was fearless. There wasn’t a point where he conceded.”
Ξ   Even within the confines of those sterile walls he was making music, having somehow convinced the nurses to allow him two tabletop synths and a guitar in his hospital bedroom. The last song he ever recorded was a cover of Joey Ramone’s “I Got Knocked Down (But I’ll Get Up)” (who lost his battle to lymphoma in 2001). Alejandra recorded her vocals with Brandon at the Curtis’ sister’s apartment with Benjamin overseeing proceedings via Skype. Benjamin was in the hospital fairly consistently for 11 months, and every day, Alejandra was right beside him.
Ξ   “I would get there in the morning and leave when he fell asleep, but as he got sicker and I started to realize he might go, I started sleeping there because I wanted to be there when he left. And I was. And it was worth it,” says Alejandra, her eyes widening, welling up, and then we’re both teary. “There was no way I was going to let him go without telling him I was OK and that I was fine and I was watching him and I was happy that he would be at peace finally.”Ξ   A couple months after Benjamin’s diagnosis, producer Justin Meldal–Johnsen, a longtime fan of the band who’s worked with everyone from Beck to Nine Inch Nails to M83, flew from LA to New York to work with the group in Rare Book Room, a studio in Greenpoint, Brooklyn. The plan was for the trio build on the tracks laid down that past summer and begin sprinting towards the finish line, but Benjamin encountered complications and went back into the hospital. They knuckled down, but one evening Alejandra got a call from a friend telling her Benjamin was so upset he couldn’t make it to the session that the hospital staff had to transfer him to the psych ward to calm him down. “The friend was like, ‘I can’t do that to Alley, are you crazy?’” says Brandon. “And he was like, ‘You can’t say no to me. I have cancer. This is my Make–A-Wish!’ Really turning the screws of manipulation, but in a funny way.”
Ξ   Naturally, Alejandra was internally freaking out, but trying to hold it together for the sake of the sessions. “And then there’s this fucking knock on the door and it’s Benjamin. He’s cracking up and I’m like, ‘Oh my God! I’m gonna kill you!’” She’s laughing uproariously as she tells this story and it’s a memory that’s stayed with Brandon too. “Definitely there were times when we would laugh after that, but being in the studio for him was a very pure experience,” he says. “He could do anything. He was floating in this weird creative bubble and he was just happy, even just being released from an inpatient treatment of chemo."
Ξ   While most of the lyrics and melodies for SVIIB were penned during the gilded summer of 2012, “Confusion” was recorded live during this session with Benjamin playing organ through a vintage rotating Leslie speaker, while Alejandra and Meldal–Johnsen lay on the floor, silent. “It was immensely powerful, beyond words,” remembers Meldal–Johnsen. Darkly atmospheric like an Angelo Badalamenti composition, yet still ethereal, Alejandra’s lyrics are devastatingly direct: “We spent so much time / Facing the days together / That I forgot / How to be different from us.”
Ξ   As much as SVIIB tells Alejandra and Benjamin’s story, it’s a tale locked in an embrace with the siren city that called them from across America. New York City is constantly evolving — hot spots have their moments, buildings are dismantled, new foundations laid, relationships form and splinter and leave shards all over the city. New York is never a clean slate, so it’s no wonder Alejandra had to leave after Benjamin passed.Ξ   “I was a complete mess,” she says. “I was partying all the time, I couldn’t hear silence and I couldn’t be by myself. I was checked out and it was very self–destructive. I feel selfish when I say that because life is so important and you want to stay alive to honor your friend and his life, but it was just one of those things where I just could not deal with life at all.” During this period, Alejandra’s sister and SVIIB’s manager were the constants keeping her sane. She found it almost impossible to spend time with their mutual friends. She dropped in and out of contact, and her relationship with music morphed under the emotional strain too. “I felt like the only way I could really hear music was deafeningly loud in bars with people,” she says. “That was the only way it took me out of my head a little bit.” Music had been her joy, her solace, and her means of expression, but listening to SVIIB’s material was off–limits for many, many months. Even now there are certain records she can’t listen to: Robert Wyatt, Joni Mitchell, albums they’d listen to by themselves. Brian Eno’s Music for Airports and mixes of relaxing ambient music, which Benjamin made to sooth her insomnia in the early years when he was away touring with Secret Machines.
Ξ   There’s no standardized procedure for dealing with loss. Almost two years on from Alejandra’s greatest heartbreak, even though our conversation is peppered with laughter and smiles, grief still hovers close to the surface. In an instant she is crestfallen. “I can live, I can function, I can do my thing, but the absence of him is crushing,” she says. “It doesn’t make any sense to me. Still. There’s a huge hole. I’ve just started getting used to the idea that it will always feel like that. I was fighting it for so long, like, one day I’m going to wake up and I’m going to be OK, and I just recently started to accept that that’s never going to change, because he’s my soulmate, he’s my other half, and I don’t care how that sounds. I feel so insanely lucky that I know what that feels like. So it’s worth it.” She’s says this last sentence spaced out, her tongue sharpening the T’s for emphasis. You can feel her trying to strengthen her resolve.
