Secret Chiefs 3: Ishraqiyun
Perichoresis

Secret Chiefs 3: Ishraqiyun — Perichoresis (November 11, 2014)

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 Amazing album Secret Chiefs 3: Ishraqiyun — Perichoresis & nominated for Tais Awards 2015. Congratulations!
Ξ   Since Mr. Bungle is notorious for taking substantial amounts of time between albums (it took them four years to follow up their 1991 debut), its bandmembers are left with a lot of time on their hands. Hence the members of Mr. Bungle use their off time wisely, by writing, recording, and touring with other bands or, often, side projects.


Formed: 1994
Location: San Francisco, California, United States
Album release: November 11, 2014
Record Label: Mimicry
Duration:     41:25
Tracks:
1. The 15     4:11
2. The 7     7:22
3. Base Phive Futur–Cossacks     3:49
4. Spiritus Intelligentiae: Jophiel     4:28
5. Perichoresis     16:48
6. Saptarshi     4:47
Personnel:
♠   Trey Spruance — guitars (electric guitar, bass guitar, baritone guitar, microtonal guitar, 12–string guitar, sympitar, Pythagorean guitar), keyboards (keyboard, electric piano, acoustic piano, tack piano, clavinet, organ, celesta), percussion (dumbek, shaker, tambourine, glockenspiel, daf, etc.), santur, rabab, banjo, mandolin, zither, tar, cümbüş, saz, carillon, dulcimer, autoharp, trumpet, sheng, synthesizer, sampler, programming, Foley sound effects, electroacoustic treatment, vocals
♠   Lucas Abela — power drill
♠   Dave Abramson — drums
♠   Laura Allen — vocals
♠   Anonymous 13 — viola, vocals
♠   Jennifer Cass — harp
♠   April Centrone — drums, percussion
♠   Matt Chamberlain — drums
♠   Paul Dal Porto — sitar
♠   Mike Dillon — vibraphone, tabla
Collaborators:
♠   Eyvind Kang (viola),
♠   Ches Smith (drums, percussion),
♠   Rich Doucette (sarangi, esraj),
♠   Peijman Kouretchian (drums),
♠   Mike Dillon (tabla),
♠   Shahzad Ismaily (bass),
♠   Timba Harris (violin),
♠   Jai Young Kim (keyboards) and more.

REVIEW
By Gregory Adams
♠   Experimental genre–crossers Secret Chiefs 3 are set to unleash a world of mind–expanding weirdness yet again, with news that the Trey Spruance–led collective will issue a new LP called Perichoresis by year's end. Web of Mimicry delivers the set November 11.
♠   The album isn't being delivered by Secret Chiefs 3 proper, but rather one of their "satellite" iterations: Ishraqiyun. Ishraqiyun has been characterized as the “neo–Pythagorean electro–folk” side of Secret Chiefs 3, and followers of the band’s live shows in the last decade will recognize it as the most familiar and dominant aspect of the band. For many years, the Ishraqiyun repertoire of mysterious, catchy, original tunes — composed in ratio-based rhythms for non–Western tunings and instruments — has been blasted out at inordinately high volume to many adventurous ears.
♠   This variation has toured and performed countless times over the years, with the album featuring Spruance working with a cast of collaborators that includes Eyvind Kang (viola), Ches Smith (drums, percussion), Rich Doucette (sarangi, esraj), Peijman Kouretchian (drums), Mike Dillon (tabla), Shahzad Ismaily (bass), Timba Harris (violin), Jai Young Kim (keyboards) and more.
♠   The album comprises material the band had previously performed in over 40 countries. In addition to material fans may already be familiar with via live performances, half of the album is made up of fresh, unheard recordings. The material presented on Perichoresis was written anywhere between 2003 and 2014.
