| Vlastislav Matoušek, Kateřina Vožická, Jan Grunt, Jiří Matys, Juraj Stieranka, Jan Faix, Jan Polanský, Mikoláš Chadima, Vojtěch Petržilka, Marcela Štědrová, Michal Hrubý, Martin Leták, Jozef Láska, Antip Sokolský |
| Máj ve stínu stroje/May In Shadow of Machine (April 6th, 2016) |
Vlastislav Matoušek, Jan Faix, Jan Polanský a spol. — Máj ve stínu stroje/May In Shadow of Machine (April 6th, 2016) 
••→ “Předkládané CD představuje nepatrný zlomek z hraní, která jsme časem označili jako inspirovaná.” (Pavel Straka)
Location: Rybanaruby, Praha, Czech Republic
Album release: April 6th, 2016
Recorded:
• January 29, 2015: track 1
• April 9, 2015: track 2
• December 12, 2015: track 3
Record Label: Guerilla Records
Duration: 71:37
1. Parisian Shoemaker / Парижский Сапожник 40:12
2. In The Shadow Of A Machine / Im Schatten Der Maschine 21:35
3. May / Máj 9:50
Personnel:
• Track 1: Vlastislav Matoušek, Kateřina Vožická, Jan Grunt, Jiří Matys, Juraj Stieranka, Jan Faix, Jan Polanský.
• Track 2: Mikoláš Chadima, Jan Grunt, Vlastislav Matoušek, Vojtěch Petržilka, Jan Faix, Jiří Matys, Marcela Štědrová.
• Track 3: Mikoláš Chadima, Jan Grunt, Michal Hrubý, Kateřina Vožická, Martin Leták, Jozef Láska, Antip Sokolský, Jan Polanský.
• Sound and remastering: Alex Tomin
• Photo: Miroslav Blažek Sr., Martin Nahodil & Lada Válková
• Sleevnote: Pavel Straka (cz)
• Translated: Vojtěch Petržilka (eng)
• Thanks to: Adam Majer
Label: www.guerilla.cz
Booklet: www.exprestisk.info
Details:
Track 1:
• Vlastislav Matoušek: flutes, Russian ethnic instruments
• Kateřina Vožická: hurdy–gurdy
• Jan Grunt: sax
• Jiří Matys: double bass
• Juraj Stieranka: violin
• Jan Faix: electronics
• Jan Polanský: electronics
Track 2:
• Mikoláš Chadima: sax
• Jan Grunt: sax
• Vlastislav Matoušek: fretless bass
• Vojtěch Petržilka: theremin, effects
• Jan Faix: electronics
• Jiří Matys: double bass
• Marcela Štědrová: clarinet, vocal
Track 3:
• Mikoláš Chadima, Jan Grunt & Michal Hrubý: sax
• Kateřina Vožická: hurdy–gurdy
• Martin Leták: cajon
• Jozef Láska: bass guitar
• Antip Sokolský: guitar
• Jan Polanský: electronics, kalimba
Ben Tais Amundssen appendix picture: Nazca Lines, Peru
• The lines, located in the arid Peruvian coastal plain, were scratched on the surface of the ground between 500 B.C. and A.D. 500, are among archaeology’s greatest enigmas because of their quantity, nature, size and continuity, according to UNESCO. “The geoglyphs depict living creatures, stylized plants and imaginary beings, as well as geometric figures several miles long. They are believed to have had ritual astronomical functions.”
’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’
| Vlastislav Matoušek, Kateřina Vožická, Jan Grunt, Jiří Matys, Juraj Stieranka, Jan Faix, Jan Polanský, Mikoláš Chadima, Vojtěch Petržilka, Marcela Štědrová, Michal Hrubý, Martin Leták, Jozef Láska, Antip Sokolský |
| Máj ve stínu stroje/May In Shadow of Machine (April 6th, 2016) |
Location: Rybanaruby, Praha, Czech Republic
Album release: April 6th, 2016
Recorded:
• January 29, 2015: track 1
• April 9, 2015: track 2
• December 12, 2015: track 3
Record Label: Guerilla Records
Duration: 71:37
1. Parisian Shoemaker / Парижский Сапожник 40:12
2. In The Shadow Of A Machine / Im Schatten Der Maschine 21:35
3. May / Máj 9:50
• Track 1: Vlastislav Matoušek, Kateřina Vožická, Jan Grunt, Jiří Matys, Juraj Stieranka, Jan Faix, Jan Polanský.
• Track 2: Mikoláš Chadima, Jan Grunt, Vlastislav Matoušek, Vojtěch Petržilka, Jan Faix, Jiří Matys, Marcela Štědrová.
• Track 3: Mikoláš Chadima, Jan Grunt, Michal Hrubý, Kateřina Vožická, Martin Leták, Jozef Láska, Antip Sokolský, Jan Polanský.
• Sound and remastering: Alex Tomin
• Photo: Miroslav Blažek Sr., Martin Nahodil & Lada Válková
• Sleevnote: Pavel Straka (cz)
• Translated: Vojtěch Petržilka (eng)
• Thanks to: Adam Majer
Label: www.guerilla.cz
Booklet: www.exprestisk.info
Details:
Track 1:
• Vlastislav Matoušek: flutes, Russian ethnic instruments
• Kateřina Vožická: hurdy–gurdy
• Jan Grunt: sax
• Jiří Matys: double bass
• Juraj Stieranka: violin
• Jan Faix: electronics
• Jan Polanský: electronics
Track 2:
• Mikoláš Chadima: sax
• Jan Grunt: sax
• Vlastislav Matoušek: fretless bass
• Vojtěch Petržilka: theremin, effects
• Jan Faix: electronics
• Jiří Matys: double bass
• Marcela Štědrová: clarinet, vocal
Track 3:
• Mikoláš Chadima, Jan Grunt & Michal Hrubý: sax
• Kateřina Vožická: hurdy–gurdy
• Martin Leták: cajon
• Jozef Láska: bass guitar
• Antip Sokolský: guitar
• Jan Polanský: electronics, kalimba
Ben Tais Amundssen appendix picture: Nazca Lines, Peru
• The lines, located in the arid Peruvian coastal plain, were scratched on the surface of the ground between 500 B.C. and A.D. 500, are among archaeology’s greatest enigmas because of their quantity, nature, size and continuity, according to UNESCO. “The geoglyphs depict living creatures, stylized plants and imaginary beings, as well as geometric figures several miles long. They are believed to have had ritual astronomical functions.”
’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’•’