Ξ   In the winter of 2014 Alejandra got together with her sister to try and finish off the song “Music Takes Me.” Her rule for what ended up on SVIIB was that only songs she and Benjamin had worked together would make the cut. “Music Takes Me” was a kind of halfway house — Benjamin was so in love with the chorus that she felt she couldn’t leave it to languish. Full of hypnotic throbs, drum thuds redolent of Secret Machines, and what sounds like stars colliding in the sky, the chorus surges with pure optimism. The verses, however, still hadn’t been dreamed into existence, so Alejandra called in Claudia to help her write, while Brandon recorded her vocals. It was a four–part familial collaboration that she’s thankful for, but the experience of working on that song also showed her it was just too soon. “I wasn’t ready. I couldn’t even write lyrics that whole time, which is my thing, just writing words. Nothing was coming out. I couldn’t express myself at all. I couldn’t, I couldn’t, I couldn’t…,” she trails off.
Ξ   Moving to LA not long after was both survival instinct and the first step towards eventually completing the record. She went to Koreatown, eventually settling in Filipinotown (because these parts of LA reminded her most of NYC) and on February 24, 2015, she set up camp at Justin Meldal-Johnsen’s studio, Chez JMJ, near in Atwater Village. After Brandon painstakingly pulled together and sifted through the countless audio files stashed on various hard drives left untouched for over year, Alejandra, Meldal–Johnsen, and engineer Mike Schuppan set to work. As Meldal–Johnsen tells it, in finalizing SVIIB the weight began to lift and Alejandra seemed liberated, working under her own steam, with Benjamin’s blessing. They collaborated harmoniously for six weeks, mixed in May, and SVIIB was mastered by July.
Ξ   “When the record label and management came in and we played it down, Alley sat there not really able to speak and I kind of lost it,” says Meldal–Johnsen. “There’s a thing that occurs when something lives in a vacuum for so long and then it’s released and the energy that comes with that is palpable and sometimes overwhelming. Having the music be wrapped up in the energy of other humans was pretty intense for the people in the room, but also by the end somewhat celebratory as well.”
Ξ   Although SVIIB comes heavy, the overwhelming feeling it leaves you with is one of joy. There’s not one note, turn of phrase, or sonic cadence that doesn’t vibrate with emotion. The songs affect your whole body, like a tuning fork struck, the rhythms shivering through the length of you. They are devastatingly, singularly and unswervingly personal, but like all the greatest songs, they also feel entirely applicable to you.
Ξ   And yet, and yet, and yet, the more I talk to Alejandra and to those privy to her partnership with Benjamin, the more I'm struck by the depth of their connection. On “A Thousand Times More,” Alejandra sings her comfort to Benjamin in the wake of a breakup, urging him to have hope, and wishing she could take that pain for herself to assuage his own. With the disco–tized synth and a bassline New Order’s Peter Hook would be proud to claim as his own, it’s ebullient. But how many ex–lovers can you imagine singing that sentiment and actually meaning it? "Open Your Eyes” is the first full tune to be shared from the album and in the intro Alejandra intones “moving on,” coming through like an intermittent transmission. Like all the songs on SVIIB, the pair’s relationship is writ large with every word. In lullaby–sweet tones she addresses Benjamin, in the wake of their split: relinquish past hurt and see their relationship as it stands, undiminished, burning bright.
Ξ   Talking to his friends and those around Benjamin, a figure starts to take shape outside of his rep as a prolific music obsessive. He was a prankster and character who drew you in, one who emboldened people to dig deeper, think harder, be inspired, and just do. Pfenning is full of funny memories, which he shares by phone from a parked car somewhere in Colorado. For instance, during Hurricane Sandy the pair holed up with Alejandra and attendant friends and played Apples to Apples through the night as the storm raged outside. Periodically they’d would sneak out to the East River to stand up to Sandy. “He had a daring quality about him that I found really attractive,” says Pfenning. “‘Let’s walk out onto the pier and into the hurricane,’ because why not?”                                                 © Alejandra Deheza Hagstrom gitarre 82
Ξ   Soon after Sandy, they were forced out of the loft (to make way for J.Crew). To give the space a fond farewell Pfenning, Benjamin, and Alejandra broke in to run riot and help the builders with their refurbishment, turning the end–of–an–era destruction of their home into a celebratory demolishment farewell. During one two-week stretch, Benjamin and Pfenning busied themselves calling businesses they found on Yelp! — a Vietnamese restaurant in South Dakota, a motel in Louisiana, a pet store, somewhere — keeping whoever they spoke with on the line for as long as possible. They started off making up stories to tell the strangers on the other end, but it soon evolved, with them sometimes spending up to 45 minutes on the phone taking turns talking, while one or the other would create ambient music in the background with EBows, guitars, and cassette tapes. “It was really just learning about humans and what other people’s lives are like,” says Pfenning. “Benjamin obviously held the record for staying on the phone the longest with some gal in a motel — he charmed her for well over an hour.” Alejandra laughs wholeheartedly when I remind her of this pursuit: “Oh man! I still have some of those recorded calls — they were hilarious!”
