| Beth Orton |
| Pass in Time: The Definitive Collection [2CD] (20 September, 2003) |
![Beth Orton — Pass in Time: The Definitive Collection [2CD] (20 September, 2003)](/obrazek/3/640-2-cd-jpg/ "Beth Orton — Pass in Time: The Definitive Collection [2CD] (20 September, 2003)")
Beth Orton — Pass in Time: The Definitive Collection [2CD]
⦿ Tato úžasná sbírka má druhý bonusový disk, který se vyznačuje spoluprací s ostatními umělci, remixy a b~stranami. Povšimni si rozdílných délek písní oproti originálním verzím.
Birth name: Elizabeth Caroline Orton
Born: 14 December 1970, East Dereham, Norfolk, England
Location: Norwich ~ London, England, UK
Instruments: Vocals, acoustic guitar
Genre: Folktronica, Adult Alternative, Folk Pop/Rock
Styles: Alternative Singer/Songwriter, Alt/Indie Rock, Indie Electronic, Experimental
Album release: 20 September, 2003
Record Label: Heavenly / BMG
Duration: 74:06 + 45:42 => 119:48
Tracks:
CD 1
01 She Cries Your Name 4:48
02 Someone’s Daughter 3:37
03 Touch Me With Your Love 5:29
04 Sugar Boy 4:22
05 Galaxy Of Emptiness 10:09
06 I Wish I Never Saw The Sunshine 4:46
07 Best Bit 4:18
08 The Same Day 4:54
09 Stolen Car 5:29
10 Sweetest Decline 5:41
11 Pass In Time 7:19
12 Central Reservation (The Then Again Version) 3:59
13 Concrete Sky 4:35
14 Thinking About Tomorrow 6:40
CD 2
01 Central Reservation (Spiritual Life — Ibadan Remix) 4:06
02 Where Do I Begin, feat: The Chemical Brothers 6:35
03 Stars All Seem To Weep 5:11
04 Safety 2:11
05 Pedestal 4:57
06 Dolphins, feat: Terry Callier 4:19
07 It’s Not The Spotlight 3:56
08 Don’t Wanna Know ‘Bout Evil 5:33
09 Where Do You Go 3:47
10 Water From A Vine Leaf, feat: William Orbit 5:07
Written by:
Disc 1:
⦿ William Orbit / Beth Orton 1
⦿ Ted Barnes / Ali Friend / Beth Orton 2, 3, 4, 5
⦿ Jeff Barry / Ellie Greenwich / Phil Spector 6
⦿ Beth Orton 7, 8, 10, 11, 12
⦿ Ted Barnes / Will Blanchard / Beth Orton / Sean Read 9
⦿ Johnny Marr / Beth Orton 13
⦿ Ted Barnes / Beth Orton / Sean Read / Sebastian Steinberg 14
Disc 2:
⦿ Beth Orton 1, 3, 4, 5
⦿ Ed Simons 2
⦿ Fred Neil 6
⦿ Gerry Goffin / Barry Goldberg 7
⦿ John Martyn 8
⦿ William Orbit / Beth Orton 9, 10
© BETH ORTON. British indie rock vocalist and song writer Beth Orton performs at the Avalon Rock Club in Boston, Saturday, April 8, 2006. (Robert E. Klein)
Credits:
⦿ Ryan Adams Guest Artist, Guitar (Electric), Piano, Vocals
⦿ Ted Barnes Bouzouki, Composer, Guitar, Guitar (Ac. + El.), Mandolin
⦿ Jeff Barry Composer
⦿ Nia Bevan Violin
⦿ James Blackwell Engineer
⦿ Will Blanchard Composer, Drums, Tambourine
⦿ Dave Boulter Harmonium, Organ
⦿ Andy Bradfield Mixing Engineer
⦿ Catherine Browning Violin
⦿ Toby Bush Engineer
⦿ Terry Callier Collaboration, Guest Artist, Guitar, Vocals, Vocals (Background)
⦿ Y Cee Flute
⦿ The Chemical Brothers Collaboration, Guest Artist, Producer
⦿ Joachim “Joe” Clausell Producer, Remixing
⦿ Calina de la Mare Violin
⦿ Wendy DeSaint Paer Violin
⦿ Grainne Devine Project Coordinator
⦿ Beki Doe String Arrangements, Violin
⦿ Bosco d’Olivera Percussion
⦿ Dr. John Piano
⦿ Martin Duffy Organ, Piano
⦿ Electric Strings Strings
⦿ Peven Everett Keyboards
⦿ Mordy Ferber Guitar (Acoustic)
⦿ Dave Friedman Vibraphone
⦿ Ali Friend Composer, Double Bass, Guitar (Bass)
⦿ Richard George Violin
⦿ Ian Gimble Producer
⦿ Gerry Goffin Composer
⦿ Barry Goldberg Composer
⦿ Lascelles Gordon Percussion
⦿ Howard Gott String Arrangements, Violin
⦿ Ruth Gottlieb Violin
⦿ Vincent Greene Viola
⦿ Ellie Greenwich Composer