♠   Ishraqiyun is one of the seven bands of Secret Chiefs 3. SC3 is an instrumental rock group that was formed by Trey Spruance, who played guitar for the American experimental rock band, Mr. Bungle. After Mr. Bungle broke up in 2004, Secret Chiefs 3 became his main focus. Seven diverse satellite bands — Electromagnetic Azoth, UR, Ishraqiyun, Traditionalists, Holy Vehnm, FORMS, and NT Fan — represent the entire group called Secret Chiefs 3, and each band has its own flavor of music, ranging from rock, cultural, to electronic. One of them is heavy in the music market for films, while another collaborates with metal singer, Mike Patton.
Artist Biography by Greg Prato
♠   Since Mr. Bungle is notorious for taking substantial amounts of time between albums (it took them four years to follow up their 1991 debut), its bandmembers are left with a lot of time on their hands. Hence the members of Mr. Bungle use their off time wisely, by writing, recording, and touring with other bands or, often, side projects.
♠   The best side project of the bunch, Secret Chiefs 3, features Mr. Bungle comrades Trey Spruance (guitar/vocals), Trevor Dunn (bass/vocals), and Danny Heifetz (drums). If there are any remaining who think that the musicians in Mr. Bungle are just a vehicle for vocalist Mike Patton's singing talents, Secret Chiefs 3 is the ultimate proof that this is not the case. Trey Spruance gets a chance to be the leader, as he wrote every track on their 1996 debut First Grand Constitution and Bylaws, and was the record's producer as well. Before the full–length debut appeared, the group whet their fans' appetites by including a Secret Chiefs 3 single with vinyl copies of Mr. Bungle's 1995 magnum opus, Disco Volante, as well as recording a warped version of "I Saw Mommy Kissing Santa Claus" for a Japanese Christmas compilation. They were also signed on to contribute a Beach Boys track to a Japanese Beach Boys tribute album, showing that they can tackle just about any musical form put in front of them. :: http://www.allmusic.com/
PRESS:
Ξ   "...an outside-the–box journey into sights and sounds from far and deep into the imagination, and a fascinating antidote to the often stultifying dearth of vision and ambition in so much rock music today." — Daniel Lukes, Lollipop
Ξ   "...Secret Chiefs 3 have existed in various incarnations over the course of the past eight years, and have served as the funnel for Spruance's remarkably far–flung studies of the hermetic mysteries and musical traditions of unknown and underappreciated subgenres. Album titles like Grand Constitution and Bylaws and Book M hint at the music's vaguely metaphysical bent. Over three years in the making, Book of Horizons is Secret Chiefs' most expansive and coherent statement, an alchemical fusion of Morricone–esque cinematic grandeur, midnight surf guitar, traditional Middle Eastern rhythms and time signatures, demonic death metal, and electronic deviance that yields a work of undeniable force." — Jonathan Zwickel, Pitchfork
Ξ   "Cast the clear light of alchemical truth through the graphically enhanced occult fog, and you'll find an album fluffed full of magick, mystery, and densely orchestrated mosque–rocking beats." — Richard Gehr, Village Voice
Ξ   Secret Chiefs 3: Band of Bands. That really has the perfect overbearing ring to it. When the "satellite band" idea was announced with 2004’s “Book of Horizons” it must have seemed like a pretty outlandish delusion of grandeur. That it certainly was. Ξ   And a decade later the grandeur of the delusion has expanded beyond outlandishness to immanence. There are some who initially felt that the “Band of Bands” idea might just be a clever way to zoom in on and categorize different sides of the same eclectic band on one album. They would be right if the “satellite bands” remained inside SC3 albums, placed in various simple juxtapositions against each other. But when each band started putting out its own 7” releases these juxtapositions began to fall away. The plot thickened when it was announced that each band would be emphasizing the different sides of SC3 not just song by song but in depth on full–length albums. Next came the release of the first full–length from a SC3 satellite band, Traditionalists’ giallo–horror–inspired Le Mani Destre Recise Ultimo Uomini. Far from a ‘departure’ or a ‘side–project’, this seminal album of all original music from SC3 states primary themes found in alternate versions throughout the “Book of…” Trilogy, indicating that the polarity between ‘satellite' and ‘planet’ was not as simple as a primary/secondary relationship. In many ways this Traditionalists record is the highest peak SC3 has gone to in terms of orchestral writing and production, and some of the music has become a staple of the live concerts.