Ξ   Alejandra’s still based in LA and she's still making music. She’s also feeling the pull of New York again, hoping to return this coming spring to record with her sister. “Life just kind of happens, it will take you here and take you there, it doesn’t even ask,” she says with a light sigh. “I’m super open — I’m just going to follow where it goes because even making all these plans, it doesn’t matter. You have to follow the path it gives you.”
Ξ   She thought her and Benjamin would grow old together, but is also somewhat comforted by the notion that they’ll meet again, in the next life, and she doesn’t need a psychic to tell her so. “If the connection in this life is that strong, the next one is going to be even stronger,” she says. “I just wish it could be Alley remembering it, because you know, you have to start again. But I have faith because I did recognize him this time around.”
Ξ   When writing about someone who's passed away, there’s the pressure to try and paint as accurate, well–rounded, and detailed a portrait of that person as possible. Of course you should strive for that, but does this piece do Benjamin justice? To the person he really was? To how he touched people? No, of course not, not even close. But Benjamin remains, clutched close in memories, some shared, many private. And then of course there’s the music.
Ξ   Ryan Gentles misses watching the late night shows with his friend. Brandon misses talking to his brother every day — his musical sounding board since they first picked up instruments. Daniel Kessler appreciated the way he really, truly listened, and the thoughtfulness in his responses. Aaron Pfenning misses talking for hours while a movie played in the background on mute. Alejandra misses the pocket of time when they’d just moved into their spot in the Lower East Side. “It’s funny to me because there’s nothing really to say.” She adds, “I have it all in pictures in my head.”  Ξ

School of Seven Bells
SVIIB (February 26, 2016)




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The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Devin B. Thompson — Tales of the Soul (Oct. 30, 2020)
Chrissie Hynde — „Standing in the Doorway: Chrissie Hynde Sings
The Men — Mercy (Feb. 14, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
Still House Plants — Fast Edit (Aug. 14, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
Woods — With Light and with Love (April 15, 2014)
Ketil Bjørnstad — „Seafarer’s Song“ (2004)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
William Parker — „Mayan Space Station“ (July 23, 2021)
Fairport Convention — Shuffle and Go (29 Feb., 2020)
Pierre Favre DrumSights — Now (Apr 2016)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
NEØV — „Picture Of A Good Life“ (15 Jan., 2021)
MORCHEEBA Blackest Blue (May 14, 2021)
Debashish Bhattacharya JOY!guru cover
Mark Lanegan — The Winding Sheet (May 11, 1990)
Gemma Ray — Psychogeology [Feb. 15th, 2019, Deluxe Edition, 2020
Stereolab — „Mars Audiac Quintet“ (Expanded Edition)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
Arbouretum — Let It All In (March 20, 2020)
Laura Veirs — MY ECHO (23rd Oct., 2020)
emozpěv — Spolu (1st May 2020)
Whyte Horses — Empty Words (March 9, 2018)
Ajimal — As It Grows Dark / Light (June 26, 2020)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Tim Heidecker — Fear of Death (Sept. 25, 2020)
Markus Reuter — TRUCE (Jan. 17, 2020) cover
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Childcare — Wabi~Sabi (31st May, 2019)
Whyte Horses — Hard Times (17th of Jan., 2020)
Bacchae — Pleasure Vision (March 6, 2020)
PVRIS — Use Me (March 3, 2020)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Joywave — Possession (March 13, 2020)
Sufjan Stevens — Aporia (March 27, 2020)
Midnight Sister — Painting the Roses (Jan. 15, 2021)
John Cale — „Artificial Intelligence“ (6 Sept. 1985)
Anna Burch — Quit The Curse (Feb 2, 2018)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Work Drugs — Delta (December 5, 2012)
Deserta — Black Aura My Sun (Jan. 17, 2020)
John Zorn — „Nostradamus: The Death of Satan“ (Aug. 6, 2021)
Sink Ya Teeth — Two (28th Feb. 2020)
Georgia — Seeking Thrills (10th Jan., 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
The Growlers — Natural Affair (25th Oct. 2019)
His Name Is Alive — Ghost Tape EXP (Dec. 8, 2020).png
James Taylor — American Standard (Feb. 28th, 2020)
Namgar — „Nayan Navaa“ (March 20, 2021)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
Sam Gendel — Satin Doll (13 Mar 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Motorpsycho — The All Is One (2CD) (28 Aug., 2020)
Ryan Adams — Ryan Adams (September 8, 2014)
Roman Hampacher — Bílá Vrána (December 6, 2020)
Trees Speak — Ohms (3rd April, 2020)
Peter Murphy — „The Last and Only Star“ (25th June, 2021)
Nadine Shah — Kitchen Sink (June 5, 2020)
Skinny Pelembe — Dreaming Is Dead Now (May 24, 2019)
