The Wiyos — Twist
Location: East coast, US
Album release: January 7, 2012
Record Label: YO Records // Thruthface / Pie
Tracklist:
01.) Yellow Lines 3:02
02.) Jolly Roger 3:27
03.) Scarecrow 1 2:22
04.) Tinman 4:08
05.) Mary 5:18
06.) Mama 5:04
07.) Poppy Fields 3:14
08.) Farewell Weather Bird 3:22
09.) Scarecrow 2 3:28
10.) Sally May 4:54
11.) Penny Arcade 3:13
12.) The Lion 3:23
13.) Mother Witch 3:43
14.) Home (The Ballad) 3:33
Members:
♦ Michael Farkas
♦ Sauerkraut Seth Travins
♦ Teddy (Tetlow) Weber ..., and numerous other part–timers /// Review by Robin Denselow, Score: ****
♦ The Wiyos made it the hard way. Named after a 19th–century New York Irish street gang, they started out in Brooklyn nine years ago, and developed their slick, rhythmic and unpredictable style as they travelled across the States. They spent time in New Orleans and busked on the streets when they couldn't get gigs. Now, after a personal invitation from Bob Dylan to join him on tour, they look set to become celebrities of the Americana scene. Based very loosely on The Wizard of Oz, their new album is their most adventurous to date, a collage of ragtime, vaudeville, blues and jazz, with a dash of close–harmony vocals, scat, twanging surf–guitar work
and tuneful pop balladry added in. This is (mostly) old–time music played with contagious enthusiasm and given a contemporary twist, with most of the songs switching between different styles. Mary mixes stomping harmonica–backed blues with a scat workout, Penny Arcade matches quirky balladry with a brassy New Orleans stomp, and the theatrical Mama is an accordion–backed psych–folk horror tale that shows off their fine harmony vocals. They are touring here next month and should be worth checking out.
• The Wiyos made it the hard way. Named after a 19th-century New York Irish street gang, they started out in Brooklyn nine years ago, and developed their slick, rhythmic and unpredictable style as they travelled across the States. They spent time in New Orleans and busked on the streets when they couldn’t get gigs. Now, after a personal invitation from Bob Dylan to join him on tour, they look set to become celebrities of the Americana scene. Based very loosely on The Wizard of Oz, their new album is their most adventurous to date, a collage of ragtime, vaudeville, blues and jazz, with a dash of close–harmony vocals, scat, twanging surf–guitar work and tuneful pop balladry added in. This is (mostly) old–time music played with contagious enthusiasm and given a contemporary twist, with most of the songs switching between different styles. • Mary mixes stomping harmonica–backed blues with a scat workout, Penny Arcade matches quirky balladry with a brassy New Orleans stomp, and the theatrical Mama is an accordion-backed psych–folk horror tale that shows off their fine harmony vocals.
Website: http://thewiyos.com/
CD BABY: http://www.cdbaby.com/cd/wiyos2
Bio:
• In 2002 Michael Farkas walked into a bar in the old Five–Points district of lower Manhattan. Sitting in the corner was Parrish Ellis with a guitar. Michael pulled out a harmonica and 24 hours later at the old CGGB's (RIP), a band was born. They soon enlisted Joseph “Joebass” Dejarnette on dog house bass and later Teddy Weber on everything else. They took their name from an old Irish street gang that roamed the Five Points (The Why’os, circa 1890).
• In the beginning, The Wiyos built an audience the old fashioned way, by touring from town to town. If they couldn’t get a gig they played on the street, often rallying large crowds and even the law. On their first outing the band drove south in a dilapidated school bus. After numerous breakdowns and two fires, one of which nearly ended the inaugural tour for the entire band, they finally arrived in New Orleans where they cut their teeth busking on the streets.
• While the early Wiyos' masterfully embodied the performance styles of the 1920's and 1930's, they approached touring life with the attitude of the rock and punk music they grew up with. They threw down through polished sets at bar gigs, parties, street fairs, coffee houses, side show tents and even strip clubs. They were known for crashing booking conferences instead of applying for official showcases, playing in the halls and in hotel lobbies. From 2003 to 2008 their shows (over 200/year) were entirely acoustic, typically gathered around one mic. Their reputation for “taking the room” made them darlings of the folk circuit, a must see act, and landed the band tours in England, the South of France, Holland, and Sweden .