Ξ   With this new record the plot goes a giant leap deeper into the matter. If there was any lingering question about the ‘satellite bands’ being a phantom or ruse of the overactive imagination behind SC3, let these doubting thoughts now be confronted with the tangible arrival of Perichoresis, the second full–length of all–original music from a SC3 satellite band, this time from Ishraqiyun.
Ξ   Described as the Neo-Pythagorean Electro–Folk side of Secret Chiefs 3, Ishraqiyun has already been well represented on SC3 albums in the past. (Book of Horizons, Book of Souls: Folio A, Satellite Supersonic). On Perichoresis, which is comprised entirely of material not found on previous albums, followers of SC3’s live shows will recognize the Ishraqiyun repertoire of mysterious, catchy, original tunes. Historically the most prominent live incarnation of any SC3 satellite band, Ishraqiyun’s music is the stuff composed in ratio–based rhythms and utilizes non-western tunings & instruments (saz, sarangi, esraj etc). After persistently touring & playing this music at inordinately high volume to many adventurous ears over the last few years in over 40 countries, Secret Chiefs 3 now abruptly unveil definitive studio recordings of some of the this daunting repertoire. Of course, SC3 are never content to stay confined to the trodden path, so they have also included a healthy dose of new, previously–unheard tunes (actually half the album).
Ξ   Diverse musicians can be heard on Perichoresis. Ranging over several configurations of the band over the years, the players include Eyvind Kang (viola), Ches Smith (drums, percussion), Rich Doucette (sarangi, esraj), Peijman Kouretchian (drums), Mike Dillon (tabla), Shahzad Ismaily (bass), Timba Harris (violin), Jai Young Kim (keyboards) and many more, all led by of course SC3 composer/producer/bandleader/multi–intrumentalist, Trey Spruance (present writer).
Ξ   As yet there are three Ishraqiyun Song Cycles. These are clusters of compositions written around the same time, exploring often inter–related aspects of ratio, tonality and relationships in musical geometrics. Song Cycle 1, composed in 2003, includes the 4, Balance of the 19, Saptarshi, Bereshith, the 7 and S.I. Jophiel and an adaption of an Afghan tune (ironically the only equal–temperament song in any Ishraqiyun songbook) titled The 3. Song Cycle 2, composed in 2007/8, includes Brazen Serpent, Tistrya, Base Phive Futur Cossacks, Balthassar: Melchior: Kaspar (another adaption of an Afghan tune) and two as yet unheard original compositions. Song Cycle 3, composed in 2012–2014 is based on explorations of ’tessellating’ patterns derived from Platonic Solids and other polyhedra, applied primarily to the tetrachordal mechanics of the Kinnor/Lyre with compositions expanded therefrom. This Cycle includes Perichoresis, plus several pieces performed by Spruance, Eyvind Kang and Jessika Kenney in 2012, and many many other new pieces and systems being worked out presently.
Ξ   The present recording of  “the 15,” written in the first Ishraqiyun Song Cycle, begins on the bedrock of the original proto–first–ever (2003) recordings of Ishraqiyun. Ξ   These involve Heifetz's drums (right channel) and the violin and viola of Kang. The next layer, from the 2005 version of Ishraqiyun, adds more Kang on viola, Mike Dillon on tabla, and Rich Doucette on esraj. The next layer, from the 2007 version of Ishraqiyun, adds Peijman Kouretchian on drums (left channel), Jai Young Kim on keyboards, Spruance on saz, and Rich Doucette once again, this time on sarangi. Additional saz, rebab and kinnor has been added recently along with all the complex studio inter–weaving to round out the production. For the “technically minded”, The 15 is a piece that variously embeds a slowed–down triplet and rushed 5–tuplet in the longer of two half bars that are in a 7:8 relationship. It really just means it slows down and speeds up in the same oscillating wave pattern, like a bouncing ball — much like any natural repetitive rhythmic motion. Nothing fancy, but rather native to anyone living life in gravity, as opposed to inside some squared–off silicone abstraction, or any of the other conceptual prisons we tend to confine ourselves to when creating music. The 15 was the first of many subsequent pieces written / expanding upon this basic idea.