CLT DRP — Without The Eyes (Aug. 28th, 2020)
Broken Social Scene — Live at Third Man Records (Feb. 28, 2020)
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Devendra Banhart | Noah Georgeson — „Refuge“ (Aug. 13, 2021)
Ryan Adams — Wednesdays (Dec. 11, 2020)
Deerborn — Where Demons Hide (Aug. 28, 2020)
Brendan Benson — Dear Life (April 24, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Kolna — Smrtí zatepla (Nov. 30, 2020)
Marc Ribot’s Ceramic Dog — „Hope“ (June 25th, 2021)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
Perfume Genius — No Shape (5 May, 2017) BC
Dinosaur Jr — „Sweep It Into Space“ (April 23rd, 2021)
Perfume Genius — No Shape (5 May, 2017) FC
Cocteau Twins — Victorialand (April, 1986, Reissue 2020)
Wolf Alice — „Blue Weekend“ (4th June, 2021)
Isbells — Sosei (March 1, 2019)
Sons of Kemet — „Black to the Future“ (May 14, 2021)
The Feather — Room (10 July, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Last Days of April — „Even the Good Days Are Bad“ (May 7, 2021)
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Spc Eco — Dark Matter (Nov. 20, 2015)
Juliana Hatfield — Weird (Bonus Edition) (Jan. 18, 2019)
Caribou — Suddenly (Feb. 28th, 2020)
Sam Tudor — „Two Half Words“ (May 7, 2021)
SPC ECO — June (June 1, 2020)
Waxahatchee — Saint Cloud (March 27, 2020)
Florist — Emily Alone (July 26, 2019)
Chapelier Fou — Deltas (Sept. 22, ​2014)
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Emile — The Black Spider / Det Kollektive Selvmord (May 1, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Delilah Montagu — „This Is Not a Love Song EP“ (Feb. 5th, 2021)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Mint Field — Sentimiento Mundial (25 Sept., 2020)
The Killers — „Pressure Machine“ (13th Aug., 2021)
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
The Telescopes — Hidden Fields (August 7th, 2015)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Django Django — „Glowing in the Dark“ (2021)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
The Antlers — „Green To Gold“ (March 26, 2021)
Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Yorkston/Thorne/Khan — Navarasa : Nine Emotions (24th Jan. 2020)
Hey Colossus — Dances / Curses (Nov. 6, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Kilbey Kennedy — „Jupiter 13“ (March 5, 2021)
Sigur Rós — Odin’s Raven Magic (Dec. 4, 2020)
Arca — „Madre“ (22 Jan., 2021)
Cotatcha Orchestra — Bigbandová elektronika / Bigband Electronic
Locate S,1 — Personalia (April 3, 2020
HMLTD — West of Eden (7 Feb., 2020)
OLYMPIC — „Kaťata“ (October 30, 2020)
Noveller — Arrow (June 12, 2020)
Sugai Ken | Lieven Martens — „KAGIROI“ (March 29, 2021)
Chapelier Fou — Meridiens (Feb. 28, 2020)
HMLTD ©Dean Hoy
Cathedral Bells — Velvet Spirit (March 6, 2020)
Vladislav Delay, Sly Dunbar, Robbie Shakespeare — 500~Push~Up
Orwell — Parcelle brillante (24 April 2020)
Peter Murphy — „Lion“ (June 2nd, 2014)
Tarotplane — „Horizontology“ (February 8, 2021)
Tame Impala — The Slow Rush (Feb 14, 2020)
REBECCA FOON — WAXING MOON (21st Feb., 2020)
Noveller — Arrow (June 7, 2020)
Virginia Plain — Strange Game (Dec. 13, 2019)
Blinker the Star — Juvenile Universe (20 Nov., 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Angel Olsen — „Aisles“ EP (20 Aug., 2021)
Stian Westerhus — Redundance (March 5, 2020)
Beck — Deep Cuts (March 2020)
Keeley Forsyth — Debris (17 Jan., 2020)
KeiyaA — Forever, Ya Girl (March 27, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Ellipsis dans l’harmonie BACK COVER
Paul Weller — „Fat Pop (Volume 1)“ (14th May, 2021)
Horse Lords — „The Common Task“ (March 13, 2020)
Half Japanese — Crazy Hearts (4th Dec., 2020)
Lavender Diamond — Incorruptible Heart (Sept. 2012)
MARY — Die Before Death (September 4, 2020)
The Belmondos — Memory Lane (Nov. 20, 2020)
Troi Irons — Flowers (Sept. 25, 2020)
Ryuichi Sakamoto — „Black Mirror: Smithereens“ (Oct. 24, 2020)
The Dears — Times Infinity Volume One (September 25, 2015)
The Album Leaf — OST (March 20, 2020)
Joensuu 1685 — ÖB (09 Oct., 2020)
Black Tape For A Blue Girl — „Ashes In The Brittle Air“ [Remaste
Jack Peñate — After You [Expanded Edition] (2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Lavender Diamond — Now Is the Time (Dec. 4, 2020)
Bowerbirds — „becalmyounglovers“ (April 30th, 2021)
Grimes — Visions (2012)
Grandbrothers — All the Unknown (15 Jan., 2021)
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Josienne Clarke — „A Small Unknowable Thing“
Adrian Crowley — „The Watchful Eye of the Stars“ (30th April, 20
Bella White — Just Like Leaving (Sept. 25, 2020)
Pharoah Sanders — „Live In Paris (1975): Lost ORTF Recordings“
Oddfellow’s Casino — The Raven’s Empire (2012)
Calexico / Iron & Wine — Years to Burn (2019)
Chris Potter — There Is a Tide (Dec. 4, 2020)
L’Rain — „Fatigue“ (June 25, 2021)
Amanda Palmer — Forty~Five Degrees: Bushfire Charity Flash Rec.