• The buzz of these high paced Vaudeville-esque performances reached its zenith in 2009 when they were featured in the BBC television documentary, “Folk America — Hollerers, Stompers and Old–Time Ramblers”. Later that same year, Bob Dylan hand picked the band to be the openers for his 28 date minor league baseball stadium summer tour with Willie Nelson and John Mellencamp.
• While it was their mastery of vintage acoustic performances that drew the attention of many in the folk music scene, by late 2008 The Wiyos had begun work on Broken Land Bell, a contemporary studio production with half the band plugged in and guest beat boxer Adam Matta laying rock and trip–hop beats under syncopated swing and New Orleans based rhythms. The record was recorded entirely in 808a, the bands Brooklyn studio, crash pad and apartment of Joebass and composer Sxip Shirey. By July of 2009, with Broken Land Bell buzzing on the Americana charts, The Wiyos hit the road with The Bob Dylan show, laying down opening set after set of grungy harp, crazed steel guitar, rockabilly bass, human beat box and three–part harmonies. The band perched in front of Willie Nelsons' backline while tens of thousands of people watched in bewilderment. Michael often began each set as a mime in the crowd, once even breaking into the off–limits baseball diamond to hurl a pitch. Stadium security and local police, oblivious to the fact that he was one of the performers, chased him Keystone Cop style through the stands.
• In 2010, Parrish and Joebass left the band. Michael and Teddy regrouped with bassist Sauerkraut Seth Travins. The trio holed up in the Hudson Valley, NY for numerous months, only emerging for the occasional short tour. They released one EP, Foxtrots, Polkas And A Waltz. Teddy and Michael, inspired by a recent run as the pit band to a modern dance production of "The Wiyos of Oz" at Wichita State in Kansas, began fleshing out the concept of a new album. The band commenced work at Old Soul Studios in Catskill, NY in the fall of 2010. Adam Matta joined in for the early sessions. Later Kenny Siegal and Brian Geltner of Johnny Society joined the recording and are now members of the touring band. The new album 'Twist', loosely based on Frank Baums, The Wizard of Oz, is slated to be released in the fall/winter of 2011/2012.
Location: East coast, US
Album release: January 7, 2012
Record Label: YO Records // Thruthface / Pie
Tracklist:
01.) Yellow Lines 3:02
02.) Jolly Roger 3:27
03.) Scarecrow 1 2:22
04.) Tinman 4:08
05.) Mary 5:18
06.) Mama 5:04
07.) Poppy Fields 3:14
08.) Farewell Weather Bird 3:22
09.) Scarecrow 2 3:28
10.) Sally May 4:54
11.) Penny Arcade 3:13
12.) The Lion 3:23
13.) Mother Witch 3:43
14.) Home (The Ballad) 3:33
Members:
♦ Michael Farkas
♦ Sauerkraut Seth Travins
♦ Teddy (Tetlow) Weber ..., and numerous other part–timers /// Review by Robin Denselow, Score: ****
♦ The Wiyos made it the hard way. Named after a 19th–century New York Irish street gang, they started out in Brooklyn nine years ago, and developed their slick, rhythmic and unpredictable style as they travelled across the States. They spent time in New Orleans and busked on the streets when they couldn't get gigs. Now, after a personal invitation from Bob Dylan to join him on tour, they look set to become celebrities of the Americana scene. Based very loosely on The Wizard of Oz, their new album is their most adventurous to date, a collage of ragtime, vaudeville, blues and jazz, with a dash of close–harmony vocals, scat, twanging surf–guitar work
and tuneful pop balladry added in. This is (mostly) old–time music played with contagious enthusiasm and given a contemporary twist, with most of the songs switching between different styles. Mary mixes stomping harmonica–backed blues with a scat workout, Penny Arcade matches quirky balladry with a brassy New Orleans stomp, and the theatrical Mama is an accordion–backed psych–folk horror tale that shows off their fine harmony vocals. They are touring here next month and should be worth checking out.