Ξ   This recording of “The 7,” also from the first Song Cycle, is based mostly on the 2005 version of Ishraqiyun, adding Timba Harris’ violin takes from the sessions at East-Side Sound in 2012 (same as 'Tistrya' from Book of Souls: Folio A), Danny Shamoun’s Ney from 2013, and Spruance’s saz from July 2014. The 7 is the second of four related pieces internally referred to as the “Septentrion” (includes Saptarshi, Brazen Serpent, and another composition from Song Cycle 2)
"Base Phive Futur Cossacks," from Song Cycle 2, was recorded mostly recently, although Ches' drums were recorded in 2008. Originally a dry exercise to coordinate a 7–note scale with non–western tunings with the remaining 5–notes in purely western intonation (a technique also developed in fellow Song Cycle 2 composition Brazen Serpent), "Base Phive Futur Cossacks" found a groove so deep that it eventually encountered the muse, grew wings, took on its own life and flew the coop.
Ξ   From the first Song Cycle, "Spiritus Intelligentiae Jophiel," popularly known as “fast,” is heard here being based mostly on the 2005 version of Ishraqiyun (much like The 7). Some of the encoded rhythmic mechanics of this piece are picked up and expanded upon, or de–coded and re–encoded, in 'Tistrya' from Song Cycle 2. That’s enough hinting at the deeper mystery embedded here. Purists will like to know that besides some tape-echo, nothing was altered in Eyvind’s solo section — even the accompaniment (Ches, Shahzad and Trey) — all just happened that way in the studio.
Ξ   Stretching the envelope most particularly on this record is the mega–opus title track “Perichoresis”, from Song Cycle 3. This is the first recorded composition to introduce Spruance’s evolving system of musical ideas patterned upon specific geometrical relationships found in certain polyhedra, and some tesselating patterns derived therefrom. In fact the other pieces in Song Cycle 3 are more directly–related to polyhedra, whereas this piece takes a cue from the techniques discovered in the process, and applies them instead (with good reason) to several senses of the term 'Perichoresis'. The word derives from the Greek “chora”, or ’space’ / Latinized “khoreia” or ‘dance' (verb form “chorein”, ’to make room’, ’to go forward’), attached to the particle ‘peri’ meaning ‘around, about’  — as in perimeter, peristyle etc. ♠   There are three rhythmic layers of the Ishraqiyun piece that are ‘choreographed’, in ways mirroring the static sense of 'mutual–indwelling' described by the term Perichoresis in the early part of the term’s history. The composed music is but a static snapshot of a process that is itself endlessly dynamic (hence the verb form ‘perichoreo’ being more akin to a performance than a recording). In a comprehensive article on the subject, Danut Manastireanu writes, “Lampre translates perichoreo as ‘encompass’, ‘alternate by revolution’, ‘pass into reciprocally’. ‘It indicates a sort of mutual containing or enveloping of realities, which we also speak of as co-inherence or co–in dwelling. It is the dynamic process of making room for another around oneself.” How perfectly all this describes the structure and essence of the actual music presented here. With simultaneous time–signatures and motifs oriented around rotating vertices, all moving in graceful patterns around a central point on three coordinates — delicate re–orientations of musical emphasis according to slight shifts in the movement of spirit, making room for other interpretations or ways of hearing or feeling a rhythmic pattern. With 3, 4 and 7–fold (and therefore 21 and 28–fold) symmetry (and oft–seeming asymmetry) one's hearing rotates and spins depending on which of the vertices has drawn the listener’s attention. Perhaps simply mirroring some small facet of the beauty of the Trinitarian dynamics (in what is really just primitive and profane music), even here the Stoic sense of “mixture” can be heard yielding to the more Nazianzan, Nyssan and Maximillian notions interpenetration, rotation and dance.