Veneer — Recovery (April 15, 2020)
Chris Potter — Circuits (Feb. 22, 2019)
Sara Serpa — Recognition (June 5th, 2020)
BECK — Uneventful Days (St. Vincent Remix)
The Flaming Lips — „The Soft Bulletin Companion“ (4 March 1999/J
God Is an Astronaut — „Ghost Tapes #10“ (Feb. 12, 2021)
Oddfellow’s Casino — Burning! Burning! (7 Aug., 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Scoundrels — Music From The Arch (Sept. 11, 2020)
Teen Daze — Morning World
Gary Lucas — „The Edge Of Heaven: ...“ (April 1, 2002)
Lingua Ignota — „SINNER GET READY“ (Aug. 6, 2021/2 LP)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
The Wallflowers — „Exit Wounds“ [July 9, 2021, Vinyl LP]
Rufus Wainwright — Unfollow the Rules [Deluxe Version] (July 9,
THE DEARS — ‘Lovers Rock’ (May 15, 2020)
Greenslade — Time and Tide (2 cd, 1975/2015)
Bellows — The Rose Gardener (Feb. 22, 2019)
Ariel Pink — House Arrest (2002/Mar 2011/April 24, 2020)
The Jayhawks — XOXO (July 10, 2020)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
Budokan Boys — So Broken Up About You Dying (2 Oct. 2020)
John Vanderslice — „Time Time is Lonely“ (June 12th, 2001)
Sonny Landreth — Elemental Journey (May 22, 2012)
Laura Fell — Safe from Me (Nov. 20, 2020)
Laura Perrudin — Perspectives & Avatars (Oct. 9, 2020)
CocoRosie — Put the Shine On (6 March 2020)
Anthony Moore — Out (20 Nov., 2020)
Soho Rezanejad — „Perform and Surrender“ (Dec. 04, 2020)
Whyte Horses — Hard Times (17th of Jan., 2020)
Tindersticks — Distractions (Feb. 19, 2021)
„Mojo Presents Steve Marriott, Small Faces, Humble Pie: Afterglo
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Scott Matthew — Ode to Others (April 20, 2018)
Thurston Moore — „screen time“ (Feb. 5, 2021)
Raed Yassin — Archeophony (Nov. 27, 2020)
Thomas Dybdahl — Fever (March 13, 2020)
Born Ruffians — Juice (April 3, 2020)
Growing Up Live — 3LP Half Speed Remaster (Nov. 27, 2020)
Michael Landau — The Michael Landau Group Live (Oct. 31, 2006)
The Weather Station — Ignorance (Feb. 5, 2021)
Marc Ribot’s Ceramic Dog — What I Did On My Long ‘Vacation’ EP
The Beths — Jump Rope Gazers (July 10th, 2020)
Coultrain — „Phantasmagoria“ (April 9, 2021)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Anna Calvi — „Hunted“
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
Smashing Pumpkins — Cyr (27th Nov., 2020)
Ryuichi Sakamoto — „Minamata“
Calexico — Seasonal Shift (Dec. 4th, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
Emmy the Great — Second Love (March 11, 2016)
My Morning Jacket — The Waterfall II (Aug. 28, 2020)
Cornershop — „England Is a Garden“ (6th March, 2020)
Negativland — The World Will Decide (Nov. 13, 2020)
Kill The Dandies! — Your Blood My Veins (Feb. 5, 2021)
Chris Brokaw — „Puritan“ (Jan. 15, 2021)
Cormons Jazz & Wine of Peace festival 2008 ©Ziga Koritnik
Andrej Šeban — Triplet (March 22, 2019) inner cover
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Jenny Lewis — On the Line (March 22, 2019)
Dungen — Live (March 13, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Andrej Šeban — Triplet (March 22, 2019) cover
Sonny Landreth — Blacktop Run (Feb. 21, 2020)
Læetitia Shériff — Pandemonium, Solace And Stars
Gerald Cleaver — Signs (March 27, 2020)
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
The Drums — Brutalism (April 5, 2019)
Eli Winter — „Unbecoming“ (21 Aug 2020)
Laila Sakini ‎— Into the Traffic, Under the Moonlight (10 Dec.,
Immigrant Union — Judas (June 19, 2020)
KMRU — Peel (18th Sept., 2020)
Spy Machines — Spy Machines (April 3, 2020)
Negativland — True False (25 Oct., 2019)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
Jake Blount — Spider Tales (May 29, 2020)
EELS — Earth To Dora (Oct. 30th, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Jerskin Fendrix — Winterreise (April 17, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Jorge Elbrecht — „Presentable Corpse — 002“ (28th May 2021)
Sophie Tassignon — Mysteries Unfold (April 24, 2020)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Ospalý pohyb — Ostrava (October 17, 2016)
Deradoorian — Find the Sun (Sept. 18, 2020)
Donovan — “Atlantis”
Noveller — „Red Room“ (Sept. 3, 2021)
All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
Nitin Sawhney — Live At Ronnie Scotts (Nov. 17, 2017)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Com Truise — Persuasion System (May 17, 2019)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
M. Caye Castagnetto — „Leap Second“ (Jan. 22, 2021)