⦿ Giles Hall String Engineer, Vocal Engineer
⦿ Ben Harper & the Innocent Criminals Guitar
⦿ Sam Harris Photography
⦿ Peter Hill Assistant
⦿ Robert Howard Mixing Engineer, Producer
⦿ Alex Hutchinson Design
⦿ Matt Johnson Drums
⦿ Christopher Koh Violin
⦿ Oliver Kraus Cello, String Arrangements
⦿ Jan “Stan” Kybert Digital Editing
⦿ Caroline LaVelle Conductor
⦿ Johnny Marr Composer
⦿ John Martyn Composer
⦿ Tasha Lee McCluney Vocals (Background)
⦿ Dick Meaney Engineer, Mixing Engineer
⦿ Jerry Meyhan Guitar (Bass)
⦿ Scott Minor Percussion
⦿ Daniel Moreno Percussion
⦿ Tim Myall Violin
⦿ Fred Neil Composer
⦿ Andy Nice Cello
⦿ Hugo Nicholson Engineer, Mixing Engineer
⦿ Ellen Nolan Photography
⦿ Jacqueline Norrie Violin
⦿ Sean O’Hagan Liner Notes
⦿ Henry Olsen Bass, Bass (Electric)
⦿ William Orbit Beats, Collaboration, Composer, Guitar, Keyboards, Mixing, Performer, Producer
⦿ Beth Orton Composer, Guitar, Guitar (Acoustic), Performer, Producer, Rhythm King, Vocals
⦿ Brian O’Shaughnessy Engineer, Mixing, Producer
⦿ Federico Panero Engineer
⦿ Adam Peters Conductor, Keyboards, String Arrangements
⦿ Jeff Peters Photography
⦿ Sean Read Composer, Engineer, Harmonium, Keyboards, Mixing, Piano
⦿ Dean Ross Piano
⦿ Sophie Sarota Viola
⦿ Gideon Schaltman Engineer
⦿ Ed Simons Composer
⦿ Fred Smith Bass (Electric)
⦿ Trevor Smith Engineer
⦿ Phil Spector Composer
⦿ Lee Spencer Keyboards
⦿ Robert Spriggs Viola
⦿ Sebastian Steinberg Composer, Guitar (Bass)
⦿ Mark “Spike” Stent Mixing
⦿ Jerome Sydenham Producer, Remixing
⦿ Keith Tenniswood Engineer
⦿ Victor Van Vugt Engineer, Mixing, Producer, Programming
⦿ Dmitri VanZwanenburg Violin
⦿ P~Dub Walton Assistant
⦿ Becca Ware Viola
⦿ Ben Watt Beats, Engineer, Guitar, Keyboards, Mix, Prod., Programming, Sounds
⦿ Andrew Weatherall Mixing, Re~Produced
⦿ Lucy Wilkins Violin
⦿ Dave Williams Violin
⦿ Sara Wilson Cello, String Arrangements
⦿ John Wood String Engineer, Vocal Engineer
⦿ Brian G. Wright Violin
⦿ Youth Producer
AllMusic Review by MacKenzie Wilson; Score: ****
→ BMG UK gathered nearly all of Beth Orton’s brightest moments for Pass in Time: The Definitive Collection. This double~disc set does a decent job presenting Orton’s undeniable gift as an artist, and those who are introduced to her for the first time here will be thoroughly impressed. Those longtime fans who already own her first three albums and the Best Bit EP might be puzzled at Pass in Time’s unfashionably early arrival; however, the 24~song compilation merits the same consideration given to Orton’s previous work. The second disc of B~sides, rarities, and remixes is more than enough to warrant attention, for the ten~song selection includes her stunning collaborations with the Chemical Brothers (“Where Do I Begin”), Terry Callier (“Dolphins”), and William Orbit (“Water from a Vine Leaf”). The original B~side to “She Cries Your Name,” “It’s Not the Spotlight” was exclusively reworked for Pass in Time, but the biggest surprise lies in the inclusion of two tracks from her Superpinkymandy album. With a little nudge from Orbit, Orton first introduced herself with this experimental~dance effort, which was only available in Japan and is now out of print. The glittering electronic twist of John Martyn’s “Don’t Wanna Know ‘Bout Evil” and the gentle humming of “Where Do You Go?” give a glimpse of Orton’s pre~commercial solo days. Pass in Time is a worthwhile collection, but the time of its release remains in question. Orton has just gotten started and her work is far from conclusive.
