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Wovenhand — Star Treatment (September 9th, 2016)

Wovenhand — Star Treatment (September 9th, 2016)

  Wovenhand — Star Treatment (September 9th, 2016)  Wovenhand — Star Treatment (September 9th, 2016)°   Je to vlastně fajn album. Tvrdé jako křemen. Lákavé, odvážné, asi tak má vypadat dobré rock ‘n’ rollové album současnosti s hlavou na špalku. Praštilo mě i přesto, že všechno od Wovenhand už doma mám. Edwards jako v hlášení ve vápence do amplionu, přesná, až šestnáctinová a výrazná basa (uhrančivá v “All Your Waves”), kytary cirkulárové jako na pile mého děda v Kežmarku, vibrační lead~struny s asociací na Pink Floyd “Ummagumma”, bubeník na úrovni Pavla Attela. Maniakální, chaotická, radostná, vyčerpávající záležitost, ‘Star Treatment’. Je to dramatické vyboostrování žánru, který zoufale potřebuje nové maso. Doufejme, že protisměrný pohyb časem vyroste ze své produkce, pokřtí staré tělo a vdechne mu nového ducha, dotvoří pohlaví tam, kde to bylo bezpohlavní a vyprávění legend navrátí zpět do tlamy kvůli příštím generacím kosmických psanců. Aurální cesta do bezpráví příhraničních měst a zakázaných údolí podsvětí, které končí poznámkou o vykoupení a optimismu pro to neznámé, co nás ještě čeká. Budoucnost je v rukou vašich dětí. Volte moudře: podsvětí ve skutečnosti není. Pouze gehenna. Baladická “The Quiver” vám trochu napoví.
°   David Eugene Edwards’ project for his brand of Southern gothic, based on rustic old–timey music and featuring his dark, theatrical performance style.                                    Born: 1968 in Englewood, Colorado
Formed: 2001 in Denver, CO
Location: Denver, Colorado
Genre: gothic folk gothic rock singer~songwriter
Album release: September 9th, 2016
Record Label: Sargent House
Duration:     43:05
Tracks:
01 Come Brave     4:02
02 Swaying Reed     6:00
03 The Hired Hand     4:15
04 Crystal Palace     4:40
05 Crook and Flail     4:31
06 The Quiver     4:35
07 All Your Waves     7:55
08 Golden Blossom     4:23
09 Go Ye Light     4:51
10 Five by Five     4:44
11 Low Twelve     3:58                                                                                                            WOVENHAND “STAR TREATMENT” IS STEREOGUM’S ALBUM OF THE WEEK
√   On Friday, Nick Cave and his Bad Seeds will release their new album Skeleton Tree, and other than the soul–wrecking first single “Jesus Alone,” I haven’t heard it yet. Nobody has. Cave’s label has sent out no advances, which means music critics like me are tingling with anticipation just like everybody else. This is Cave’s first album since his son fell off a cliff and died last year. Cave is an artist with a long, storied history of staring deeply into the darkest parts of the human experience, of drinking that darkness in and spitting it back out all over us. The fact that he’s back to recording music so soon after such a life–reshaping personal catastrophe is a miraculous testament to his own strength. Even before hearing the album, I can feel the weight of its presence. It’s out there, waiting. And in a few days, it will be stomping all over my soul. But now, there is a chance, however slight, that Skeleton Tree will not be the best Nick Cave album that comes out on Friday.
√   I’m being glib here, of course. Star Treatment, the new Wovenhand album, is not a Nick Cave album. It’s not fair to Cave to imply that it is. It’s also not fair to David Eugene Edwards, the Denver musician who has been leading Wovenhand since 2001, since it was a side project of his mutant–country band 16 Horsepower. But Edwards has been treading some of the same territory as Cave for a long time now. His music deals in the same darkness, the same obsessiveness. His songs are steeped in the history of American music, of folk and country and blues, and yet they owe as much to some of the clanging, confrontational forms that followed: punk, metal, hardcore, noise-rock. His songs sound like incantations, like prayers bubbling up from below. He’s not Cave, but he’s cut from the same cloth.