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
Kurt Wagner of Lambchop. ©Picture Joanna Bongard
Art d’Ecco — „In Standard Definition“ (April 23rd, 2021)
Sol Seppy — The Bells Of 12 (June 21, 2019)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
Eamon O’Leary — The Silver Sun (Jan. 15, 2021)
Martin Barre — „Live At The Factory Underground“ (Feb. 14, 2019)
Paul McCartney — „McCartney III Imagined“ (23rd July, 2021)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Mike Cooper — Playing With Water (Nov. 6, 2020)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Darkside — „Spiral“ [Japan Edition] (July 23, 2021)
A Winged Victory for the Sullen — The Undivided Five
Nick Hakim | Roy Nathanson — „Small Things“ (April 16, 2021)
The Telescopes — Songs of Love and Revolution (Feb. 5, 2021)
Send Medicine — „By Telepathy And Reputation“ (July 16, 2021)
Of Montreal — Ur Fun (Jan. 17, 2020)
Ryan Adams — „Big Colors!“ (June 11, 2021)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Seaway — Big Vibe (Oct. 16th, 2020)
Surprise Chef — Daylight Savings (Oct. 16, 2020)
Ryley Walker — „Course in Fable“ (April 2, 2021)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Vivienne Wilder — Postromantic (June 12, 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Nitin Sawhney — „Immigrants“ (19 March, 2021)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
The Kills — Ash And Ice (June 3, 2016)
James Harries — Before We Were Lovers
Irena and Vojtěch Havlovi — „Melodies in the Sand“ (March 5, 202
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Badge Époque Ensemble — Self Help (Nov. 20, 2020)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Really From — „Really From“ (March 12, 2021)
Neil Young — Homegrown (19th June, 2020)
Lightning Bolt — Hypermagic Mountain (October 18, 2005, March
Craig Fortnam — „Ark“ (16 July, 2021)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Fuzzy Lights — „Burials“ (July 2nd, 2021)
Alfie Templeman — „Forever Isn’t Long Enough“ (May 7th, 2021)
Tatsuhisa Yamamoto 山本達久 — Ashioto (Oct. 21, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
Lauren Lakis — Daughter Language (Jan. 22, 2021)
Elizabeth And The Catapult — Like It Never Happened (24/01/2014)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
Lake Street Dive — „Obviously“ (March 12th, 2021)
Jaye Jayle — Prisyn (Aug. 7, 2020)
Sweet Trip — You Will Never Know Why (Jan. 22, 2021)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Iceage — „Seek Shelter“ (May 7th, 2021)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Evan Wright — „Sound From Out The Window“ (Aug. 25, 2021)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Tedeschi Trucks Band — „The Fireside Sessions [Episode One / Epi
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Veronica Swift — „This Bitter Earth“ (March 19, 2021)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Ólafur Arnalds — Some Kind Of Peace (6 Nov., 2020)
SUUNS — „The Witness“ (Sept. 3, 2021)
Steve Hackett — Under A Mediterranean Sky (Jan. 22, 2021)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Tara Fuki — Motyle (Nov. 13th, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Nicholas Cords — Touch Harmonious (Nov. 6, 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
Lanterns On The Lake — The Realist (Dec. 18, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
Aimee Mann — Bachelor No. 2 (20th Anniversary Edition) (Nov. 27,
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
Isobutane — Mementos (Jan. 29, 2021)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
Elizabeth & The Catapult — „Sincerely, E“ (March 5, 2021)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
M. Ward — Think of Spring (Dec. 11, 2020)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Blanck Mass — „Mind Killer“ (May 14th, 2021)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
EVA ROHLEDER — Babské ucho (Nov. 9th, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Stereolab — „Electrically Possessed [Switched On Volume 4]“ (Feb
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Highasakite — Uranium Heart (Feb. 1st, 2019)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Foxing — „Draw Down the Moon“ (Aug. 6, 2021)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Marillion — „Marbles“ (30th April, 2021, 3 LP)
Chavez — Gone Glimmering [Expanded Edition] (Oct. 23, 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
Hypnotic Brass Ensemble