Website: http://www.bethortonofficial.com/
Twitter: https://twitter.com/beth_orton
⦿⦿⦿⦿⦿_____________________________________________⦿⦿⦿⦿⦿
| Beth Orton |
| Pass in Time: The Definitive Collection [2CD] (20 September, 2003) |
⦿ Tato úžasná sbírka má druhý bonusový disk, který se vyznačuje spoluprací s ostatními umělci, remixy a b~stranami. Povšimni si rozdílných délek písní oproti originálním verzím.
Born: 14 December 1970, East Dereham, Norfolk, England
Location: Norwich ~ London, England, UK
Instruments: Vocals, acoustic guitar
Genre: Folktronica, Adult Alternative, Folk Pop/Rock
Styles: Alternative Singer/Songwriter, Alt/Indie Rock, Indie Electronic, Experimental
Album release: 20 September, 2003
Record Label: Heavenly / BMG
Duration: 74:06 + 45:42 => 119:48
Tracks:
CD 1
01 She Cries Your Name 4:48
02 Someone’s Daughter 3:37
03 Touch Me With Your Love 5:29
04 Sugar Boy 4:22
05 Galaxy Of Emptiness 10:09
06 I Wish I Never Saw The Sunshine 4:46
07 Best Bit 4:18
08 The Same Day 4:54
09 Stolen Car 5:29
10 Sweetest Decline 5:41
11 Pass In Time 7:19
12 Central Reservation (The Then Again Version) 3:59
13 Concrete Sky 4:35
14 Thinking About Tomorrow 6:40
CD 2
01 Central Reservation (Spiritual Life — Ibadan Remix) 4:06
02 Where Do I Begin, feat: The Chemical Brothers 6:35
03 Stars All Seem To Weep 5:11
04 Safety 2:11
05 Pedestal 4:57
06 Dolphins, feat: Terry Callier 4:19
07 It’s Not The Spotlight 3:56
08 Don’t Wanna Know ‘Bout Evil 5:33
09 Where Do You Go 3:47
10 Water From A Vine Leaf, feat: William Orbit 5:07
Written by:
Disc 1:
⦿ William Orbit / Beth Orton 1
⦿ Ted Barnes / Ali Friend / Beth Orton 2, 3, 4, 5
⦿ Jeff Barry / Ellie Greenwich / Phil Spector 6
⦿ Beth Orton 7, 8, 10, 11, 12
⦿ Ted Barnes / Will Blanchard / Beth Orton / Sean Read 9
⦿ Johnny Marr / Beth Orton 13
⦿ Ted Barnes / Beth Orton / Sean Read / Sebastian Steinberg 14
Disc 2:
⦿ Beth Orton 1, 3, 4, 5
⦿ Ed Simons 2
⦿ Fred Neil 6
⦿ Gerry Goffin / Barry Goldberg 7
⦿ John Martyn 8
⦿ William Orbit / Beth Orton 9, 10
Credits:
⦿ Ryan Adams Guest Artist, Guitar (Electric), Piano, Vocals
⦿ Ted Barnes Bouzouki, Composer, Guitar, Guitar (Ac. + El.), Mandolin
⦿ Jeff Barry Composer
⦿ Nia Bevan Violin
⦿ James Blackwell Engineer
⦿ Will Blanchard Composer, Drums, Tambourine
⦿ Dave Boulter Harmonium, Organ
⦿ Andy Bradfield Mixing Engineer
⦿ Catherine Browning Violin
⦿ Toby Bush Engineer
⦿ Terry Callier Collaboration, Guest Artist, Guitar, Vocals, Vocals (Background)
⦿ Y Cee Flute
⦿ The Chemical Brothers Collaboration, Guest Artist, Producer
⦿ Joachim “Joe” Clausell Producer, Remixing
⦿ Calina de la Mare Violin
⦿ Wendy DeSaint Paer Violin
⦿ Grainne Devine Project Coordinator
⦿ Beki Doe String Arrangements, Violin
⦿ Bosco d’Olivera Percussion
⦿ Dr. John Piano
⦿ Martin Duffy Organ, Piano
⦿ Electric Strings Strings
⦿ Peven Everett Keyboards
⦿ Mordy Ferber Guitar (Acoustic)
⦿ Dave Friedman Vibraphone
⦿ Ali Friend Composer, Double Bass, Guitar (Bass)
⦿ Richard George Violin
⦿ Ian Gimble Producer
⦿ Gerry Goffin Composer
⦿ Barry Goldberg Composer
⦿ Lascelles Gordon Percussion
⦿ Howard Gott String Arrangements, Violin
⦿ Ruth Gottlieb Violin
⦿ Vincent Greene Viola
⦿ Ellie Greenwich Composer
⦿ Giles Hall String Engineer, Vocal Engineer
⦿ Ben Harper & the Innocent Criminals Guitar
⦿ Sam Harris Photography
⦿ Peter Hill Assistant
⦿ Robert Howard Mixing Engineer, Producer