√   I’d been shamefully ignorant of Edwards’ work until Converge frontman Jacob Bannon’s label Deathwish, Inc. put out Wovenhand’s album Refractory Obdurate two years ago. Deathwish is usually an amazing source of coloring–outside–the–lines hardcore and metal, and I have a policy that I’ll listen to anything that label puts out at least once. Edwards’ clanging, crashing sermons are as much alt–country as they are metal, but he fit weirdly well into the label’s whole project. Wovenhand’s sonics only glancingly intersect with metal, but they conjure a grandeur that we can also hear in some of the best doom. With the new Star Treatment, Wovenhand have left Deathwish for the more amorphous indie Sargent House, but they might be more metal than they were last time out. Opener “Come Brave” has a grand, seething distorto–riff at its heart. The thundering groove of “Crook And Flail” might have pianos and bongos mixed in, but those instruments somehow add to its heaving enormity; they don’t just ornament it. “Golden Blossom” is one of the quieter moments here, but the warmth of its stargazing psychedelia feels like the dank–club equivalent of a lighters–up arena moment.
√   This time around, Edwards is drawing plenty of his help from the intersecting worlds of metal and hardcore. Two of the musicians from his band are also members of Planes Mistaken For Stars, the reactivated Midwestern post–hardcore greats. Sanford Parker, the renowned Chicago metal producer, recorded the album, and he did it at Steve Albini’s Electrical Audio studio. But this isn’t Edwards’ punk album — at least, not any more than any of his others. Edwards is concerned with older things. He’s said that he named the album Star Treatment because he’s using it to explore humanity’s ancient fascination with the night sky. And in Star Treatment, we can hear the sounds of tiny human specks attempting to wrap minds around the infinite, around forces much grander than themselves. Edwards is a devout Christian, and that’s probably a part of it, too. There’s a ritualistic feel to the album, a sense of devotion to the cosmos. And even if you’re not the tiniest bit spiritual, which I’m not, there is a power in asking the mere questions that so many belief systems attempt to answer.
√   Edwards belongs to an older breed. He’s in there with Cave, Michael Gira, Carla Bozulich, Dan Higgs, Polly Jean Harvey, David Tibet. He’s a mystic wanderer, the type who seeks transcendence in darkness as well as in light. He never hides his voice. It’s a huge, barreling wail, a declamatory roar. And the music matches the majesty of that voice, calling on traditions that can sometimes go past ancestral country music and into tribal–chant territory. This is big music, a type of music that we don’t often hear anymore. It’s music for calling down heaven. There is plenty of great music coming out these days, but very little of it is concerned with summoning spirits in that same way. We don’t get many albums like this anymore. And if we end up getting two next week, we should feel fortunate indeed. We already got one. √   http://www.stereogum.com/  Discography:
°  2003 Blush Music     Sounds Familyre 
°  2003 Woven Hand     Sounds Familyre 
°  2004 Consider the Birds     Sounds Familyre 
°  2006 Mosaic     MSI Music Distribution / Glitterhouse Records 
°  2008 Ten Stones     Sounds Familyre 
°  2010 The Threshingfloor     Sounds Familyre 
°  2012 Black of the Ink     Glitter Ro 
°  2012 Live at Roepan     Glitterhouse Records 
°  2012 The Laughing Stalk     Glitterhouse Records 
°  2014 Refractory Obdurate     Deathwish Records
°  2016 Star Treatment       Sargent House                                                                            DAVID EUGENE EDWARDS
°  He is the lead singer of Wovenhand, and also the main songwriter and the principal musician on the recordings of the band. He is the former lead singer of 16 Horsepower.