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Maxïmo Park — „Nature Always Wins“ (26th Feb., 2021)
Avishai Cohen — „Two Roses“ (April 16, 2021)
Spiritualized — „Lazer Guided Melodies“ (March 30, 1992, Remaste
Cocteau Twins — Head Over Heels
Angel Olsen — „Song of the Lark and Other Far Memories“ (May 7,
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
Daniel Lanois — „Heavy Sun“ (March 19, 2021)
Father John Misty — „Off~Key In Hamburg“ (March 23, 2020)
M G Boulter — „Clifftown“ (April 23rd, 2021)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Portico Quartet — „Terrain“ (May 28, 2021)
Hawkwind — Acoustic Daze (25 Oct. 2019)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
The Avalanches — We Will Always Love You (11 Dec., 2020)
Beautify Junkyards — Cosmorama (15th Jan., 2021)
Portico Quartet — „Terrain“ (May 28, 2021)
Wendy Eisenberg — Auto (Oct. 16, 2020)
I Am Planet — „Záznamy ticha“ (30 April, 2021)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Liz Phair — „Soberish“ (4th June 2021)
CONCEPT ART ORCHESTRA — „100 YEARS“ (11.12.2020)
Juliana Hatfield — „Blood“ (May 14, 2021)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
WHITE TAIL FALLS — Age Of Entitlement (May 29, 2020)
Susan Alcorn Quintet — Pedernal (Nov. 13, 2020)
Coloured Clocks — Flora (May 2, 2020)
Daniel Knox — Won’t You Take Me with You (Jan. 15, 2021)
Indoor Voices — Animal (Feb. 14, 2020)
Jane Weaver — „Flock“ (March 5, 2021)
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Liz Simmons — „Poets“ (March 1, 2021)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Nite Jewel — „No Sun“ (Aug. 27, 2021)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
Joe Strummer — „Assembly“ (26 March, 2021)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
JAMES YORKSTONE — The Wide, Wide River (22nd Jan., 2021)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Black Sabbath: Black Sabbath (13 Feb., 1970)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Saša Niklíčková — Zmačkaná žena (Oct. 26, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Maya Beiser — „Maya Beiser x Philip Glass“ (July 23, 2021)
Tom Petty — „Southern Accents“ (March 26, 1985/2006)
Dan Blake — „Da Fé“ (March 12, 2021)
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Anupam Shobhakar — „Dawn of Paradise“ (Nov. 13, 2020)
Genghis Tron — „Dream Weapon“ (March 26, 2021)
HAIM — „Women in Music Pt. III“ [Expanded Edition] (June 26, 202
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Ethel Cain — „Inbred“ (April 23, 2021)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loney dear — „A Lantern and a Bell“ (March 26, 2021)
Loveblind / Sleeping Visions (March 27, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Jon Regen — Higher Ground (October 4, 2019)
Motorpsycho — „Kingdom of Oblivion“ (April 16th, 2021)
KING CRIMSON, The Night Watch
Brooklyn Raga Massive — In D (Nov. 21, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Susan Alcorn, Leila Bordreuil, Ingrid Laubrock
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Nick Cave | Warren Ellis — „Carnage“ (Feb. 25, 2021)
Ásgeir — Bury the Moon (7 Feb., 2020)
Sharon Van Etten — „epic Ten“ (April 16, 2021)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Wrangler — A Situation (28 Feb., 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Half Moon Run — A Blemish in the Great Light (Nov. 1, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Mogwai — „As the Love Continues“ [Deluxe Edition] (19/02/2021)
John Medeski — „Crawlspace“ (Aug. 6, 2021)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Vennart — „In The Dead, Dead Wood“ (6th Nov., 2020)
Laetitia Shériff — Stillness (Nov. 6, 2020)
Gillian Frame — „Pendulum“
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Dot Allison — „Heart~Shaped Scars“ (July 30, 2021)
Kings of Leon — „When You See Yourself“ (March 5, 2021)
King Khan — The Infinite Ones (Oct. 30, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Andrej Šeban — „Zep Tepi“ (May 21, 2021)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Form and Chaos — „Gateways“ (March 16, 2021)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Ehsan Matoori & Alireza Ghorbani — „The Voices and Bridges“ (Jul
Brad Mehldau & Orpheus Chamber Orchestra — „Variations on a Mela
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Psychedelic Porn Crumpets — SHYGA! The Sunlight Mound (5th Feb.,
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Ben Sidran — Blue Camus (Oct. 2014)