Ξ   Since the practical application of the theoretical/speculative basis of Ishraqiyun’s music has always been more akin to martial arts movement than cerebral music nerd–ism (it is assumed that Ches Smith’s many years of study of voodoo drumming has helped him assimilate this material naturally), the resulting impression of the music isn’t anything about “math” but is rather about being moved by (or moving with) the mysterious power of seemingly–lost fundamentals. It does’ t matter how forgotten or denied these fundamentals may be by modern culture, Ishraqiyun’s output is always tapped into them, perhaps moreso in this 17–minute mega–piece than in any other place (so far).
Ξ   Finally, the album closes with “Saptarshi.” From Song Cycle 1 this was the first of the Septentrion pieces. This recording, like The 15, is bedrocked upon a first layer consisting of Danny Heifetz’ drumming from 2003. Subsequent layers (guitars, sitar, percussion, synth bass etc) were added in 2011 and 2012 respectively. Keen ears might spot that there is already a 'proto–tesselations’ at work here, even a 'proto–Perichoresis' motif in some ways, embedded from the very beginnings of the first Ishraqiyun Song Book.
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Secret Chiefs 3: Ishraqiyun
Perichoresis

 

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All The Best, Isaac Hayes (A Spoken Word Album)
Ospalý pohyb — ø (May 24, 2016)
James Harries — Superstition (Jan. 31, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
HOUPACÍ KONĚ: SOULKOSTEL 8 11 2019 (April 25, 2020)
Recondite — Dwell (Jan. 24, 2020)
Kacey Johansing — No Better Time (Nov. 20, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Erik Griswold — All’s Grist That Comes To The Mill (03/20, 2020)
Caspian — Dust and Disquiet (Sept. 25, 2015)
SLY & THE FAMILY DRONE FC (17, 2020)
Låpsley — Through Water (March 20th, 2020)
Sarah Longfield — Dusk (April 22, 2020)
Soundwalk Collective with Patti Smith — Peradam (Sept. 4th, 2020
Erik Griswold — All’s Grist That Comes To The Mill (03/20 2020)
Circa Waves — Sad/Happy (March 13th, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
930 x 827 tmavší podklad.jpg
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
M.Ward — Migration of Souls (April 3, 2020)
33EMYBW — Golem (25 Sept., 2019)
The Third Mind — The Third Mind (Feb. 14, 2020)
CocoRosie — Restless (Feb. 12th, 2020)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Ailbhe Reddy — Personal History (23 Oct., 2020)
Thomas Köner — Motus (Feb. 20, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
A Winged Victory for the Sullen — The Undivided Five
Of Montreal — Ur Fun (Jan. 17, 2020)
Lanterns On the Lake — Spook the Herd (21 Feb., 2020)
Sega Bodega — Salvador (Feb. 14, 2020)
Klara Lewis — Ingrid (1st May 2020)
Prophecy Playground — Comfort Zone (Feb. 15, 2020)
Kurt Vile — Speed, Sound, Lonely KV EP (2nd Oct., 2020)
Steve Earle — Townes (May 8, 2009)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Hamilton Leithauser (The Walkmen) — Dear God (Aug. 2015)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Myopia Exclusive Crystal Clear Vinyl
James Harries — Before We Were Lovers
ANNA CALVI — HUNTED (March 6, 2020)
Elysian Fields — Transience Of Life (May 7, 2020)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
Ali Holder — Uncomfortable Truths (April 10, 2020)
Sungazers — Wasting Space (May 18, 2020)
Neil Young — Homegrown (19th June, 2020)
Sixth June ‎— Trust (17 Jan 2020)
Bellows — The Rose Gardener (Feb. 22, 2019)
From Atomic — Deliverance (April 2020)
Cermaque — Lament (22nd May, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
Anna von Hausswolff — Dead Magic (March 2018)
Moses Sumney — græ Part 1 & 2 (May 15, 2020)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
Marissa Nadler — unearthed (March 20, 2020)
PETR KALANDRA — Petr Kalandra & ASPM 1982 — 1990 (Feb. 26, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Bombay Bicycle Club — Everything Else Has Gone Wrong (01/24/20)
Gráinne Duffy — Where I Belong (Sept. 19, 2017)
Anthony Gomes — Containment Blues (2020)
Sports Team — Deep Down Happy (5th June, 2020)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
Lionel Loueke — HH (Sept. 11, 2020)
Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Genesis Revisited: Live at The Royal Albert Hall — 2020 Remaster
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
Mountaineer — Bloodletting (May 22nd, 2020)
Anna von Hausswolff — All Thoughts Fly (Sept. 25, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
Destroyer — Have We Met (Jan. 31, 2020)
John McLaughlin, Shankar Mahadevan, Zakir Hussain — Is That So?