°  Although many labels have been applied to his music, it defies simple genre categorization, including elements of old–time, folk, punk, medieval, gypsy and Native American music. Lyrically, it deals with pain, conflict, faith, and redemption, with Edwards’ personal Christian beliefs influencing much of the lyrical imagery.
°  Edwards, along with Jean–Yves Tola and Pascal Humbert (together as 16 Horsepower) performs on the soundtrack to the Jim White inspired film Searching for the Wrong–Eyed Jesus, playing the traditional “Wayfarin’ Stranger.” He also appears in the film, playing a fragment of “Phyllis Ruth,” a 16 Horsepower song from 1997’s Low Estate.
°  Edwards is married and has two children, a boy and a girl (Asher, who appears in the video for 16 Horsepower’s song “Haw”).
Website: http://www.wovenhand.com/
Bandcamp: https://wovenhand.bandcamp.com/album/star-treatment
Twitter: https://twitter.com/wovenhandband
Facebook: https://www.facebook.com/wovenhandofficial/
Sargent House: http://sargenthouse.com/
♠   After a string of separate shows and festival dates across Europe, Russian Circles and Wovenhand united in London for a special show together at the London venue Scala. Photographer Nick Sayers was there and captured incredible both sets.         °°°°°____________________________________________________°°°°°

Wovenhand — Star Treatment (September 9th, 2016)

ALBUM COVERS XI.

33EMYBW — Golem (25 Sept., 2019)
First Aid Kit — Stay Gold (2014)
STEREOLAB: Oscillons from the Anti~Sun
Ronnie Godfrey — Shades of Blue (Oct. 25, 2019)
Pancrace — The Fluid Hammer (09 Sep 2019/2LP)
Stereolab — Margerine Eclipse (Nov. 29, 2019)
WaqWaq Kingdom — Essaka Hoisa (Nov. 15, 2019)
Jack Peñate — After You (29th Nov. 2019)
White Lies — To Lose My Life… [10th Anniversary Deluxe Edition]
Avey Tare — Eucalyptus (July 21, 2017)
Bonnie “Prince” Billy — I Have Made A Place (Nov. 15th, 2019)
Hallelujah the Hills — A Band Is Something to Figure Out (2016)
Hallelujah the Hills — I’m You (Nov. 15, 2019)
Philip B. Price — Bone Almanac (Nov. 8, 2019)
The Who — WHO [Deluxe Edition] (22 Nov. 2019)
Courtney Barnett — MTV Unplugged [Live In Melbourne] (2019)
Hail The Ghost — Arrhythmia (6th Dec. 2019)
The Growlers — Natural Affair (25th Oct. 2019)
Signe Marie Rustad — When Words Flew Freely (Nov. 15, 2019)
Sean Henry — A Jump from the High Dive (Nov. 1, 2019)
SOFIA TALVIK — Paws of a Bear (Sept. 27, 2019)
David Thomas Broughton & Juice Vocal Ensemble — Sliding The Same
David Thomas Broughton — The Complete Guide To Insufficiency /re
Grimes — Visions (2012)
RADEK BABORÁK a jeho ORQUESTRINA na PIAZZOLLOVSKÉ ALBUM.