⦿ Alex Hutchinson Design
⦿ Matt Johnson Drums
⦿ Christopher Koh Violin
⦿ Oliver Kraus Cello, String Arrangements
⦿ Jan “Stan” Kybert Digital Editing
⦿ Caroline LaVelle Conductor
⦿ Johnny Marr Composer
⦿ John Martyn Composer
⦿ Tasha Lee McCluney Vocals (Background)
⦿ Dick Meaney Engineer, Mixing Engineer
⦿ Jerry Meyhan Guitar (Bass)
⦿ Scott Minor Percussion
⦿ Daniel Moreno Percussion
⦿ Tim Myall Violin
⦿ Fred Neil Composer
⦿ Andy Nice Cello
⦿ Hugo Nicholson Engineer, Mixing Engineer
⦿ Ellen Nolan Photography
⦿ Jacqueline Norrie Violin
⦿ Sean O’Hagan Liner Notes
⦿ Henry Olsen Bass, Bass (Electric)
⦿ William Orbit Beats, Collaboration, Composer, Guitar, Keyboards, Mixing, Performer, Producer
⦿ Beth Orton Composer, Guitar, Guitar (Acoustic), Performer, Producer, Rhythm King, Vocals
⦿ Brian O’Shaughnessy Engineer, Mixing, Producer
⦿ Federico Panero Engineer
⦿ Adam Peters Conductor, Keyboards, String Arrangements
⦿ Jeff Peters Photography
⦿ Sean Read Composer, Engineer, Harmonium, Keyboards, Mixing, Piano
⦿ Dean Ross Piano
⦿ Sophie Sarota Viola
⦿ Gideon Schaltman Engineer
⦿ Ed Simons Composer
⦿ Fred Smith Bass (Electric)
⦿ Trevor Smith Engineer
⦿ Phil Spector Composer
⦿ Lee Spencer Keyboards
⦿ Robert Spriggs Viola
⦿ Sebastian Steinberg Composer, Guitar (Bass)
⦿ Mark “Spike” Stent Mixing
⦿ Jerome Sydenham Producer, Remixing
⦿ Keith Tenniswood Engineer
⦿ Victor Van Vugt Engineer, Mixing, Producer, Programming
⦿ Dmitri VanZwanenburg Violin
⦿ P~Dub Walton Assistant
⦿ Becca Ware Viola
⦿ Ben Watt Beats, Engineer, Guitar, Keyboards, Mix, Prod., Programming, Sounds
⦿ Andrew Weatherall Mixing, Re~Produced
⦿ Lucy Wilkins Violin
⦿ Dave Williams Violin
⦿ Sara Wilson Cello, String Arrangements
⦿ John Wood String Engineer, Vocal Engineer
⦿ Brian G. Wright Violin
⦿ Youth Producer
→ BMG UK gathered nearly all of Beth Orton’s brightest moments for Pass in Time: The Definitive Collection. This double~disc set does a decent job presenting Orton’s undeniable gift as an artist, and those who are introduced to her for the first time here will be thoroughly impressed. Those longtime fans who already own her first three albums and the Best Bit EP might be puzzled at Pass in Time’s unfashionably early arrival; however, the 24~song compilation merits the same consideration given to Orton’s previous work. The second disc of B~sides, rarities, and remixes is more than enough to warrant attention, for the ten~song selection includes her stunning collaborations with the Chemical Brothers (“Where Do I Begin”), Terry Callier (“Dolphins”), and William Orbit (“Water from a Vine Leaf”). The original B~side to “She Cries Your Name,” “It’s Not the Spotlight” was exclusively reworked for Pass in Time, but the biggest surprise lies in the inclusion of two tracks from her Superpinkymandy album. With a little nudge from Orbit, Orton first introduced herself with this experimental~dance effort, which was only available in Japan and is now out of print. The glittering electronic twist of John Martyn’s “Don’t Wanna Know ‘Bout Evil” and the gentle humming of “Where Do You Go?” give a glimpse of Orton’s pre~commercial solo days. Pass in Time is a worthwhile collection, but the time of its release remains in question. Orton has just gotten started and her work is far from conclusive.
Website: http://www.bethortonofficial.com/
Twitter: https://twitter.com/beth_orton