THE SHAKING SENSATIONS — “How Are We to Fight the Blight” 2xLP
Alphaxone — Dystopian Gate (Jan. 14, 2020)
A Certain Ratio — ACR Loco (25th Sept., 2020)
THE SCHRAMMS — “Omnidirectional” (June 21st, 2019)
David Thomas Broughton — The Complete Guide To Insufficiency /re
The Chap — Digital Technology (10 Jan., 2020)
Joan As Police Woman — Cover Two (May 1, 2020)
The Shivas — “Dark Thoughts” (October 25, 2019)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
Drive~By Truckers — The Unraveling (cover)
The Shins — “Heartworms” (March 10, 2017)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
The Shins — “The Worms Heart” (Jan. 18, 2018)
Psychic Markers — Psychic Markers (29 May, 2020)
Julianna Barwick — Circumstance Synthesis (Dec. 20, 2019)
The Weeknd — Beauty Behind the Madness (Aug. 28th, 2015)
Meredith Monk & Bang on a Can All~Stars — Memory Game (03/27/20)
Drive~By Truckers — The Unraveling (cover)
The Heliocentrics — Infinity Of Now (Feb. 14, 2020)
Eivind Aarset & Jan Bang — Snow Catches On Her Eyelashes (2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
Kevin Morby — Sundowner (October 16, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Laurel Halo — Possessed (April 10, 2020)
Helena Deland — Someone New (16 Oct., 2020)
Devendra Banhart — Ma (September 13, 2019)
Field Music — Making a New World (Jan. 10, 2020)
Gráinne Duffy — Voodoo Blues (Oct. 15, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Pearl Jam — Gigaton (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
The Tiger Lillies — Cold Night in Soho (10 Feb. 2017)
Silkworm — In The West (24 Jan., 2020)
Kamaal Williams — Wu Hen (July 24, 2020)
Caspian — On Circles (January 24, 2020)
Jennifer Curtis & Tyshawn Sorey: Invisible Ritual (2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
Damon Locks Black Monument Ensemble — Where Future Unfolds (2019
The Tiger Lillies — Edgar Allan Poe’s Haunted Palace
Mark Lanegan — Straight Songs Of Sorrow (8th May, 2020)
I Break Horses — Warnings (08 May 2020)
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Sarah Jarosz — World On The Ground (June 5, 2020)
The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
The Tiger Lillies — Covid~19 (April 10, 2020)
Hawkwind — Acoustic Daze (25 Oct. 2019)
Wendy Eisenberg — Auto (Oct. 16, 2020)
TANYA DONELLY: Swan Song Series bonus tracks (FC)
Kate Amrine — This Is My Letter to the World (Jan. 24, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
False Heads — It’s All There But You’re Dreaming (13 March 2020)
Coloured Clocks — Flora (May 2, 2020)
Indoor Voices — Animal (Feb. 14, 2020)
ELYSIAN FIELDS — Pink Air
Midlake — Antiphon (Nov. 4, 2013)
Jonathan Wilson — Rare Birds (March 2nd, 2018)
KIESLOWSKI Tiché lásky
Fiona Apple — Fetch The Bolt Cutters (17 Apr., 2020)
Lucrecia Dalt — Syzygy (Oct. 15, 2013)
Hayden Thorpe — Diviner (24 May 2019)
Cocteau Twins — Garlands (1982, Reissue 2020)
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Cowboy Junkies — Ghosts (30 Mar 2020)
Laura Marling — Song for Our Daughter (April 10th, 2020)
Wendy Eisenberg — Its Shape Is Your Touch (Oct. 2018)
Baxter Dury — The Night Chancers (20 March 2020)
San Fermin — San Fermin (Nov. 11, 2013)
Sara Bareilles — What’s Inside Songs From Waitress (11/06, 2015)
The Heliocentrics — Telemetric Sounds (Aug. 7, 2020)
The Dream Syndicate — „The Universe Inside“ (April 10, 2020)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