Martin Barre — Roads Less Travelled (26 Oct. 2018)
No~Man — Love You To Bits (Nov. 22, 2019)
Martin Barre — Away With Words
Guranfoe — Sum of Erda (Dec. 13, 2019)
Virginia Plain — Strange Game (Dec. 13, 2019)
Cold Chisel — Blood Moon (6 Dec., 2019)
930 x 827 tmavší podklad.jpg
CECILIA BARTOLI — Opera Proibita (Sept. 13, 2005)
Bruce Ackley, Fred Frith, Henry Kaiser, Aram Shelton — Unexpecte
Benoît Pioulard & Sean Curtis Patrick — Avocationals (2019)
Florist — Emily Alone (July 26, 2019)
The Flaming Lips — The Soft Bulletin (Nov. 29, 2019)
Cosmo Sheldrake — Galapagos [Original Soundtrack] 2019
Ben Featherstone — Prisoner to the Wind (Dec. 20th, 2019)
Oiseaux~Tempęte — From Somewhere Invisible (19 Dec., 2019)
Nonlocal Forecast — Bubble Universe! (March 1, 2019)
ROBERT FRIPP — THE KITCHEN (New York, NY) — 05 FEB 1978
KING CRIMSON, The Night Watch
Juraj Griglák, From The Bottom (Sept. 16, 2019)
Juraj Griglák — From the Bottom (Sept. 16, 2019)
Lilien Rosarian ~ A Day in Bel Bruit (June 9, 2019)
Jim Noir — A.M Jazz (Dec. 20, 2019)
Sean O’Hagan — Radum Calls, Radum Calls (2019)
Bill MacKay and Katinka Kleijn — STIR (Oct. 17, 2019)
Alice Peacock — Minnesota (Sept. 20th, 2019)
Sean McMahon ― You Will Know When You’re There (March 1, 2019)
Tylor Dory Trio — Unsought Salvation (Dec. 21, 2019)
Intocable ― Percepcion (March 15, 2019)
Third Coast Percussion & Devonté Hynes — Fields (Oct. 11, 2019)
Scorn — Cafe Mor (Nov. 15, 2019)
Alogte Oho and his Sounds of Joy — Mam Yinne Wa (Nov. 8, 2019)
P/\ST — /Expedice do vnitrobloku\ (Oct. 5, 2019)
Destroyer — Have We Met (Jan. 31, 2020)
Devendra Banhart — Ma (September 13, 2019)
Bellows — The Rose Gardener (Feb. 22, 2019)
Roland Tings — Salt Water (Nov. 8, 2019)
A Winged Victory for the Sullen — The Undivided Five
Alessandra Leão ‎— Macumbas e Catimbós (24/05/2019)
Stephen Duffy — I Love My Friends [Expanded Ed] (10 May 2019)
Carissa Johnson — A Hundred Restless Thoughts (Dec. 18th, 2019)
Georgia — Seeking Thrills (10th Jan., 2020)
The Chap — Digital Technology (10 Jan., 2020)
Field Music — Making a New World (Jan. 10, 2020)
Lydia Ainsworth — Darling Of The Afterglow (2019)
Lydia Ainsworth — Phantom Forest (May 10, 2019)
Circa Waves — Sad/Happy (March 13th, 2020)
Hawktail — Formations (Jan. 10, 2020)
Moonchild — Little Ghost (6th Sept. 2019)
Susanne Sundfør — Self Portrait (Original Score, 10th Jan. 2020)
Frances Quinlan — Likewise (Jan. 31, 2020)
Harvestman — Music for Megaliths (May 19, 2017)
Anika Nilles — For a Colorful Soul (Jan. 10, 2020)
Of Montreal — Ur Fun (Jan. 17, 2020)
Drive~By Truckers — The Unraveling (Jan. 30, 2020)
Wolf Parade — Thin Mind (Jan. 24, 2020)
Lucia Cadotsch — Speak Low (Feb. 26, 2016)
The Adobe Collective — All the Space That There Is (10 Jan 2020)
David Cross & Peter Banks — Crossover (17 Jan., 2020)
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Kyrie Kristmanson — Lady Lightly (Jan. 10, 2020)
Futurebirds — Teamwork (Jan. 15th, 2020)
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The Innocence Mission — See You Tomorrow (Jan. 17, 2020)
The Sufis — Double Exposure (Jan. 24, 2020)
Blackbird & Crow — Ailm (17 Jan 2020)
Blackbird & Crow © 2020 Author: Megan Doherty
Torres — Three Futures (29th Sept. 2017)
Torres — Silver Tongue (Jan. 31, 2020)