• The Wiyos made it the hard way. Named after a 19th-century New York Irish street gang, they started out in Brooklyn nine years ago, and developed their slick, rhythmic and unpredictable style as they travelled across the States. They spent time in New Orleans and busked on the streets when they couldn’t get gigs. Now, after a personal invitation from Bob Dylan to join him on tour, they look set to become celebrities of the Americana scene. Based very loosely on The Wizard of Oz, their new album is their most adventurous to date, a collage of ragtime, vaudeville, blues and jazz, with a dash of close–harmony vocals, scat, twanging surf–guitar work and tuneful pop balladry added in. This is (mostly) old–time music played with contagious enthusiasm and given a contemporary twist, with most of the songs switching between different styles. • Mary mixes stomping harmonica–backed blues with a scat workout, Penny Arcade matches quirky balladry with a brassy New Orleans stomp, and the theatrical Mama is an accordion-backed psych–folk horror tale that shows off their fine harmony vocals.
Website: http://thewiyos.com/
CD BABY: http://www.cdbaby.com/cd/wiyos2
Bio:
• In 2002 Michael Farkas walked into a bar in the old Five–Points district of lower Manhattan. Sitting in the corner was Parrish Ellis with a guitar. Michael pulled out a harmonica and 24 hours later at the old CGGB's (RIP), a band was born. They soon enlisted Joseph “Joebass” Dejarnette on dog house bass and later Teddy Weber on everything else. They took their name from an old Irish street gang that roamed the Five Points (The Why’os, circa 1890).
• In the beginning, The Wiyos built an audience the old fashioned way, by touring from town to town. If they couldn’t get a gig they played on the street, often rallying large crowds and even the law. On their first outing the band drove south in a dilapidated school bus. After numerous breakdowns and two fires, one of which nearly ended the inaugural tour for the entire band, they finally arrived in New Orleans where they cut their teeth busking on the streets.
• While the early Wiyos' masterfully embodied the performance styles of the 1920's and 1930's, they approached touring life with the attitude of the rock and punk music they grew up with. They threw down through polished sets at bar gigs, parties, street fairs, coffee houses, side show tents and even strip clubs. They were known for crashing booking conferences instead of applying for official showcases, playing in the halls and in hotel lobbies. From 2003 to 2008 their shows (over 200/year) were entirely acoustic, typically gathered around one mic. Their reputation for “taking the room” made them darlings of the folk circuit, a must see act, and landed the band tours in England, the South of France, Holland, and Sweden .
• The buzz of these high paced Vaudeville-esque performances reached its zenith in 2009 when they were featured in the BBC television documentary, “Folk America — Hollerers, Stompers and Old–Time Ramblers”. Later that same year, Bob Dylan hand picked the band to be the openers for his 28 date minor league baseball stadium summer tour with Willie Nelson and John Mellencamp.
• While it was their mastery of vintage acoustic performances that drew the attention of many in the folk music scene, by late 2008 The Wiyos had begun work on Broken Land Bell, a contemporary studio production with half the band plugged in and guest beat boxer Adam Matta laying rock and trip–hop beats under syncopated swing and New Orleans based rhythms. The record was recorded entirely in 808a, the bands Brooklyn studio, crash pad and apartment of Joebass and composer Sxip Shirey. By July of 2009, with Broken Land Bell buzzing on the Americana charts, The Wiyos hit the road with The Bob Dylan show, laying down opening set after set of grungy harp, crazed steel guitar, rockabilly bass, human beat box and three–part harmonies. The band perched in front of Willie Nelsons' backline while tens of thousands of people watched in bewilderment. Michael often began each set as a mime in the crowd, once even breaking into the off–limits baseball diamond to hurl a pitch. Stadium security and local police, oblivious to the fact that he was one of the performers, chased him Keystone Cop style through the stands.
• In 2010, Parrish and Joebass left the band. Michael and Teddy regrouped with bassist Sauerkraut Seth Travins. The trio holed up in the Hudson Valley, NY for numerous months, only emerging for the occasional short tour. They released one EP, Foxtrots, Polkas And A Waltz. Teddy and Michael, inspired by a recent run as the pit band to a modern dance production of "The Wiyos of Oz" at Wichita State in Kansas, began fleshing out the concept of a new album. The band commenced work at Old Soul Studios in Catskill, NY in the fall of 2010. Adam Matta joined in for the early sessions. Later Kenny Siegal and Brian Geltner of Johnny Society joined the recording and are now members of the touring band. The new album 'Twist', loosely based on Frank Baums, The Wizard of Oz, is slated to be released in the fall/winter of 2011/2012.