Varga Marián — Solo in Concert (1. feb. 2018)
Peter Bruntnell — „Journey to the Sun“ (June 11, 2021)
Paris Jackson — Wilted (Nov. 13, 2020)
No~Man — Love You To Bits (Nov. 22, 2019)
Death Cab for Cutie — The Georgia EP (Dec. 4th, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Liz Longley — Liz Longley (March 17, 2015)
Van der Graaf Generator — Recorded Live in Concert
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
The Chills — „Scatterbrain“ (May 14, 2021)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Axel Flóvent — You Stay by the Sea (15 Jan., 2021)
Preston Lovinggood — Consequences (June 10, 2018)
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Shafiq Husayn — The Loop (March 29, 2019)
Sinikka Langeland — „Wolf Rune“ (April 9, 2021)
Queer Jane — Home (Dec. 1, 2016)
Minus the Bear — „Farewell“ (October 21, 2021/3xLP)
Damien Jurado — „The Monster Who Hated Pennsylvania“ (2021)
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
Real Estate — „Half A Human“ (March 26, 2021)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Dave Scanlon — Pink in each, bright blue, bright green (Jan. 15,
Ani DiFranco — „Revolutionary Love“ (Jan. 29, 2021)
CYHSY, New Fragility (Coke Bottle Clear) 2021
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Richard Youngs — Dissident (Jan. 25, 2019)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
MORCHEEBA: Blackest Blue (May 14, 2021) (blue vinyl)
Kamasi Washington — Becoming (Music from the Netflix Original Do
Michal Mihok — „The Imprint“ (April 29, 2019)
Siobhan Wilson — The Departure (10 May, 2019)
Twin Shadow — „Twin Shadow“ (July 9th, 2021)
Steve Harley — „Uncovered“ (21 Feb., 2020)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Tunng — Tunng Presents…DEAD CLUB (Nov. 6, 2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Lost Horizons — In Quiet Moments (Dec. 4, 2020/2021)
The Black Keys — „Delta Kream“ (May 14th, 2021)
Sweet Trip — „A Tiny House, in Secret Speeches, Polar Equals“ (M
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Pink Floyd — Delicate Sound of Thunder (1988)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Ben Sidran — Who’s the Old Guy Now (Nov. 20, 2020)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Lee Ranaldo, Jim Jarmusch, Marc Urselli, Balázs Pándi — „Churnin
Devin Sinha — The Seventh Season (Oct. 21, 2014)
Marillion — „With Friends At St David’s“ (Nov. 13, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Typhoon — „Sympathetic Magic“ (Jan. 22nd, 2021)
Arab Strap — „As Days Get Dark“ (March 5, 2021)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
The League Of Assholes — „CODA“ (Jan. 20, 2021)
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Suzi Quatro — „The Devil in Me“ [Japan Edition] (Jan. 22, 2021)
Aki Takase Daniel Erdmann — „Isn’t It Romantic“ (March 18, 2021)
Halsey — „If I Can’t Have Love, I Want Power“ (Aug. 27, 2021)
Devin Sinha — Liminal Space (Oct. 23, 2020)
Sarah Neufeld — „Detritus“ (May 14, 2021)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Lambchop — TRIP (Nov. 13th, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Hold Steady — „Open Door Policy“ (Feb. 19, 2021)
John Mclaughlin — „Liberation Time“ (July 16th, 2021)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Suns Of The Tundra — „Murmuration“ (Nov. 15, 2019)
Arushi Jain — „Under the Lilac Sky“ (July 9th, 2021)
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Severin Bells — A Brighter Side to the Unknown (24th Oct., 2020)
The Apache Relay — Apache Relay (April 22, 2014)
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
Gwenifer Raymond — Strange Lights Over Garth Mountain (2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Mekons — Deserted (March 29, 2019)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Kibby — „Blabracadabra“ (May 14, 2021)
Father John Misty — God’s Favorite Customer (June 1st, 2018)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Gary Lucas — „Cinefantastique“ (Oct. 1, 2013)
k.d. lang — „makeover“ (May 28, 2021)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Andrej Šeban — Rock and Roll z Rači (11. Sept., 2020)
The Go Betweens — „Liberty Belle And The Black Diamond Express“
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Robben Ford — „Pure“ (Aug. 27th, 2021)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Paul McCartney — McCartney III (18 Dec., 2020)
Amaarae — The Angel You Don’t Know (Nov. 12, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)