Andy Statman — Old Brooklyn (2011)
Recondite — Dwell (Jan. 24, 2020)
Silkworm — In The West (24 Jan., 2020)
James Harries — Superstition (Jan. 31, 2020)
James Harries — Before We Were Lovers
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Fruition — Broken At The Break Of Day (Jan. 23, 2020)
Loveblind / Sleeping Visions (March 27, 2020)
Rizan Said — Saz û Dîlan (Oct. 11, 2019)
HMLTD — West of Eden (7 Feb., 2020)
HMLTD ©Dean Hoy
ÁSGEIR: IN THE SILENCE
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Sink Ya Teeth — Two (28th Feb. 2020)
Stian Westerhus — Redundance (March 5, 2020)
Thomas Dybdahl — The Great Plains (Feb 24, 2017)
Thomas Dybdahl — Fever (March 13, 2020)
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Al Di Meola — Across the Universe: The Beatles, Vol. 2 (2020)
Sam Gendel — Satin Doll (13 Mar 2020)
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CocoRosie — Put the Shine On (6 March 2020)
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Joywave — Possession (March 13, 2020)
Walter Martin — The World at Night (Jan. 31, 2020)
Morrissey — I Am Not a Dog On a Chain (March 20th, 2020)
Human Impact — Human Impact (13 March 2020)
Hibiscus Biscuit — Reflection of Mine (March 1st, 2020)
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Orchards — Lovecore (March 13th, 2020)
Julia Holter — Never Rarely Sometimes Always (March 13, 2020)
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Bacchae — Pleasure Vision (March 6, 2020)
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Elysian Fields — Transience Of Life (May 7, 2020)
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False Heads — It’s All There But You’re Dreaming (13 March 2020)
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The Album Leaf — OST (March 20, 2020)
Real Estate — The Main Thing (28th Feb., 2020)
Villagers — The Art Of Pretending To Swim (03/19, 2020) DELUXE E
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Noveller — Arrow (June 7, 2020)
Justine Vandergrift — Stay (Feb. 7th, 2019)
The Electric Soft Parade — Stages (Jan. 8, 2020)
Ben Watt — Storm Damage (31st Jan., 2020)
Anoushka Shankar — Love Letters (7 Feb., 2020)
Roger Eno | Brian Eno — Mixing Colours (20 March, 2020)
Alberto Posadas : Poética del Laberinto, cycle pour quatuor de s
Sufjan Stevens — Aporia (March 27, 2020)
Beck — Deep Cuts (March 2020)
BECK — Uneventful Days (St. Vincent Remix)
Béla Fleck & Toumani Diabaté — The Ripple Effect [2LP, March 27,
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Pearl Jam — Gigaton (March 27, 2020)
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Stove — ‘s Favorite Friend (Oct. 31, 2018)
Queer Jane — Amen Dolores (March 27, 2020)
Rory Block — Prove It On Me (March 27, 2020)
Lizzy Farrall — Bruise (March 27, 2020)
Lilly Hiatt — Walking Proof (27 March, 2020)
The Chats — High Risk Behaviour (March 27, 2020)
Kazuomi Eshima & Masahiko Takeda — Inheritance for Soundscape
Marissa Nadler — unearthed (March 20, 2020)
Lucy Railton — Paradise 94 (22 Mar 2018)
BECCA STEVENS — WONDERBLOOM (March 20th 20, 2020)
Trees Speak — Ohms (3rd April, 2020)
Teho Teardo — Ellipsis dans l’harmonie (March 6th, 2020)
Ellipsis dans l’harmonie BACK COVER
Cocteau Twins — Head Over Heels