White Tail Falls — Age of Entitlement (May 29, 2020)
MUFF — Fatalust (Nov. 1, 2019) cover
Ben Watt — Storm Damage (31st Jan., 2020)
San Fermin — The Cormorant I & II (Oct. 4, 2019/April 3, 2020)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
I Break Horses — Chiaroscuro
Sea Wolf — Through a Dark Wood (March 20, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Yorkston | Thorne | Khan — Navarasa : Nine Emotions (2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Stove — ‘s Favorite Friend (Oct. 31, 2018)
ANASTASIA MINSTER — Father ©Michael Haley
Jonathan Wilson — Dixie Blur (March 6, 2020)
Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
1600 x 1600 High Violet (10th Anniversary Expanded Edition).jpg
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
Sara Bareilles — More Love: Songs from Little Voice Season One (
The Sufis — Double Exposure (Jan. 24, 2020)
ÁSGEIR: IN THE SILENCE
Martin Barre — Roads Less Travelled (26 Oct. 2018)
Loveblind / Sleeping Visions (March 27, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Asher Gamedze – Dialectic Soul (July 10, 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
KING CRIMSON, The Night Watch
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Matt Berninger — Serpentine Prison (Oct. 16, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
Ásgeir — Bury the Moon (7 Feb., 2020)
Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Cheerleader — Almost Forever (Feb. 7, 2020)
Queer Jane — Amen Dolores (March 27, 2020)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Einstürzende Neubauten — Alles In Allem (May 29th, 2020)
Torres — Three Futures (29th Sept. 2017)
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Bison Bone — Find Your Way Out (Sept. 25, 2020)
Oh Wonder — No One Else Can Wear Your Crown [Deluxe Edition]
These New Puritans — The Cut (2016~2019) (14 Feb. 2020)
Thin Lear — Wooden Cave (24th July, 2020)
Torres — Silver Tongue (Jan. 31, 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Free To Grow — Imperfection (Aug. 7, 2020)
Dan Croll — Grand Plan (21 Aug., 2020)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Shemekia Copeland — Uncivil War (October 23rd, 2020)
I Like to Sleep — Daymare (April 17, 2020)
Kaki King — Modern Yesterdays (Oct. 23, 2020)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
The Mountain Goats — Getting Into Knives (Oct. 23, 2020)
Varga Marián — Solo in Concert (1. feb. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Blackbird & Crow — Ailm (17 Jan 2020)
Bruce Springsteen — Letter to You (Oct. 23, 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
100 Gecs — 1000 gecs (May 31, 2019)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cold Chisel — Blood Moon (6 Dec., 2019)
Cold War Kids — New Age Norms 1 (Nov. 1, 2019)
Blackbird & Crow © 2020 Author: Megan Doherty
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
The Mountain Goats — Songs for Pierre Chuvin (April 10, 2020)
Hawktail — Formations (Jan. 10, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Jack Peñate — After You (29th Nov. 2019)
Villagers — Darling Arithmetic [Deluxe Version] (April 10, 2015)
Ashley Paul — Window Flower (May 13, 2020)
Daniel Bachman — The Morning Star (July 27, 2018)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Darnielle, Jon Wurster, Matt Douglas, Pete Hughes. ©Josh Sanseri