Cocteau Twins — Treasure
Cocteau Twins — Garlands (1982, Reissue 2020)
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Riva Taylor — ‘This Woman’s Heart .1’ (27 Mar 2020)
Amy LaVere — Painting Blue (27 Mar 2020)
Sea Wolf — Through a Dark Wood (March 20, 2020)
Locate S,1 — Personalia (April 3, 2020
Anna Burch — Quit The Curse (Feb 2, 2018)
M.Ward — Migration of Souls (April 3, 2020)
Peel Dream Magazine — Agitprop Alterna (3rd April 2020)
ANDREW BIRD — CAPITAL CRIMES (April 1st, 2020)
Spy Machines — Spy Machines (April 3, 2020)
Richard Barbieri ‎— Past Imperfect / Future Tense (Mar 2020)
DAVID POMAHAČ — DO TMY JE DALEKO (Feb. 7, 2020)
KIESLOWSKI Tiché lásky
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LENKA NOVÁ — DOPISY (21.03./24.04., 2020)
Ezra Bell — This Way to Oblivion (3rd April, 2020)
Songdog — Happy Ending (27th March, 2020)
Laurel Halo — Raw Silk Uncut Wood (July 13, 2018)
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Laura Marling — Song for Our Daughter (April 10th, 2020)
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Hamilton Leithauser — The Loves of Your Life (10 April 2020)
Don Gallardo — The Lonesome Wild (April 2, 2020)
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emozpěv — Spolu (1st May 2020)
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Morgan1
Zuzana Mikulcová — Slová
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The Feather — Room (10 July, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Eyvind Kang — Ajaeng Ajaeng (May 1, 2020)
Kaitlyn Aurelia Smith — The Mosaic of Transformation (May 15, 20
Kaitlyn Aurelia Smith — The Kid (October 6, 2017)
Mr. Alec Bowman — I Used to Be Sad & Then I Forgot (May 1, 2020)
György Ligeti — Lontano (22. Oct.,1967)
OWEN PALLETT — Heartland (March 3, 2014)
Badly Drawn Boy — Banana Skin Shoes (22nd May, 2020)
A.O. Gerber — Another Place to Need (May 22, 2020)
Kaleidoscope — Faintly Blowing (11 April 1969, Reissue, Remaster
Perfume Genius — Set My Heart On Fire Immediately (15th May 2020
Perfume Genius — No Shape (5 May, 2017) BC
Perfume Genius — No Shape (5 May, 2017) FC
Sungazers — Wasting Space (May 18, 2020)
Cermaque — Lament (22nd May, 2020)
Mountaineer — Bloodletting (May 22nd, 2020)
Jetstream Pony — Jetstream Pony (May 22, 2020)
Steve Earle — Townes (May 8, 2009)
Steve Earle & The Dukes — Ghosts of West Virginia (May 22, 2020)
Sixth June ‎— Trust (17 Jan 2020)
White Tail Falls — Age of Entitlement (May 29, 2020)
Weyes Blood — “Wild Time” from Titanic Rising
Nicole Atkins — Italian Ice (29 May 2020)
Deerhoof — Future Teenage Cave Artists (May 29, 2020)
Deradoorian — Find the Sun (Sept. 18, 2020)
Bob Dylan — Rough and Rowdy Ways (June 19th, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
The Magnetic Fields — QUICKIES VINYL BOX SET (June 19, 2020)
This Will Destroy You — Vespertine (June 9, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Jake Blount — Spider Tales (May 29, 2020)
Yoko Ono, Kim Gordon & Thurston Moore — YOKOKIMTHURSTON
Psychic Markers — Psychic Markers (29 May, 2020)
The Memories — Pickles & Pies (May 29, 2020)
Songs for the Late Night Drive Home (Feb. 5, 2016)
Spc Eco — Dark Matter (Nov. 20, 2015)
SPC ECO — June (June 1, 2020)
Yves Tumor — Heaven to a Tortured Mind (April 3, 2020)