Joe Bonamassa & The Sleep Eazys — Easy To Buy, Hard To Sell
Martin Barre — Away With Words
Ezra Bell — This Way to Oblivion (3rd April, 2020)
All Them Witches — Nothing as the Ideal (Sept. 4, 2020)
Queer Jane — Home (Dec. 1, 2016)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Moonchild — Little Ghost (6th Sept. 2019)
Evergreen — Overseas (15 Jun 2018)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
The Waterboys — Good Luck, Seeker (Deluxe) (Aug. 21, 2020)
Maarja Nuut & Ruum — World Inverted (11th Sept., 2020)
Kuře v hodinkách — Flamengo
Daniel Bachman — Green Alum Springs (June 6, 2020)
Midwife — Forever (April 10, 2020)
Siobhan Wilson — The Departure (10 May, 2019)
Kris Delmhorst — Blood Test
Martin Burlas & Musica falsa et ficta — Hexenprozesse
I Don’t Know How but They Found Me — Razzmatazz (Oct. 23, 2020)
Songdog — Happy Ending (27th March, 2020)
Zuzana Mikulcová — Slová
Holly Herndon — PROTO (Winner of Tais Awards 2020)
Rory Block — Prove It On Me (March 27, 2020)
Cate Le Bon — Here It Comes Again (2020)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Nicey Nice World — Obelisks and Asterisks (Sept. 22, 2020)
Robert Plant — Carry Fire (2 LP, 13/10/2017)
Le Butcherettes — DON’T BLEED EP (14 Feb 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
First Aid Kit — Stay Gold (2014)
Land of Talk — Indistinct Conversations (July 31, 2020)
Kuře v hodinkách — Flamengo
Luke Haines — Beat Poetry For Survivalists (6 Mar. 2020)
Nicole Atkins — Italian Ice (29 May 2020)
Maria Schneider Orchestra — Data Lords (24th July, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
BC Camplight — Shortly After Takeoff (24 April 2020)
Delta Spirit — What Is There (Sept. 11th, 2020)
The Magnetic Fields — Quickies (May 15, 2020)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
Cold War Kids — New Age Norms 2 (Aug. 21, 2020)
learning structures, vol. 2: end firma
Becca Mancari — The Greatest Part (June 26, 2020)
learning structures, vol. 3: distance between us
Thurston Moore — By The Fire (Sept. 25, 2020)
Kurt Rosenwinkel Trio — Angels Around (May 8, 2020)
Frazey Ford — U kin B the Sun (Feb. 7th, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Devon Williams — A Tear in the Fabric (May 1, 2020)
LENKA DUSILOVÁ — ŘEKA (Nov. 6th, 2020)
STEREOLAB: Oscillons from the Anti~Sun
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Loveblind: Visions
Lilly Hiatt — Walking Proof (27 March, 2020)
Loveblind: Visions
Throwing Muses — Sun Racket (Sept. 4, 2020)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Deradoorian — Find the Sun (Sept. 18, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
György Ligeti — Lontano (22. Oct.,1967)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Guranfoe — Sum of Erda (Dec. 13, 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Intocable ― Percepcion (March 15, 2019)
Ytamo — Vacant (June 12, 2020)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Humanist — Humanist (21 Feb., 2020)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Slow Pulp — Moveys (Oct. 9, 2020)
Wrekmeister Harmonies — We Love to Look at the Carnage (2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Hallelujah the Hills — I’m You (Nov. 15, 2019)
OWEN PALLETT — Heartland (March 3, 2014)
Siobhan Wilson — There Are No Saints (14 Jul, 2017)
Erlend Apneseth — Fragmentarium (Jan. 31, 2020)
Delta Spirit — Into The Wide (Deluxe Edition, Sept. 9, 2014)