Norah Jones — Pick Me Up Off the Floor (June 12th, 2020)
Larkin Poe — Self Made Man (June 12th, 2020)
Ezra Furman — Sex Education [Original Soundtrack] (April 24, 202
Endless Field — Alive in the Wilderness (June 12, 2020)
Wesley Gonzalez — Appalling Human (June 12, 2020)
Noveller — Arrow (June 12, 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Kim Myhr & Australian Art Orchestra — Vesper (17.04. 2020)
Andrej Šeban — Triplet (March 22, 2019) inner cover
Andrej Šeban — Triplet (March 22, 2019) cover
The Crossing & Donald Nally — James Primosch: Carthage (05/2020)
Jerskin Fendrix — Winterreise (April 17, 2020)
Zoongideewin — Bleached Wavves (June 19, 2020)
ULRICH SCHNAUSS — A Long Way To Fall — Rebound (3rd April, 2020)
Sports Team — Deep Down Happy (5th June, 2020)
Wrekmeister Harmonies — We Love to Look at the Car (2020)
Midlake — Antiphon (Nov. 4, 2013)
ANASTASIA MINSTER — Father ©Michael Haley
Jessie Ware — Glasshouse (Deluxe; 20 Oct 2017)
Teen Daze — Morning World
Jessie Ware — What’s Your Pleasure (June 26, 2020)
Art Feynman — Half Price At 3:30 (June 26th, 2020)
Bo Ningen — Sudden Fictions (26th June, 2020)
Khruangbin — Mordechai (June 26, 2020)
Pottery — Welcome to Bobby’s Motel (June 26th, 2020)
Orlando Weeks — A Quickening (June 12, 2020)
John Craigie — Asterisk the Universe (June 12, 2020)
Kavus Torabi — Hip to the Jag (May 22, 2020)
Nadine Shah — Kitchen Sink (June 5, 2020)
Paul Weller — On Sunset [Deluxe Edition] (3rd July, 2020)
Corb Lund — Agricultural Tragic (June 26, 2020)
Christine Ott — Chimères (pour ondes Martenot) (May 22, 2020)
The Beths — Jump Rope Gazers (July 10th, 2020)
Ashley Paul — Window Flower (May 13, 2020)
Grey Daze — Amends [Deluxe Edition] (July 3, 2020)
Grey Daze ©Photo credit: Anjella / Sakiphotography
Ajimal — As It Grows Dark / Light (June 26, 2020)
Ajimal — As It Grows Dark Light (June 26, 2020)
Eleanor Friedberger — Rebound (May 4th, 2018)
ELEANOR FRIEDBERGER — NEW VIEW (January 22, 2016)
Immigrant Union — Judas (June 19, 2020)
Julianna Barwick — Healing Is a Miracle [Japan Edition] (2020)
Neil Young & Crazy Horse — Colorado (Oct. 25, 2019)
Neil Young — Homegrown (19th June, 2020)
The Jayhawks — XOXO (July 10, 2020)
Joy Division — Closer (40th Anniversary) [2020 Digital Master] (
Daniel Bachman — The Morning Star (July 27, 2018)
Daniel Bachman — Green Alum Springs (June 6, 2020)
Becca Mancari — The Greatest Part (June 26, 2020)
Ytamo — Vacant (June 12, 2020)
Bright Eyes — Down In The Weeds, Where The World Once Was (Aug.
Thin Lear — Wooden Cave (24th July, 2020)
Devendra Banhart — Vast Ovoid (July 24, 2020)
Cub Sport — LIKE NIRVANA (24 July, 2020)
Sara Serpa — Recognition (June 5th, 2020)
Sara Serpa, Ingrid Laubrock, Erik Friedlander — Close Up (2018)
Klara Lewis — Ingrid (1st May 2020)
Buju Banton — Upside Down (June 26, 2020)
Son Lux — Learning Structures vol. 1~4 (Oct. 11th, 2019)
learning structures, vol. 3 distance between us (Oct. 11, 2019)
learning structures, vol. 2: end firma
learning structures, vol. 3: distance between us
The Boomtown Rats — Citizens of Boomtown (13 March, 2020)
Ralph of London — The Potato Kingdom (19th June, 2020)
Mike Polizze — Long Lost Solace Find (July 31, 2020)
Land of Talk — Indistinct Conversations (July 31, 2020)